Photo of Mike Beetham

The Second September of Your Year

Have you ever wished for an opportunity to do something over? You know you would make different choices if only you had the chance! Well, as teachers we get that wonderful opportunity at this time of the year (new year).  As all teachers do, self reflection is just part of our DNA and as such gives us wonderful opportunities to create change in our classroom. Every year when my students return after their two-week holiday I start off the year just as if it was our first week in September. The distinct difference being that the activities I choose, the type of engagement I devise is solely based on what has or has not occurred in my room over the first four months of being together.

This year I have found that there are cliques within my room and as such they do not work well unless certain groupings or pairing are created. I will start off the year with a major focus on team building with a specific design that will see a constant mixing of students so that they get to have fun and get to know students they have not made the effort to do so.

A second change that will start off our year is to work from drama to written tasks as often as I can. For example, I am going to be reading a novel that will focus on social justice so I will make use of classroom debates, readers’ theatre and character improvisation prior to my students completing their reading response journals. This change has come about due to the level of engagement that my students demonstrate when drama is a part of our literacy program.

It is important for teachers to take advantage of this unique opportunity that our yearly schedule provides to us. Reflect, re-organize and reap the benefits of your second start to the school year.

Photo of Samantha Perrin

Looking Forward to January

While I am enjoying a holiday from the classroom, from time to time, occasional reminders creep into my thoughts that we will shortly be back at work with only a few weeks before the end of the first term. To quiet these reminders, I think about a few of the activities which I am looking forward to and which I will be able to comment on in my reports.

One activity all my grade 3 students are excited about is producing a puppet show of Robert Munch’s “The Snowsuit”. Before the holidays, students brought in old socks so that they can create sock puppets to be used in the play. The first week back at school in January, my students will be busy at work creating their puppets and props while learning their lines for the puppet show. The holidays can be a stressful time and after 2 weeks of a disruption in routine, many students (and teachers) have a hard time switching back to school mode. With some management and support, a collaborative activity which is student centred, like a puppet show or a play, gives students independence and structure and can be a nice way to begin the New Year. It is also a good alternative to seatwork right after the holidays.

Something else I put in my plans for the first weeks back at school is to be outside everyday with my class. With a little preplanning, I make sure I take my students outside for math – building and measuring snowmen and monitoring temperature changes; social studies – snowshoeing around the school yard imagining we are visiting Wendat, Anishinaabe and settler communities; science – observing plants in winter; language arts – using the 5 senses to describe a winter day; and phys. ed. – playing in the snow after a fresh snowfall. A letter home to inform parents that we will be going outside on a regular basis helps to have students come to school prepared with proper gear or a change of clothing in case they get wet. To guarantee accessibility, however, the school always has a collection of extra gear students can use if they are missing something warm and dry to wear.

It’s not always easy to look forward to heading back to school after the holidays. Drama and outdoor activities are perfect for January because they help with getting back into the groove and break up the daily routine with a little something different.

Photo of Tammy Axt

Visual learners that are visually impaired?

Is there such thing as a visual learner that is visually impaired? If you came to visit my grade four music classroom you would meet her. She would tell you all about her favorite lip gloss, her new music she is learning and her favourite TV shows. Basically, you would be lucky to get a word in edgewise. But one of the greatest things about having this student this year is that she has taught me some very important skills for teaching music to students who are visually impaired.

First off, just because she is visually impaired doesn’t mean that she doesn’t want to see the music or instruments just like everyone else. She has been a committed recorder player this year and I realized quickly that verbally explaining hand position or tonguing to her caused her confusion. Instead, she became very successful when I stood directly in front of her and showed her the technique.

She also tells me if there is not enough natural light in the class. She will ask me to open the blinds or ask me if she can go and stand beside the window. I try to never stand in front of the window myself because the bright light is then behind me, which makes it difficult for her to see.

Technology has also been our friend this year. I was busy preparing music that was enlarged for her to take home when she informed me that she has technology at home to enlarge everything. She also has taken pictures of items on her tablet and increase their size to see them more clearly.

This student also has incredibly strong sense of pitch. She is easily able to play pieces on the recorder that she has heard and can sing along to songs soon after learning them. I thought that the heightened sense of pitch for visually impaired people was a myth, but after reading a few articles on the topic it seems that that is the reality. People who are visually impaired often have perfect pitch or a strong sense of pitch. My student certainly fits in that category.

Teaching this student has taught me a lot as an educator. It has confirmed some previously held beliefs, and has brought to light some new discoveries about teaching someone who is visually impaired. This has made me a better teacher for all of my students.

Photo of Samantha Perrin

Kids Love to Dance

I find dancing with students is usually one of the easiest ways to get them moving during DPA. With a good selection of tunes and a variety of ‘dance’ expectations, everybody can get down, whether preteens in grade 6 or really bouncy grade 1s. Not only is it great for DPA – especially during inclement weather – it is also a lot of fun, a nice break from sitting and thinking, and a chance to be creative without being assessed or evaluated.

The benefits of dance are many; it is a great cardio workout, it is an opportunity to physically express a range of emotions in a creative, socially acceptable way, it stimulates the brain and it releases mental and physical tension.  Although dancing in public can make a few students anxious, I have found that if you make dance a regular part of your routine and set a few ground rules, students who are not sure whether they want to participate tend to eventually warm up and feel more comfortable about joining in. It can also be an accessible activity for students with a limited range of motion.

According to the curriculum, “Dance is expressive movement with purpose and form. All dance communication is transmitted through movement – that is, through the body movements and gestures of the dancer” (p. 14 of The Ontario Curriculum, Grades 1-8/The Arts). While I encourage free form and creative movement, I do not want a mosh pit in the classroom.  I rein in that potential chaos by encouraging students to think of dance as having a structure like a song or a poem, with a chorus or verse that is repeated as it tells a story or a message. For grade 3 students, this is easily understood when we dance like animals. I use a book some students made a few years ago called, “Danser comme…” In it are drawings of their favourite animals. When I use the book for DPA, I put on some music and hold up the book for all to see, turning the pages while I move around the classroom in time with the music. Often students begin by communicating an animal through sound, as in drama, rather than through movement, as in dance. It can get pretty noisy on the monkey page. When I remind students to show me that they are a monkey using a series of repeated movements and gestures, then some wonderful creative dance starts to happen. In a similar activity, OPHEA has dance movement cards as part of their Diabetes Awareness Program that are adaptable for any grade and work in the same manner. All you have to do is play some music and hold up the cards to show the dance moves to the students http://www.opheaprograms.net/EJ/pdf/EJ_PAKit_StationCircuitCards_Final_15NV10.pdf .

For music, I like to choose samples from around the world, rather than something from the pop music stations. The truth is, I can never keep up with what is hot and what is not, and at times, pop songs have lyrics which can be distracting. I want the students to be mindful of how their bodies are moving, so it seems to work better when they aren’t too familiar with the music. Lately, I’ve been playing Bangra from the Bend It like Beckham soundtrack; a collection of drum music from Japan and the Congo; Brazilian folk/techno from DJ Dolores; and First Nations electronic dance music from A Tribe Called Red. The students are really inspired by the terrific sounds and rhythms they hear and move freely to the beat.

For the older grades, line dances are easily brought into the classroom. If you can’t create your own line dance, there is a selection of line dances that can be found on YouTube if you need some inspiration. This way, the music and the moves are already done for you. The Cha Cha Slide was very popular a few years back. It is still handy to use and you don’t need a dance degree to teach it because the DJ calls out the moves, just like in a square dance. Sid the Sloth’s Continental Drift (from the film Ice Age) seems to be making the rounds at our school lately and Michael Jackson’s Thriller is always a challenge but a thrill for anyone who dances it.

Whatever resource you use, I encourage you to bring dance regularly into your classroom because it’s good for the brain and the body. And, it’s a lot of fun.

Photo of Tammy Axt

My dad’s name is “Bill”

Over the past couple of months, I have been working with a team of teachers and behavior specialists to help one student in my music class who is struggling with disruptive and oppositional behaviour. Through the process I have learned a couple of things. First, that the situation will not be solved overnight; it takes a lot of thought and time to implement a program in order to witness change. I have also learned that five heads are better than one when trying to instill positive behaviour plans. But ultimately, the biggest thing that I learned only happened this week….

When the student first started to have trouble within my class, my first step was to look in the student’s OSR for evidence of a Behavior Support Plan. I read the plan very closely and I decided to implement the suggestions from the plan. The plan indicated that the student should count backwards from 10 when they became upset. I tried this strategy, but I received no response from the student. The plan also suggested that the student go to a quiet spot in the room when they became upset. I asked the student to move, which they did, but they scribbled all over the floor with markers in their quiet spot. Overall, the Behavior Support Plan didn’t seem to help the student be successful.

Next, I met with the classroom teacher. As a planning time teacher, mirroring the language and behavior management system of their regular classroom can be very effective. It requires a lot of flexibility of the planning time teacher but when situations arise that need intervention, this can be a great place to start. Unfortunately, the classroom teacher was dealing with many of the same behaviors that I was and did not have much advice for me.

Then, I met with my colleague to brainstorm some ideas to help the student in my class. My colleague and I came up with a tracking system to try and figure out if there were some triggers that led to some of the student’s behavior. I went up during the lunch break and just observed the student about 10-15 minutes before they came to me every time I taught them and continued to observe them in my class. Observing them in different settings was incredibly helpful. I could see what happened directly before they came to me. The student struggles greatly with recess and comes inside regularly with issues that have happened outside. I also witnessed the ongoing, major conflict that exists between my student and another student called “Bill” in the classroom.

I know what I need to do now in order to help the student. I need to help them transition from the playground to the classroom to help them in music. I have started going up a few minutes early for this period and touching base with the student before they come to see me. I tell them something positive and initiate a conversation about their life. These three minutes twice a week have really made a difference.

Until this week, the one issue I still didn’t fully understand was why this student hated “Bill” so much. The student never wanted to sit near “Bill”, would never work with them and the mere presence of “Bill” annoyed them. Through one of conversations this week things became a little clearer when the student told me that their father’s name was “Bill”.

Taking the time to listen and get to know our students can really make a difference in building a relationship and thus helping us to manage their behaviour.

Teaching Math

 

 

I have always considered myself more of an “English Language” teacher. So, when I moved into the junior and intermediate classroom, I felt less confident in my abilities to teach math. When planning for the year, I surveyed some other junior/intermediate teachers for recommended resources. And when planning for the classroom environment, I made sure to have a corner dedicated to math, which includes a gallery wall, manipulatives, math dictionary and texts as well as tools like calculators.

Although I was given a set of textbooks, I don’t plan or teach from the textbooks. I print the curriculum expectations specific to the grade for each strand, and use them as my guide in planning the units. Then I refer to some other resources for ideas in activities that involve group work or problem solving. Some of favourites to support my math program are:

  • Introduction to Reasoning and Proof, Grades 6-8: The Math Process Standards Series, by Denisse R. Thompson and Karren Shultz-Ferrell
  • Nelson’s Ontario Numeracy Assessment Package
  • Good Questions: Great Ways to Differentiate Mathematics, by Marian Small
By referring to these resources, I am able to understand the concepts that need to be taught and how to differentiate using broader questions for the range of math learners in my classroom. I enjoy providing mini-lessons on strategies to support the students as well as encouraging them to share their strategies with me and the rest of the class. Our math class has become engaging and interactive, not repetitive and boring as I had feared.
We use a gallery wall to display group answers to problems. This has become an invaluable way to quickly assess understanding. Students are given the opportunity to view the gallery, see how others have solved the problem, respond with their own ideas or suggestions and acquire new learning. A week of math classes includes a range of instructional strategies, independent work, paired and group work. One of our common “go to” questions is “Does this make sense?” We are aiming for understanding rather than rote learning of facts and steps (as I learned in elementary school). So, I am enjoying learning with my students as I discover new ways to approach and solve math problems.

From Teacher Directed to Student Directed Learning

 

As a new teacher or a teacher with many years experience, you hear about the importance of planning for student-directed learning in the classroom. Keeping this approach in mind as you plan in all subject areas benefits student learning and also benefits the teacher. Benefits include:

  • Engaged students – most students want the opportunity to talk as they learn, not just listen. When made to only listen, they look for distractions and classroom management issues often arise. If students are provided time to collaborate on a topic that interests them, they are engaged in the process and positive learning outcomes are the result.
  • Student interest – this leads to the content. Provide students with choice and select topics within the curriculum expectations that are of interest to your group of students. Students will demonstrate more initiative and take more responsibility for their own learning if they have choice of relevant topics. For example, in my grade 6/7 class, I modelled writing a monologue from the perspective of a character. Then, the students were all provided with a rubric to create their own dramatic monologue based on a character of their choice from a book from their choice.
  • Differentiated instruction – allowing choice of topic or type of presentation/project differentiates for the range of learners. Again, as an example from the monologue assignment, struggling readers selected books like Diary of a Wimpy Kid, while others selected more challenging texts like Journey to Jo’burg. Similarly, students will select an option for a project on what they are comfortable with (creating a slideshow vs. a video). By allowing students choice, you are more inclusive, not lowering your expectations for those who can surpass them, or challenging your lower level students to frustration. And as a result, the students who select the more accessible choice, often learn from the students who are demonstrating success with a more challenging topic or type of presentation.
  • Assessment – student-directed learning allows time for ongoing assessment. I have spoken to teachers who plan detailed lessons and present to the class in a lecture style format with little time for collaboration or independent research. These teachers lament that student’s aren’t “listening” enough. They also wait until the end of unit to assess students with a paper/pencil task. By facilitating students in a more self-directed approach, teachers can support student where they are at with resources and mini-lessons for those who need it. Why provide the same lesson to the whole class if they do not all need it? When students are working in small groups or pairs, or even independently, the teacher is provided the time to interact with students, find out where they are in their understanding and provide the necessary support (assessment for learning).
Student-directed learning isn’t students learning on their own. It is more like students learning within a framework set up by the teacher, and supported by the teacher. It benefits all those involved!

 

 

 

 

 

Why I Love Teaching “Unusual” Things

I have a bit of a reputation for being a quirky teacher. My students can often be found in the hallways at school, engaged in some strange new whim that I have managed to tie into the curriculum in some way. There just isn’t enough room in a traditional classroom for my students to really get into their work without feeling cramped or overwhelmed by the proximity of other sutdents.

Up until this year, my classroom was located on the second floor of the school, surrounded by other hard-working classes with students who were much quieter and more studious than my boisterous, exuberant class. I think I know why I was moved to the bottom floor this year, and I can sum it up in one word: ukulele. I’ve talked about teaching ukulele before – about how it benefited me tremendously, because I never have to teach dance any more.

What I didn’t really talk about was how the ukuleles – and other unusual undertakings like them – benefit my students.

First, let me tell you a little bit about some of the more unusual or exciting projects my students have worked on over the last few years:

– Melted crayon art: Using hair dryers, hot glue guns, bristol board, and a lot of patience, my Grade 5s explored physical changes of matter by using wax crayons to create works of art for our annual art show.

– Original musical compositions: Using online musical notation software, my Grade 5s composed original pieces of music to accompany short stories they wrote for French Writing. The following year, I had my Grade 5s use the same software to create pieces of music that represented different fractions. One activity, multiple curriculum connections!

– Board games: In Mathematics, my Grade 4s and 5s created their own versions of the popular board game “Carcassonne” to explore fractions and probability.

– Quilts: For our art show last year, my Grade 4s and 5s designed and created small quilts using sewing machines and donated fabric. The quilts were auctioned off and the proceeds were donated to charity. This project was a part of both our Mathematics and Visual Arts programs.

– Dream homes: I have had Grade 4s and 5s design their “dream home” using a set of parameters (specific area and perimeter, specific rooms they must include, etc.).

– Weblogs: As part of my Language Arts curriculum, I have had my Grade 4s and 5s create personal weblogs (password protected) where they responded to writing prompts, wrote about their lives, and read and responded to peers’ posts.

It has been a phenomenal experience teaching my students to do these things. Some of them are REALLY fun, some of them are REALLY hard, but they have all been beneficial. These projects have allowed my students to explore the curriculum in ways that they wouldn’t have imagined on their own.

You’ll notice that a lot of them have to do with Mathematics – and that’s been a conscious focus on my part. When I ask my students at the beginning of the year what their favourite and least favourite subjects are, the majority of my students list Math as one of their least favourite subject. I try to change that by having them look at Math in a different way. A lot of my students don’t realize, at the beginning of the year, that Math is an integral part of music and graphic design. It’s exciting to watch them discover fractions and patterns in a musical composition, or figure out ratios to make different colours in visual art, or carefully and painstakingly measure out quilt squares to ensure that they will fit within the design they have envisioned. These activities help my students see that Mathematics has more to do with everyday life than just adding up numbers or memorizing multiplication facts. They see why Math is important to learn and how they might actually use it in the future. It is made less abstract by being placed in a real world context.

The blogs, on the other hand, give my students a purpose for their writing that goes beyond “writing in a notebook that only my teacher will see.” Their voices as writers change when they are writing for their peers instead of their teacher. It’s exciting to watch them interact in their second (or third, or fourth…) language through the comments on their weblogs. It’s also a way for them to make connections with other students that they might never have spoken to or sought out before. I have watched new friendships form in our protected online sphere, then watched as those students brought that friendship into the real life classroom. By having them write for one another instead of me, I find that my students are more willing to take risks with their writing and worry less about getting it “perfect.” They have fun. They talk about things they wouldn’t have talked about before. They enjoy writing.

These projects take a lot of forethought and preparation. They are not small undertakings by any means, nor are they particularly easy. There is a learning curve with these kinds of things, and not all students will enjoy all of these activities. It’s worth doing things a little outside the traditional realm of teaching, though. I’ve never seen some of my students laugh as much as they do when they’re making up a ridiculous song on the ukulele about smelly feet. I also never imagined that a group of very athletic, very boyish boys would take quilt design and sewing quite as seriously as some of my students did last year.

The best part, though, is seeing every student in my class find something to be proud of. Sometimes it’s the fact that they got up and performed a song in front of the class, other times it’s the new skill they learned, other times it’s that they actually knew HTML before I taught students how to make weblogs and they were able to jump in and help other students learn. It is really exciting and rewarding to see my students engaged in these activities and taking charge of their learning.

Even if I’m a giant disruption to my colleagues when I take over the foyer of the school with six sewing machines (and 50 students) every Monday morning for two months straight… or when my 25+ students are scattered through the halls of the schools plucking away at the strings of their (mostly out of tune) ukuleles… or when we blow a breaker on one side of the school with all our hair dryers so none of the hallway outlets work.

I am that teacher. My students are those students.

We have a LOT of fun learning.

Photo of Samantha Perrin

It’s OK to Scrap a Lesson

As teachers, we are obliged to make plans every day for every block we teach.  Planning ahead can make everyone’s life so much easier and it is a necessity for a well-run classroom.

In Teacher’s College, I recall the lesson plans we had to create, in painstaking detail, indicating what our learning objectives were, how we would prepare, motivate , teach, assess and evaluate our students, what materials we would need to make it all happen and how many minutes each activity would take from start to finish.

Because planning is such a big part of our daily lives, it is no wonder we may not feel comfortable scrapping our plans right in the middle of a lesson. I’ve got stories of lessons which were not my best that I’ve suddenly changed so that everyone is happier and more productive, but I’d like to share a recent experience where a student encouraged me to scrap my lesson for something better.

Last week, I read a lovely book to my class called, “Whoever You Are” written by Mem Fox. The story is simple but straightforward and the illustrations by Leslie Staub are magical with vibrant colours and beautiful, clear images. The story reads more like a poem as it reminds us that we are all different in what we may eat, how we dress, where we live, or how we write our languages, but that we all feel joy and pain the same way. It was a perfect book to read during Anti-Bullying week because of its gentle message celebrating cultural diversity.

When I finished reading, I prepared the students for a reader’s reflection by noting some of their comments and opinions on chart paper. Before long, the page was full and it was clear that they had nailed it with comments like, “we are all different AND we are all the same” and “we are all special for different reasons.” I was so happy with their ideas as they began writing in their journals using ideas from our long list.

After about 2 minutes, I interrupted the class, quite excited about an idea I had. I told them that what they had just collaborated on – the long page of comments and insight about the book – could in turn be made into our own book about ‘belonging’. Each student could take a section of the list, write it neatly on a page and make an illustration to go with it. Then we could make a cover, and ‘publish’ it for our school library. The students got excited about the idea while they listened and tried to work in their notebooks.

Then, one of my students asked simply, “Could we make the book now?” It took me a split second to make my decision. The energy started to rise as I made an effort to explain the notion of Carpe Diem (Seize the Day), while searching for the right paper for good copies and the students chose which section of the list they wanted to illustrate. After a brief ‘writers’ meeting’ to discuss criteria for the book, they all got down to work. I have quite a range of abilities and challenges in my Grade 3 class and they are not great at transitions, but on this afternoon, even with this sudden switch in gear, everyone was fully engaged and focussed on their task.

Although the book idea came from me, the idea to scrap my lesson and start working on the book right away came from a student. And he was right.

Photo of Tammy Axt

Teaching Students who are Hard of Hearing

This is the second year that I have had a couple of students who are hard of hearing in my music classroom. How do you teach someone to sing or play instruments when they can’t hear the sound they are producing? This is the question that I was faced with last year. After some trial and error and a brand new book “Music for Children with Hearing Loss” by Lyn Schraer-Joiner, I am by no means an expert, but I have learned a few things.
First and foremost, the students that I have act just like any other student in my class and want to be treated as such. They do not like to be singled out or have any attention brought to them, so when I make modifications to the program for them I try to be subtle about my changes.

When the two classes come to see me for music, I am very aware of a few things:
1) I only speak when I am facing the students. I do not speak when I am facing down to play an instrument or when my body is turned to the blackboard.
2) I ensure that the students who are hard of hearing are beside a good model for singing songs. This can be a skilled student or myself.
3) When I am speaking one on one with the students who are hard of hearing I lean down to their level. I speak normally and do not overemphasize any words.
4) In all of my other classes, I do not repeat the answers that have been given by students during class discussions as I feel that it diminishes their voice. The exception to this rule is in my classes with my students who are hard of hearing.
5) I bring manipulatives beside my mouth so that the students can focus on my mouth and the manipulative at the same time.
6) Brand new learning for me this year was to place the soprano glockenspiel, xylophone or metallophone on a raised music stand or table as this will make it closer to the chest cavity, which will help the student hear the instrument more clearly.
7) When I do activities where the students have to match the feeling of the music on the piano, I arrange it so my students who are hard of hearing are closer to the piano as the notes get higher.
In a nutshell, after working with my students who are hard of hearing, their singing and instrument playing have really improved over the course of the year or so during which I have taught them. Singing and instrument playing is a skill that all can achieve given the right instructional practices.