From Teacher Directed to Student Directed Learning

 

As a new teacher or a teacher with many years experience, you hear about the importance of planning for student-directed learning in the classroom. Keeping this approach in mind as you plan in all subject areas benefits student learning and also benefits the teacher. Benefits include:

  • Engaged students – most students want the opportunity to talk as they learn, not just listen. When made to only listen, they look for distractions and classroom management issues often arise. If students are provided time to collaborate on a topic that interests them, they are engaged in the process and positive learning outcomes are the result.
  • Student interest – this leads to the content. Provide students with choice and select topics within the curriculum expectations that are of interest to your group of students. Students will demonstrate more initiative and take more responsibility for their own learning if they have choice of relevant topics. For example, in my grade 6/7 class, I modelled writing a monologue from the perspective of a character. Then, the students were all provided with a rubric to create their own dramatic monologue based on a character of their choice from a book from their choice.
  • Differentiated instruction – allowing choice of topic or type of presentation/project differentiates for the range of learners. Again, as an example from the monologue assignment, struggling readers selected books like Diary of a Wimpy Kid, while others selected more challenging texts like Journey to Jo’burg. Similarly, students will select an option for a project on what they are comfortable with (creating a slideshow vs. a video). By allowing students choice, you are more inclusive, not lowering your expectations for those who can surpass them, or challenging your lower level students to frustration. And as a result, the students who select the more accessible choice, often learn from the students who are demonstrating success with a more challenging topic or type of presentation.
  • Assessment – student-directed learning allows time for ongoing assessment. I have spoken to teachers who plan detailed lessons and present to the class in a lecture style format with little time for collaboration or independent research. These teachers lament that student’s aren’t “listening” enough. They also wait until the end of unit to assess students with a paper/pencil task. By facilitating students in a more self-directed approach, teachers can support student where they are at with resources and mini-lessons for those who need it. Why provide the same lesson to the whole class if they do not all need it? When students are working in small groups or pairs, or even independently, the teacher is provided the time to interact with students, find out where they are in their understanding and provide the necessary support (assessment for learning).
Student-directed learning isn’t students learning on their own. It is more like students learning within a framework set up by the teacher, and supported by the teacher. It benefits all those involved!

 

 

 

 

 

Why I Love Teaching “Unusual” Things

I have a bit of a reputation for being a quirky teacher. My students can often be found in the hallways at school, engaged in some strange new whim that I have managed to tie into the curriculum in some way. There just isn’t enough room in a traditional classroom for my students to really get into their work without feeling cramped or overwhelmed by the proximity of other sutdents.

Up until this year, my classroom was located on the second floor of the school, surrounded by other hard-working classes with students who were much quieter and more studious than my boisterous, exuberant class. I think I know why I was moved to the bottom floor this year, and I can sum it up in one word: ukulele. I’ve talked about teaching ukulele before – about how it benefited me tremendously, because I never have to teach dance any more.

What I didn’t really talk about was how the ukuleles – and other unusual undertakings like them – benefit my students.

First, let me tell you a little bit about some of the more unusual or exciting projects my students have worked on over the last few years:

– Melted crayon art: Using hair dryers, hot glue guns, bristol board, and a lot of patience, my Grade 5s explored physical changes of matter by using wax crayons to create works of art for our annual art show.

– Original musical compositions: Using online musical notation software, my Grade 5s composed original pieces of music to accompany short stories they wrote for French Writing. The following year, I had my Grade 5s use the same software to create pieces of music that represented different fractions. One activity, multiple curriculum connections!

– Board games: In Mathematics, my Grade 4s and 5s created their own versions of the popular board game “Carcassonne” to explore fractions and probability.

– Quilts: For our art show last year, my Grade 4s and 5s designed and created small quilts using sewing machines and donated fabric. The quilts were auctioned off and the proceeds were donated to charity. This project was a part of both our Mathematics and Visual Arts programs.

– Dream homes: I have had Grade 4s and 5s design their “dream home” using a set of parameters (specific area and perimeter, specific rooms they must include, etc.).

– Weblogs: As part of my Language Arts curriculum, I have had my Grade 4s and 5s create personal weblogs (password protected) where they responded to writing prompts, wrote about their lives, and read and responded to peers’ posts.

It has been a phenomenal experience teaching my students to do these things. Some of them are REALLY fun, some of them are REALLY hard, but they have all been beneficial. These projects have allowed my students to explore the curriculum in ways that they wouldn’t have imagined on their own.

You’ll notice that a lot of them have to do with Mathematics – and that’s been a conscious focus on my part. When I ask my students at the beginning of the year what their favourite and least favourite subjects are, the majority of my students list Math as one of their least favourite subject. I try to change that by having them look at Math in a different way. A lot of my students don’t realize, at the beginning of the year, that Math is an integral part of music and graphic design. It’s exciting to watch them discover fractions and patterns in a musical composition, or figure out ratios to make different colours in visual art, or carefully and painstakingly measure out quilt squares to ensure that they will fit within the design they have envisioned. These activities help my students see that Mathematics has more to do with everyday life than just adding up numbers or memorizing multiplication facts. They see why Math is important to learn and how they might actually use it in the future. It is made less abstract by being placed in a real world context.

The blogs, on the other hand, give my students a purpose for their writing that goes beyond “writing in a notebook that only my teacher will see.” Their voices as writers change when they are writing for their peers instead of their teacher. It’s exciting to watch them interact in their second (or third, or fourth…) language through the comments on their weblogs. It’s also a way for them to make connections with other students that they might never have spoken to or sought out before. I have watched new friendships form in our protected online sphere, then watched as those students brought that friendship into the real life classroom. By having them write for one another instead of me, I find that my students are more willing to take risks with their writing and worry less about getting it “perfect.” They have fun. They talk about things they wouldn’t have talked about before. They enjoy writing.

These projects take a lot of forethought and preparation. They are not small undertakings by any means, nor are they particularly easy. There is a learning curve with these kinds of things, and not all students will enjoy all of these activities. It’s worth doing things a little outside the traditional realm of teaching, though. I’ve never seen some of my students laugh as much as they do when they’re making up a ridiculous song on the ukulele about smelly feet. I also never imagined that a group of very athletic, very boyish boys would take quilt design and sewing quite as seriously as some of my students did last year.

The best part, though, is seeing every student in my class find something to be proud of. Sometimes it’s the fact that they got up and performed a song in front of the class, other times it’s the new skill they learned, other times it’s that they actually knew HTML before I taught students how to make weblogs and they were able to jump in and help other students learn. It is really exciting and rewarding to see my students engaged in these activities and taking charge of their learning.

Even if I’m a giant disruption to my colleagues when I take over the foyer of the school with six sewing machines (and 50 students) every Monday morning for two months straight… or when my 25+ students are scattered through the halls of the schools plucking away at the strings of their (mostly out of tune) ukuleles… or when we blow a breaker on one side of the school with all our hair dryers so none of the hallway outlets work.

I am that teacher. My students are those students.

We have a LOT of fun learning.

Photo of Samantha Perrin

It’s OK to Scrap a Lesson

As teachers, we are obliged to make plans every day for every block we teach.  Planning ahead can make everyone’s life so much easier and it is a necessity for a well-run classroom.

In Teacher’s College, I recall the lesson plans we had to create, in painstaking detail, indicating what our learning objectives were, how we would prepare, motivate , teach, assess and evaluate our students, what materials we would need to make it all happen and how many minutes each activity would take from start to finish.

Because planning is such a big part of our daily lives, it is no wonder we may not feel comfortable scrapping our plans right in the middle of a lesson. I’ve got stories of lessons which were not my best that I’ve suddenly changed so that everyone is happier and more productive, but I’d like to share a recent experience where a student encouraged me to scrap my lesson for something better.

Last week, I read a lovely book to my class called, “Whoever You Are” written by Mem Fox. The story is simple but straightforward and the illustrations by Leslie Staub are magical with vibrant colours and beautiful, clear images. The story reads more like a poem as it reminds us that we are all different in what we may eat, how we dress, where we live, or how we write our languages, but that we all feel joy and pain the same way. It was a perfect book to read during Anti-Bullying week because of its gentle message celebrating cultural diversity.

When I finished reading, I prepared the students for a reader’s reflection by noting some of their comments and opinions on chart paper. Before long, the page was full and it was clear that they had nailed it with comments like, “we are all different AND we are all the same” and “we are all special for different reasons.” I was so happy with their ideas as they began writing in their journals using ideas from our long list.

After about 2 minutes, I interrupted the class, quite excited about an idea I had. I told them that what they had just collaborated on – the long page of comments and insight about the book – could in turn be made into our own book about ‘belonging’. Each student could take a section of the list, write it neatly on a page and make an illustration to go with it. Then we could make a cover, and ‘publish’ it for our school library. The students got excited about the idea while they listened and tried to work in their notebooks.

Then, one of my students asked simply, “Could we make the book now?” It took me a split second to make my decision. The energy started to rise as I made an effort to explain the notion of Carpe Diem (Seize the Day), while searching for the right paper for good copies and the students chose which section of the list they wanted to illustrate. After a brief ‘writers’ meeting’ to discuss criteria for the book, they all got down to work. I have quite a range of abilities and challenges in my Grade 3 class and they are not great at transitions, but on this afternoon, even with this sudden switch in gear, everyone was fully engaged and focussed on their task.

Although the book idea came from me, the idea to scrap my lesson and start working on the book right away came from a student. And he was right.

Photo of Tammy Axt

Teaching Students who are Hard of Hearing

This is the second year that I have had a couple of students who are hard of hearing in my music classroom. How do you teach someone to sing or play instruments when they can’t hear the sound they are producing? This is the question that I was faced with last year. After some trial and error and a brand new book “Music for Children with Hearing Loss” by Lyn Schraer-Joiner, I am by no means an expert, but I have learned a few things.
First and foremost, the students that I have act just like any other student in my class and want to be treated as such. They do not like to be singled out or have any attention brought to them, so when I make modifications to the program for them I try to be subtle about my changes.

When the two classes come to see me for music, I am very aware of a few things:
1) I only speak when I am facing the students. I do not speak when I am facing down to play an instrument or when my body is turned to the blackboard.
2) I ensure that the students who are hard of hearing are beside a good model for singing songs. This can be a skilled student or myself.
3) When I am speaking one on one with the students who are hard of hearing I lean down to their level. I speak normally and do not overemphasize any words.
4) In all of my other classes, I do not repeat the answers that have been given by students during class discussions as I feel that it diminishes their voice. The exception to this rule is in my classes with my students who are hard of hearing.
5) I bring manipulatives beside my mouth so that the students can focus on my mouth and the manipulative at the same time.
6) Brand new learning for me this year was to place the soprano glockenspiel, xylophone or metallophone on a raised music stand or table as this will make it closer to the chest cavity, which will help the student hear the instrument more clearly.
7) When I do activities where the students have to match the feeling of the music on the piano, I arrange it so my students who are hard of hearing are closer to the piano as the notes get higher.
In a nutshell, after working with my students who are hard of hearing, their singing and instrument playing have really improved over the course of the year or so during which I have taught them. Singing and instrument playing is a skill that all can achieve given the right instructional practices.

Photo of Samantha Perrin

Becoming an Ally in the Classroom

At a recent staff meeting, I was asked to present and discuss the contents of an Indigenous Resource Bundle issued from our school board. The ‘bundle’ consists of about 20 beautiful books written by Indigenous authors and educators. Topics vary from learning about your ABCs and colours in English, French, Inuktitut, Cree and Algonquin, as well as, the residential schools legacy, legends, famous First Nations, Métis and Inuit history makers, and treaties.  I was given 10 minutes to present the books and to offer suggestions on how they may be used in the classroom.  For the amount of material to be discussed and the volume of information contained therein, the time was far too short, especially considering that so many teachers are new to this reality. Because the fact is, although the reality has always been there, it was never taught to Canadian school children until very recently.

Will these resources, beautiful and rich as they are, be used in our school? I am not so sure. Like the substantial LGBTQ book collection the school board presented to us last year, these books will likely be signed out by only a few teachers who remember they are there or who are motivated to include them in their lesson plans because they attended the in-service or because they have a genuine interest and personal connection with the material. This does not mean that teachers don’t care. It does mean that they may not know how to find the time to include this perspective in their lesson plans.

Our lives as teachers are already quite weighed down by new literacy and math initiatives, new curriculum documents, new strategies to increase levels of engagement of our students, etc., and when someone comes along and expects us to teach, on top of all we are doing already, something we have never learned, we feel overwhelmed.  No wonder so many of us ask, ‘If we don’t understand it, how can we help our students to understand it?’

My only suggestion is that you begin by taking a book with an Aboriginal perspective and reading it to your class. Your journey will begin with the students’. You will not be expected to know all the answers to their questions. But you will have empathy and show, by learning and discussing, that you are willing to bridge the enormous gap that was the status quo for so very long. By reading one book with your students and asking what they thought while you were reading it – in my case, 8 year old urban students in 2014 learning about 8 year old Aboriginal students being removed by the government from their families and communities to go to school – you will never look back. Your perspective will change.  It will mean that you will have to bring up the c-word – colonization.  It is OK to tell them that because of colonization, you never learned about treaties or the Seven Grandfathers or residential schools when you were young. It may be a challenge to start such a dialogue, but this is our collective history as Canadians, and as educators, we are beholden to transmit history as accurately as possible, with the help of new curriculum, new resources, and new understanding. As the title of the book so clearly says, ‘We are all Treaty People’, we just may not realize how.

Reading one book may then make it easier to consider contacting the Métis Nation of Ontario, or a local Inuit Centre or First Nations’ Friendship Centre to invite a Métis Senator, or an Inuit or First Nations’ Elder to your class to talk to your students about something you would like to learn more about. Reach out. Ask questions. Read books to your class. Once you do, you become an ally. Becoming an ally, means you become part of a community for a mutually beneficial reason. Indigenous history is intrinsically part of Canadian history. Learning about it will enrich everyone’s lives.

Some titles to consider:

For Primary Students – When I was Eight and Not My Girl by Jordan-Fenton, Christy and Margaret Pokiak-Fenton

For Junior Students – Fatty Legs and Stranger at Home by Jordan-Fenton, Christy and Margaret Pokiak-Fenton

Arctic Stories by Kusugak, Michael Arvaarluk

Shin-Chi’s Canoe by Campbell, Nicola I., with illustrations by Kim LeFave

Shi Shi Ekto by Campbell, Nicola I., with illustrations by Kim LeFave

Rabbit and Bear Paws Series

As Long As The Rivers Flow by Larry Loyie

My Name is Seepeetza by Shirley Sterling

On-line resources:

-Metis Nation of Ontario Education Kit

http://www.metisnation.org/programs/education–training/education/metis-education-kit

-Residential School Legacy Exhibit resource for junior/intermediate students

http://wherearethechildren.ca/en/exhibition/

-Ontario Book Company offering Indigenous educational resources

http://www.goodminds.com/home

Photo of Tammy Axt

Teaching music to students with autism

I teach music to a contained class of students with autism once a week. On a mission to program effectively for these students, I have been consulting with our team of experts and reading some new resources. Two months into school, this is what my period with them looks like:
An important part of helping students with autism is providing structure to their program. There are no surprises in my class. The order of the day is visually presented on the black board. To prepare the schedule, I bought frame holders that were two for a dollar at the dollar store. Next, with the help of an amazing TA at our school who is a Board Maker whiz, I chose some visuals that will indicate what kind of activities we will be completing in class. The schedule is taken down as we go through each activity.

Next, a challenge for some people with autism is sensory experiences. My class starts with the instrument of the day to allow students the chance to hear, feel and touch a new instrument. So far this year, each student has had the chance to experience and explore with a saxophone, baritone and a snare drum in the “musician’s chair”. Students can feel, hear and see the instrument that they are playing and what kind of sound they can create with the instrument. There have been some minor hesitations on the part of a few students, but with some encouragement and support, all of the students have participated.

Next, we do some songs and instruments playing together as a group. My goal for the beginning part of the year has been to find songs that the students will engage in. Some songs that have been successful are “animal actions”, “jumping in the puddles” and “play and stop” with instruments. Trying to play melodies or specific rhythmic patterns hasn’t happened yet, but we will work towards that. I try to listen really closely to the students during this section of the class and follow their interests and skills. For example, when we were playing instruments recently, one student asked if we could make our playing into a parade. “Yes we can,” was my answer.
Then, to build a reward into the structure of the class, the students have a choice activity at the end of the period. They can choose something arts-related. I usually have drama (costumes), art (drawing or 3D building) or music materials (instruments) for the students to access in their own way. It is a great time to interact with the students while they are taking the lead and showing me their interests. (It has been helpful for gathering ideas for our next class.)

Challenges that I have witnessed include that I have an open classroom with no structural space in it. Whereas in their classroom, there are designated areas for certain tasks, my classroom is very open with few distinctive spaces. Also, transitions can be really difficult for some students with autism, and movement between rooms can be stressful. I have tried to pick an activity that is highly engaging to start every class in order to ease the stress of the transition.

Building relationships with parents is important to every student’s success. I have chosen to build the relationship with parents by sending home a book that we have been creating throughout the term. The book contains a section for each instrument we have played and interacted with. In each section it has a picture of the student playing the instrument, the name of the instrument and a listening response completed by the student. Whether it is high, low, loud or quiet. When the book is sent home right before the break, I will include a note explaining my goals for our music program this year.
Finally, I would recommend two resources to help you understand your students with autism. The first place to go to is the Ministry of Ontario’s resource called “Effective Educational Practices for Students with Autism”. This is a great introduction. Also, an amazing new book “Teaching Music to Students with Autism” by Alice M. Hammel has been very helpful in my experience.

Overheard in my Ontario classroom:
Outside my classroom right now there is a large sign that is a countdown to the arrival of the Canadian Opera Company. The first day my students saw the sign there was a lot of excitement as they came into the room. I was so impressed at how culturally mature they were. We started our class and as they were speaking to each other excitedly, I realized something: they didn’t understand that the opera was coming – they thought that Oprah was coming.

Adjustments in September

 

With all the plans we make for those first days and weeks in September, it is worth being open to making adjustments, for your benefit and the benefit of the students. Here are some examples of how I have adjusted the environment and the program in the first few weeks:

  • I have changed the layout twice. We were pleased to get 6 rectangular tables and 1 round table in the second week, but have rearranged them twice to suit the needs of the students. This means that there are two sets of tables put together seating groups of up to 12 students who like to work together, and one table seats only 4 students who require more personal space. I planned for an even distribution of students per table, but am responsive to their different requests regarding space and collaboration.
  • The area carpet was originally placed in one corner of the room for community discussions and knowledge building sessions. The students enjoyed these talks, but found it hard to get close when we are limited with only two accessible sides to the carpet for rows of chairs behind those who are seated on the carpet. So, I moved the carpet to the centre of the room and it connects to the small carpet area of our class library. Now there is less movement of chairs as students turn to the centre of the room for discussions and use the extended space of the class library to sit.
  • We took a Multiple Intelligence survey to get to know our own learning strengths and the strengths of all the students in the class. We continue to consider these and reflect on them by referring to graph compiled in the class to remind us.
  • I finally typed out my schedule last Thursday. It took me that long to juggle our literacy block and periods for Science and Social Studies with withdrawal for ESL and special education support. I have added 15 minutes of literacy to the end of our day when we review our agendas with a poetry cafe allowing dedicated time for the reading, sharing, and writing of poetry.
  • We introduced “Minutes for Mindfulness” each afternoon. After lunch and a transition for French class, some of the students had difficulty settling for a full-class discussion regarding our inquiry topic. I asked if they wanted to try some mindfulness techniques, and a new student shared a website/app called www.calm.com that his teacher used last year. This adjustment not only helps the students, but I benefit from the 2 minute relaxation exercises as well!
I am sure our class will continue to grow and change. Allowing for adjustments to your best made plans is necessary to be responsive in your teaching practice – and everyone will benefit.
Photo of Erin G

Technology in the Classroom – an Interesting Perspective

As schools are spending more to have technology more accessible to classrooms, the time students spend on computers is increasing.  In the past, I’d  never really had access to computers. The one I had in my classroom (when I had one) was so slow and dysfunctional it was basically useless. This year, one of the homeroom classrooms where I taught rotary French was also where the mobile computer lab was stored. My biggest management issue with that class revolved around the never ending battle of getting the kids off of the computers who would try to sneak the labtops in their desks at any given opportunity. I’ve never seen a group of students who were so eager to use Wordreference.com. This constant access to computers actually became a real addiction problem for a couple of students who were literally, always in front of a computer screen (and one can assume that it was the same at home). Forget computers, phones are the new device of choice! Despite being banned for use at school, teachers spent more time arguing and confiscating phones than ever before.

It was with great interest that I read the NY Times article “A Silicon Valley School That Doesn’t Compute” that was forwarded to me by a fellow teacher. Although it was written in 2011, I found it really interesting in light of the situation I just described. In a nutshell, the author writes about a school in Silicon Valley where 3/4 of the students have parents who work in the upper echelons of the giant tech companies like Google, Apple, Yahoo and Hewlett-Packard. As a Waldorf school, the emphasis is placed on physical activity and learning through creative hands-on approach. The use of computers is banned at school and are even discouraged at home because it is thought that they discourage “creative thinking, movement, human interaction and attention spans.”

It goes on to elaborate on the debate about the role of computers in education with proponents saying that not equipping students with technology to better compete in the modern world would be irresponsible. The article aslo mentions advocates stating that children who grew up with electronic devices at their fingertips simply won’t be engaged without them. The Waldorf parents argue that teaching is a human experience and that “real engagement comes from great teachers with interesting lesson plans.”

The article frequently references one parent in particular, Alan Eagle, educated with a computer science degree and the director of communications at Google.  His daughter is in Grade 5 and doesn’t know how to use google but according to him, technology has its time and place.  He states, “If I worked at Miramax amade good, artsy R rated movies, I wouldn’t want my kid to see them until they were 17.” Further, the technology is “brain dead easy as possible'” and that he sees no reason why kids cant figure it out when they get older. Interestingly enough, California is home to 40 Waldorf schools (a disproportionate share) and the neighbouring Waldorf schools to the one featured in the article are also heavily populated by students whose are in the high tech industry. It makes you wonder that if these people, the creators of the technology of today, are that opposed to their own children having access to it in their own lives, perhaps we need to consider how much children are exposed to in our own classes…

Photo of Mike Beetham

Time To Smell The Roses

As the year now shifts to the final months of academia, it is important to take the time and reflect on the growth of yourself as a teacher, the academic gains that your students have made and the endless best efforts that took place in your learning community. We often start to stress or feel the pressure of the year ending with so much curriculum yet to cover that we neglect the opportunity to recognize the gains accomplished thus far. By instilling in your students (and developing in your teaching practice) the skills to reflect on their effort, accomplishments and next steps we pave the way for students to become a partner with us in the educational journey.

The timing is critical as it will allow all parties involved the opportunity to give and receive feedback that will direct them in their goal setting for the last two months of the year. If this feedback is provided too close to the end of the year there will not be an adequate amount of time to use it to create change. This is an essential time when I focus on the accomplishments of each student and work with them to establish next steps. An analogy that I would use is when a coach takes that final timeout to share a plan and pump up his/her team for that final push to reach their goal. The message the student receives is that I am capable, I have been successful and it is important for me to keep it going rather than coasting into summer vacation. Enjoy this time of year and take great pride in what you have been able to accomplish with your students.

 

 

Photo of Mike Beetham

Context – That Makes Sense

Please turn to page 134 in your Mathematics text and complete questions 1 -5. Students comply with smiling faces, complete the work, take up the solutions and then move on. Next day when you revisit a topic, it almost seems like they had forgotten everything that had been done the previous day. This is not a rare occurrence in classrooms of all ages. Research clearly points out how important the role of emotion is in learning. One of the most critical tools for a  teacher is the strategy of context. I always ask myself prior to developing a unit of study what would this concept or skill look like in the everyday life of my students. That helps me frame the context for the learning task.

When I am able to make connections to the everyday lives of my students and the focus of instruction in the classroom I find that the learning is more likely to be consolidated and accessed by the student in future related tasks. Here is an example of how I used context in February. I took my class to camp for 3 days. Prior to going to camp we had to look at what the total costs would be per person as well as for the group. The level of engagement was extremely high as they explored a real life task that required them to access prior mathematical knowledge. While at camp they took photographs and filmed a specific activity they took part in. When we returned to school we did a recount of our experience that was to be shared with their families. It was some of the best writing they had done all year and it allowed me to see a transfer of the skills we had been working on since September. There was no reluctance, no hesitation as the task was real for them.