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Modifications and Accommodations in the Music Room

Modifications and accommodations happen daily in every classroom in Ontario. Teachers strive hard to make sure that their students have the necessary tools and supports to help them achieve the expectations of the Ontario Curriculum or modified goals. The following are some of the accommodations and/or modifications that I have used this year with a focus on the most common tool used in music…instruments!

When you ask my students what their favorite part of music is, many of them would answer quickly that they like using the instruments. I agree, instruments are AWESOME, but they can also be very challenging for students with impairments in fine motor skills, breath control, impulse control or visual acuity. To help these students, try a few of the following tricks…

  1. Xylophones- Most xylophones have removable bars for students who are overwhelmed with all of the notes laid out before them. I take the bars off that the students don’t need to play a particular song. I also rearrange the bars to make sections of the music more playable for some students. For example, I will move the E and F bars away from the G and A bars so that the student can more easily see the space between the two and identify them as separate. Selecting only part of the melody or accompaniment can also give students with processing difficulties a chance to keep up with the pace of the music. For my students with impulse control challenges, I give them a heads up that while I am giving the instructions I will be holding their mallets and as soon as we start playing I will return them. Furthermore, improvisation can be your student’s best friend on the xylophone as it takes the pressure off of playing specific notes. Finally, metallophones have much better contrast for students with visual impairments than regular xylophones.
  2. Recorders- To help students match their fingers to the right holes on the recorder, I have used small pieces of coloured electrical tape. I put a small piece of blue on the first hole of the recorder and put a small piece of blue on their pointer finger of their left hand. I add one finger at a time and work towards removing the tape when the student is ready. I have also matched a colour coded system to the music that they are reading. For students who have large challenges in fine motor skills, I have also taped the back hole for the first section of the year to let them focus on the front holes.
  3. Drums and Percussion Instruments- When it comes to the percussion family, instrument choice becomes very important. Maracas, bells and guiros are some of the more difficult instruments to use to produce clear rhythms. Rhythm sticks and bucket drums are a much better choice as the sound is more easily produced and controlled. Another helpful tool is to use words to learn rhythms. Using words to help students learn rhythms is great for all students but is especially important for students who need extra support. From the tabla in India to the taiko drum in Japan, there are so many countries that use words to share rhythms. Simple or repetitive words are much more accessible than musical notation for many students.

 

Recording Process

I recently gained access to the HWDSB app catalogue on our new teacher iPads. I was able to download up to 175 apps and check out the apps I thought would be very helpful for my students. The one app I discovered that I think helps with recording student progress and behaviours in class is the app called idoceo.This app allows for you to walk around with your iPad and keep track of all student work ethics throughout the day. I have started to use the “happy face” symbols that come in four different colours to note the four levels of achievement. This is so helpful because you do not always have to have your mark book out, you now have a portable mark book with easy to use features.

You can also use the “seating plan” section app that helps you chose students at random rather than calling out random students. This keeps all students on their toes and always ready to answer.

You can always show students how they are doing on this app by calling them over to check their process marks in class. I find that I am always so focused on the end product and do not focus enough on the process of my students. With this app in hand, I feel I will be more readily available to record student efforts.

I am very fortunate to be able to have this extra iPad for my class which makes using technology that more accessible.

Reflections on Black History Month

February is Black History Month. It is a month dedicated to paying homage to the diverse contributions and experiences of ordinary and extraordinary Black Canadians, members of the African Diaspora around the world, as well as those who live and whose roots stem from the continent of Africa. There are, in fact, many months that have like-intentions to highlight the narratives of historically marginalized groups in Canada: Women’s History Month in March, Asian Heritage Month in May and National Aboriginal History Month in June. The presence of these months speaks to the result of historical silencing of these narratives from mainstream discourse wherein a call for intentional action in addressing missing voices have been issued in public spaces. But how might we authentically achieve the goals of heritage/history months within our classrooms in ways that go beyond their designated months?

As noble starting points, heritage/history months, and in particular, Black History Month, can be addressed in tokenistic or celebratory ways that miss the intention behind their existence. Songs and dances, foods and celebrating public icons are great starting point in capturing the wealth of often untold histories/her-stories of the Canadian experience. Narratives of pioneers, inventors, politicians, “rebels” and “heroes”, civil right leaders, doctors, nurses, mothers, fathers, caregivers, veterans, children and their experiences in schools, laws, lawsuits, inclusion, exclusion, all make up the rich tapestry of Canadian nation building. With narratives so rich and deep, it important to have these included in the discourse of everyday schooling regardless of the month. As such, heritage/history months should be seen as an impetus to intentionally integrate the diverse narratives of Canadian communities in the everyday-discourse of our classrooms.

What does it actually look like to go beyond a heritage/history month? More than having images of people of racially and ethnically diverse backgrounds posted around the classroom, moving beyond the month might look like intentionally including diverse voices and perspectives in the classroom conversation. It may not solely be reading texts where the protagonist comes from a minoritized community, but rather inviting a discussion around the missing voices in existing texts. It may not be limited to including math questions that include ethnic sounding names, but rather investigating the practice of name changing or prevalence of anglicizing names in general. In grappling with what moving beyond heritage/history months might look like, consider some of the following questions:

  • How might diverse narratives be shared in ways that do not reinforce limiting and sometimes harmful stereotypes?
  • How might teachers engage students in learning opportunities when the student body seemingly is void of students who share the specific heritage that is being acknowledged during the month?
  • What might the conversation sound like or feel like when addressing painful memories as well as uncomfortable truths?
  • How might one invite the telling of stories by those who love them rather than telling their stories for them?

I end this post with more questions than answers. Perhaps this is an invitation to engage our students/colleagues in uncovering that which lie beneath the surface.

Life is for Learning Curves

The view from the halfway mark of my first year teaching senior kindergarten is a lot different than it was just four months ago. Whereas I struggled every day in terms of how to implement the curriculum, now I am so much more comfortable in many, but not all, areas of the program. I hadn’t really taken the time to reflect on how I was feeling about my progress as a teacher and co-learner until, while chatting with my principal the other day, she asked me if I loved kindergarten. I hesitated, because I was thinking back to other grades I have taught, wondering if I had ever said that I loved teaching any of them. I realized, in forming my answer to her, that it is never really the curriculum of any given grade that I love teaching, but rather learning about my learners in order to be able to teach them is what I enjoy the most. I said to her that last term felt like ice-climbing, but now I am on a sort of a plateau – I can take a breath, look back proudly at where I came from, and look forward to how much I still need to learn. I most definitely have not mastered this grade, however, with the loop-de-loop learning curve I have been on this year, I am sure I will be a much better teacher next year.

That is what I was telling myself until recently when our school board confirmed its decision to integrate junior kindergarten with senior kindergarten next year. Even after having lived the senior kindergarten life for six months and feeling they could not be too dissimilar, I could not really tell you what goes on in a junior kindergarten classroom. That is why I am hoping that my principal will give me some coverage time to hang out in one of our JK classrooms to get a feel for the way the program is run and to see how the wee ones go through their day, as a way to help me imagine a blended classroom. Adding French Immersion will be another part of the picture – what will that look like? In-service workshops are to be part of the plan from the school board, and hopefully, so too is having quality time to work it all through with a supportive team of ECEs and teachers. Whereas this year, I was scrambling to make sense of it all as the newbie in the midst of a crew of seasoned kindergarten teachers and ECEs, next year, everyone will be trying to work things through. Life is indeed for learning curves.

Geometry and Race

Can you have a conversation about Black History Month without discussing race?

Important question? Bold question? Irrelevant question?Let me digress here to share an exchange I had with my grade 3/4 students during math class in February.

I’m a math teacher. Although the conversations that take place in my class go deep within and far beyond the math curriculum, I love inviting my students to make connections between real life and the mathematical ideas we explore.

In an integrated unit on Data Management and Geometry, my students were invited to investigate and name the many attributes of 2D figures with a focus on the properties of polygons. They learned the latin prefixes used to name various polygons based on the number of sides. We engaged in an angle scavenger hunt all over the school, classifying the angles we noticed as acute, obtuse and right angles. We also wrote a song that highlighted our learning, adding verses as the learning progressed throughout the unit (https://heartandart.ca/?p=3638).

In a particular conversation about the similarities and differences among quadrilaterals, I questioned my students on the need to classify polygons and then further classify them within the category of quadrilaterals. I then invited them to name the other ways in which things or people are categorized based on different attributes. Almost immediately some students shouted, “skin colour!” Was I shocked? A little bit, but I thought, let’s go there. I had never really engaged in an conversation about race with this group of students and I was curious to hear what was on their minds about the subject. The conversation then delved into discussing the confusion between incongruent language that is often used to describe skin colour when the actual colours in questions were browns, tans and peach-like hues. This conversation invited students to voice questions and make connections between the experiences of fitting in and not fitting in in particular spaces – in a similar way that a trapezoid fits into the category of a quadrilateral, but not in the experience of being a parallelogram. It was an interesting conversation that led to what one student called it as being “shape racism” and another student naming it as “social injustice.” Students have a lot on their minds – I was intrigued with what they shared and the ways in which they articulated their thinking and confusions about the experience of labeling.

Race and geometry were intertwined in that one conversation. Who would have thought? So back to my original question which may, depending on how you look at it, or may not be related to everything I just articulated. Can you have a conversation about Black History Month without discussing race?

Time for a change

quote by Admiral Grace Hopper
quote by Admiral Grace Hopper

The words above can pervade many work cultures.
It is no different in education. Here’s why.

“We’ve always done it this way,” says…

There is nothing to strive towards. It says, “we’re out of ideas.”
Change is frightening, requires hard work to implement, and may have unpredictable outcomes. It says our corporate culture is too fragile and or afraid to take chances that might result in failure. Run!

“We’ve always done it this way,” says…
Disruption and change are not allowed in the building because they challenge the structures and status quo. It says, “free and fresh thinking are not welcome.” Is there any place where this is a healthy work ethos?

“We’ve always done it this way.” says…
It’s easier to go with the flow than rock the boat. It says that making waves might sink your career. Let me throw you a lifeline.

A friend gave me some great advice when I started out my career as a teacher. He said, “Never stay at a school for too long. Take the opportunity to join new communities of learners to keep your practice growing.” In my career, to date, I have worked at 3 schools and have loved every new adventure.

Was it scary to leave and join a bunch of strangers? Yes! Was it worth? YES!
Do I miss my colleagues? Of course, but that is exactly what coffee shops were made for — reconnecting.

Joining a new staff allowed me to broaden my professional practice and experience new communities of learners while broadening my world-view in education. Think of it from this angle; by making a change you will bring the benefit of your experiences and enthusiasm to a new school. It is in these shifts and new partnerships that strengthens our collective wisdom, and is crucial to innovation of our profession.

It is the time of year where we are asked to submit our teaching assignment requests for next September. For many new teachers this is a great chance to stretch beyond the confines of the comfort zone towards new opportunities.

Frank Zappa said, “Without deviation from the norm, progress is impossible.” This has to start from within. If you work in a place where innovation and growth are discouraged, let me encourage you to take a chance, step out of your comfort zone, and make a change. Seek out communities where ideas are fostered, tested, and curated.

Change is often messy, but it is important to progress. A very very few might still lament not being able to hand write report cards. Although, at the time, there were skeptics of the technology and the disruption it caused while teachers learnt and mastered a newer method of reporting.*

Step out, break free, and affect change in your space. Do anything, but maintain the status quo.
I encourage you to find like minded educators who value the process over perfection and consider where to make a change in your practice whether it is by applying to a new school or in courageously sharing fresh ideas in yours.

*If you’ve seen my handwriting you will be glad the reports are typed and printed.

…What I have Learned

Well, true to form, the trajectory of inquiry can never be predicted. And so it was that at the end of the couple of weeks of exploring What Happens in Winter, our students ended up quite aways beyond knowing that animals hibernate and plants die off when the weather gets colder. Following a visit from a teacher from the Ottawa Inuit Children’s Centre, their understanding was now in the realm of recognizing how a wintery landscape not only makes animals adapt in different ways, but how it has also influenced the lives and culture of the Inuit.

The students touched sealskin, fox, and rabbit pelts; tried on an amauti (anorak), kamik (boots), and bone snow goggles; played a caribou skin drum; held seal knuckle bones which were used to create pictures during storytelling; and played Inuit games that involved strength and stability (hilarious wrestling games which they discovered are also easily played outside in the snowy school yard). Our KWL bulletin board filled up with sentence strips on which the students wrote about what they learned and liked about the visit; “I learned that sealskin is best for clothes and boots because it’s warm and waterproof.”; “I learned that Inuk live in houses not igloos.”; “I liked playing Inuit games.” At the art table, several chose to paint what they learned; “I learned how to play a drum – a man’s drum and a woman’s drum,” “I learned that fox don’t hibernate in the arctic – they change color,” and, “I learned how to tell a story using seal bones.”

In activities and centres we set up following the visit, we offered opportunities to draw on their learning.  In math, after discussing the best shape of rock to build an inukshuk, students were challenged to draw an inukshuk with more than 5 rectangles and then to tally the total number of rock rectangles they used. Later in the block centre, several students took the challenge further and built free-standing, life-sized inukshuk (which are usually not very tall). Another day during the week following the presentation, a group of students were tipping over chairs and using them as blinds while they were hunting seal and polar bear – it started to get very physical with running and squealing, so, for safety reasons,  the crew were redirected to the art table to make paper bag puppets of seals, polar bears, hunters and dog sleds. They were so excited to use the puppet theatre to act out their skit which we were later all invited to watch. Another provocation was posting the Inuktitut ‘alphabet’ on chart paper. Next to each symbol I wrote out the sound it represented. While some students recognized that there were several triangles in the alphabet, others attempted to find the syllables they could use to write their names.

Now when we are outside for our outdoor learning every day, I ask questions about the snow, the sky and clouds, and animals; “If we had to build a shelter, would this be good snow to use? Let’s find out.”; “What are the clouds telling us? What do you notice about the weather today? Is it different from yesterday?”; “Can you hear any animal sounds? Have you noticed any signs of animals?” (scat, tracks, birdsong, etc.)

The students are also now aware of the fact that, according to our local groundhog who got scared of his shadow, we are in for a few more weeks of winter. What does that mean for them? Now that they have learned a bit more about What Happens in Winter, and have explored how arctic animals and the Inuit have adapted and survived in a wintery land, my next challenge is to provide opportunities for them to show me what they will do with that knowledge. The big question is, what do I need to do to help my 5 year old students take the next step into stewardship and sustainability?

When Your Best Is Not Enough

I work with some very challenging students, who at their core, are really nice people. As I get to know them as people first and learners second, what surfaces quite rapidly is that many of their needs are beyond my skill set. I am not a counsellor. I am not a psychologist. I am not a physician. Yet the needs they bring to my classroom are very diverse and more complex than just literacy and numeracy. I find myself often saying, what can I do to help this child succeed and feel good about themselves. As you know, there is no simple answer to this question.

This year I have been faced with a dilemma that I have never before in my career been in. I do not know what to do for a child in my class. All of my efforts, strategies, consultations and professional readings have left me in the same place I started with this child over 6 months ago. This individual’s lack of progress (and at times regression) have been a huge stressful burden on me as I struggle everyday trying to figure out what to do to help this child stabilize and grow as a student should. My initial reaction was that despite my absolute best effort, I have failed this child.

I have a very good friend and colleague to whom I shared this belief about myself with. He was very quick to point out that I had not failed him. The student’s lack of progress is a result of many needs not being met. He began to query me about my approach with the student. The conversation went something like this:

Do you differentiate the work for this student so that it reflects his current academic level? Yes

Do you provide accommodations in his program that meet his individual’s learning needs? Yes

Do you work hard to make that student feel welcome and cared for each and every day in your classroom? Yes

Do you seek out additional supports within your school and/or board to assist you in creating a program for this student? Yes

Do you communicate your concerns in an ongoing manner to your school support team, principal as well as the student’s family? Yes

Do you smile and tell that student what a nice person they are and thank them for coming in everyday and putting forth their best effort? Yes

At the end of that conversation I came to realize that I had not failed this child. I had to the best of my knowledge and skill set did everything humanly possible to help this individual succeed and that despite my best effort, that progress was not occurring. I had not failed him, because I had not given up on him.

Weekly News

I want to share with you an experiment gone really right. Over 2o years ago, a very good friend of mine and I started working with high-risk youth (Grade 6 -8) in our board in the summers. We had developed a program based around adventure-based learning. Our focus was to use the outdoors and physical challenges to assist them in developing social and self-regulation skills that would increase the probability of their success in school. One of the tools we developed was a Daily Newsletter (as we called it at that time) to inform families of their child’s progress as well as provide a summary of the days successes and occasional not so good outcomes. That one teaching tool has evolved over the last twenty years into what is now my Weekly Parent Book.

At the end of each week, at my classroom computer station I sit, look around my room and ask myself the following questions:

  1. How well did I meet the needs of each of my students?
  2. Did I make time to talk with each student on a one-to-one basis to find out how their life is going?
  3. Did I push too hard or not hard enough in moving them along their academic journey?
  4. What did I accomplish this week in literacy, numeracy etc.?
  5. What went well in Room 16 this week?
  6. What did not go well in Room 16 this week?
  7. How will I use that information to make the next week more successful for everyone?

That weekly routine has turned into one of the most rewarding and successful self-reflection tools I have ever had. Its initial, sole intent was to inform parents of what was going on in their child’s classroom. What it has become is a tool that I use to inform families, publish good news stories, share advice on how parents can help their child, updates on school-wide initiatives and most importantly, a tool to reflect on my week’s teaching.

It is a time that I actually use to decompress from the week’s events, look back in order to plan ahead for my next week and set goals of what I need to accomplish the following week (from a curriculum standpoint or what is needed to help specific students move forward). As the year progresses, the content of the weekly news becomes a shared work whereby students start to contribute to its production. That is when this tool becomes a very powerful learning tool for all of us.

Of course being the old school type, every Monday our morning circle starts with the sharing of the past week, goal setting using the feedback on that two-sided sheet of paper and then the ritual of adding it to their Parent Book to go home and be read and signed by an adult in their home. It goes home on Monday and is not due back until the following Monday to accommodate a wide variety of family scenarios and work schedules. The back of the page usually has some photograph that was taken during the week, an advice column, new goals for the class, a funny parent story or some other kind of important read for my families. At the end of the year it turns into a yearbook that can serve as a memory of their year. I still have all of my copies and when I need a little nostalgia fix all I have to do is go back and look through my career, year-by-year.

Weekly News

IEPs for Music

This week I am faced with the task of completing my term two IEPs for the subject area of music. Below is my process in determining the need for a student to be placed on an IEP for music and some of the past comments that I have used for my students.

Determining the need

Every year in term one and term two, I receive a list from the special education support team of students that are on an IEP. Attached to this list is the question of whether or not I feel that any of the students currently on an IEP require specialized goals for music.

The first question that I ask myself when determining whether or not a student requires an IEP comment for music is “Does the student’s exceptionality impair their ability to be academically successful in music?” In order to determine the answer to this question, I gather some assessment data on the student. This can be challenging at the beginning of the school year when the IEP needs to be completed in a very tight time frame. To help speed up the process, I recommend reading the student’s IPRC’s statement of decision or previous IEPs as they can direct you to analyze the student’s specific exceptionality in the context of your class. Afterwards, I watch my students for impairments in things like receptive language, language processing, expressive language, cognitive abilities, sensory engagement, visual spatial processing and both fine and gross motor skills. In a nutshell, after I have read the decision about the student’s needs in their OSR, I watch closely to see how that impacts their learning in music.

Once I have evidence to support my decision, I go about setting the direction for the music section of the IEP. After analyzing the data, I must decide whether to modify the number of expectations or modify the grade level expectations that I am using to assess the student. In addition, if the student is on an alternative IEP, I must create a measurable goal for them. I do my best to create a goal that will both challenge the student and ensure success for them.

After I have decided on the goal for the term, I compile the accommodations, assessment methods and annual program goals for the students. I then pass all of the information over to the teacher in charge of the IEP. See below for some examples.

Comments for Alternative IEPS

will demonstrate a response to a variety of songs once in a music period.

will physically respond to music (e.g., claps hands, whole body movements).

will participate in music 30% of the time

will participate in music class by singing and playing the xylophone, drums and unpitched instruments for 30 minutes every class

will create and perform a simple composition with some support

will perform a musical piece in front of a large audience

will participate and explore on the xylophone, drums and unpitched instruments

will ask music teacher or peers for help

Comments for IEPs

will apply the creative process to create and perform simple music compositions from modified musical notation.

will sing unison songs in tune and play simple accompaniments.

will perform simple music compositions from modified musical notation.

will communicate his feelings and ideas in response to a piece of music.

will respond to a piece of music through movement and using a light show.

will sing unison songs in tune and/or play simple melodies and accompaniments for music from a wide variety of cultures, styles and historical periods.

will create and perform music in unison on the xylophone and unpitched percussion instruments.

Assessment Methods

Observation of student playing an instrument

Checklist

music performance

self-reflection after singing a song

demonstration of moving to music

Accomadations

Colour cues

Large size font

Use of headphones

Visual cueing

Extra time for processing

Scribing

 

 

Resources – Here are a few resources to give some guidance when writing IEPs.

PRS Matters has written a great bulletin called “The Individual Education Plan (IEP)-What You Need To Know http://www.etfo.ca/AdviceForMembers/PRSMattersBulletins/Pages/Individual%20Education%20Plan%20Advice%20to%20Members.aspx

A great resource for writing IEPS is located on the Ministry website “The Individual Education Plan (IEP), A Resource Guide (2004)”