Introducing Indigenous Music through the Junos

3 weeks. 6 days. 23 hours. 5 minutes and 6 seconds.

As of the writing of this blog, that is exactly how much time there is until the unveiling of the 2018  Junos.

In preparation for this monumental event, my grade four classes and I have been focusing on one particular category. We will be taking on the role of “judge” and making our own decisions about who we think should win the Juno in the category of Indigenous Music Album of The Year.

For those who are unfamiliar with this category at the Juno, to win the award, 50% of your album music must include either traditional forms, hand drums/flutes, Inuit throat singing or Métis and other fiddling. The nominees may also fuse contemporary music with traditional styles and/or reflect the aboriginal experience in Canada through words or music.

There is an incredibly musically diverse group of nominees this year in this category. The nominees are fantastic examples of a variety of musical genres, diverse instruments and singing styles.

I have focused on two curriculum expectations when introducing the music:

C2.1 express detailed personal responses to musical performances in a variety of ways
C3.2 demonstrate an awareness, through listening, of the characteristics of musical forms and traditions of diverse times, places, and communities
In each class, we have listened to one piece of music for each performer and the students have had a choice to draw, write or orally share their thoughts about the music. I have given them some guiding questions for them to think about during their response: “How does this performance make you feel?” “What do you think is the message of this song?” “Why do you think the composer wrote this piece?” “Describe the music elements that you are hearing.” “How do the elements help create the mood of the music?”  I also stress with them the idea that their personal response must be detailed and the phrase “I like the music” is not enough.
After we have shared our responses, I introduce one aspect about the characteristics of indigenous music that no one shared in the class. Some examples include explanations about PowWow music, historical context for some of the lyrics, singing style, or instruments included.  Below are the five nominees for this year’s Juno awards, the music videos I used in class, and a bit of information and links to get you started in preparing your class for a fun Indigenous music exploration.
Kelly Fraser      Album: Sedna
Kelly Fraser rose to fame in my world with the viral video of her singing a cover of Rihanna’s Diamonds in Inuktitut. Learn more in the article Kelly Fraser-Revitalizing Inuktitut by singing Rihanna

She has been nominated this year for the album “Sedna” that includes the track “Fight for the Right”. The song is a combination of English and Inuktitut. This song has a direct message against land ownership. This was a song written in May 2016 to encourage people to vote “No” against the referendum happening in Nunavut that asked the question “Do you want the municipality of (city or hamlet name) to be able to sell municipal lands?”

Some additional resources for information about Kelly Fraser

Kelly Fraser

Kelly Fraser-Facebook page

 

DJ Shub    Album-PowWow Step

DJ Shub has just started a solo career. He used to perform with the talented group a “Tribe Called Red” that fuses hip hop and electronic music with traditional drums and voice. DJ Shub has continued that tradition, and his video for Indomitable ft. Northern Cree Singers is a celebration of culture and community. An article with DJ Shub can be found at DJ Shub PowWow Step.

dj Shub’s Website

 

Buffy Sainte-Marie     Album: Medicine Songs

Buffy Sainte-Marie’s new album is full of old and new songs that will encourage any young person to become an activist. Her new song “You Got To Run” from her Medicine Songs album has an amazing message about believing in one’s own power. Medicine Songs Article, Medicine Songs Article CBC

Buffy’s Website

IsKwé    Album: The Fight Within

Iskwe is Cree and Irish, and the word “Iskwe” means “woman”. Iskwe has created her music to counter the stereotypes people have and push back against the idea that indigenous people won’t or can’t succeed.

Influences behind “The Fight Within”

Indian City  Album: Here and Now

Indian City is a band that has performed all over North America. The band uses dancers, musicians and imagery to represent the vibrant indigenous culture in Canada.

Indian City’s Website

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The Author

Tammy Axt

I am a music teacher at Red Willow Public School in the Peel District School Board. I love supporting students through the creative process and grooving to music! My interests include running and trying to learn how to ride a motorcycle.

1 Comment

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  1. Monica says:

    What a great task you set for your Grade 4’s…thank you for sharing your great work and highlighting the music of these artists!

    Monica

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