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What’s All the Noise About vs. Tomb-Like Silence

Sangeeta’s January posting What’s All the Noise About struck me as something to which all teachers can relate. I found that as a beginning teacher, I was often “aware” of the amount of noise in my classroom however in teaching French, I always felt a certain legitimacy with student interaction. As Sangeeta also mentioned it’s a trait that also characterises different styles of teaching. I know that oftentimes, teachers are judged (even by their peers) as having a lack of classroom management or that their students are too wild to be doing anything productive.

However it seems to me that it all relates to the level of comfort of the teacher and the task at hand. As long as students are on-task, discussion and interaction demonstrate to me a high level of engagement. One also has to take into consideration that students need a release. In teaching exclusively rotary classes, I’ve found that students coming from strict environments where talking/discussion is discouraged in favour of silent work time are often the most challenging when they come to my class as they are frequently the ones who “chatter” incessantly.  Although a definite proponent of student talking, I would say that there are a couple of considerations:

  • students don’t have a licence to talk indiscriminately (ex. during your lesson)
  • the noise level doesn’t interfere with students being able to work productively
  • you are not disrupting another classroom
  • your students are on task and engaged
  • you feel confident and comfortable

I know that I’ve found it personally rewarding to see students engaged in a lively discussion over an assignment.  To me it demonstrates that (mercifully) they are involved and care about what you’re teaching them.

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Opportunities Beyond the Classroom

This week is our school’s Speech Arts Competition. It was introduced at a staff meeting with the hopes that all classes would participate. Some teachers are enthusiastic, some are not participating, while others (like myself) are using it as an opportunity to focus on oral language skills. I am presenting it to the students more as an opportunity  than a “have-to”. There are kids who are thrilled to create or memorize a poem, add dramatic flair and share it with the class. There are others that are anxious about selecting a poem, being able to memorize it, and having to present in front of their peers. Despite emails of worry from concerned parents of the anxious children, I continue to remain calm and relaxed about the process. It is the process that I want the children to learn from. If a few of the students are too nervous, they can recite their piece to me quietly when students are working independently. This option has eased their worry, however I am sure that when the time comes they will be fine, as a sense of community and support already exists within the group.

There are so many opportunities at our school for those who are confident expressing themselves in writing, visual art, or sports. I think that the Speech Arts Contest will appeal to those students who have abilities in oral language and drama. There are so many forms of expression, yet children are often presented with the same options. As teachers, we need to look for opportunities to explore other options and to provide students with a multitude of languages for self-expression, whether it is sculpture, nature, music, or math. I have one student who is often invisible in group discussions. Yet, if I play music or show a video with music, her face lights up, she moves to the beat, and she becomes the most visible.

With over 30 teachers and 500 students, our school buzzes with activity and events. It can be overwhelming for some (like myself) to participate in all the opportunities that are created by various staff members, such as growing seeds and tending our school garden, attending the Toronto Symphony Orchestra, participating in food drives, or sending Valentine’s to the Senior’s home, in addition to your own class trips and activities. However, I have realized that these are opportunities for the students to experience forms of expression beyond what I may provide in the classroom. If you can connect these opportunities with your own plans (such as graphing for Data Management during the food drives), the learning and the experience becomes authentic.

Photo of Alison Board

By the way, what is self-regulation?

Last week, I had the opportunity to attend the Director’s Leadership Series – Early Years Strategy launch. The highlights included an address from Dr. Chris Spence about the importance of intentional inquiry and a presentation by Prof. Shanker on self-regulation in the early years.  I feel the need to share this as it struck me how timely his presentation was, as we were all assessing students on their “self-regulation” for report cards. Although we are provided with some examples of what self-regulation is, such as “Sets own goals and monitors progress towards achieving them,” it may be difficult to apply this statement to a 6 or 7 year old and their opportunities for self-regulation in the classroom.

“Self-regulation is not self-control,” said Dr. Shanker during his animated and engaging presentation. However, he suggests that many of us see the child that does as he/she is told as the one that is most able to self-regulate. Instead, it is the child that uses less energy to deal with external stressors and is able to be calm but alert – the optimal state for learning. By stressors, he is referring to auditory and visual stimulation that children may be sensitive to. They become focused on the stressors, use energy, zone out, and then aren’t able to follow what they should be doing. It also begs the question for us as teachers, how to provide an environment with less stressors for the children and how can we help our students find strategies to deal with their emotions and support them in self-regulation? This ties in with many of our early discussions on our blog about Tribes and inclusiveness, since creating positive energy supports the students ability to learn, whereas a negative energy drains them. It also ties in with our discussions about the importance of the classroom set up, as Dr. Shanker suggests we consider what type of a classroom environment will enhance energy (a calm energy for learning).

I found this professional development opportunity connected well with what teachers are grappling with right now. Dr. Shanker touched on behaviour, anxiety, as well as  ADHD and Autism and their relationships with self-regulation. My class is currently discussing the big idea, “What is Well-Being” so we are explicitly discussing what distractions there are, what helps us to be calm and alert, and what can we do to self-regulate throughout the day. This afternoon after coming in from the yard at recess, on of my students asked, “Can we do the rainstick thing?” ~ a little mindfulness for a minute seems to be working for us as a first step to discovering how to self-regulate.

 

 

iDirector’s Leadership Series – Early Years Strategy.

  • An address from our Director, Dr. Chris Spence
  • Presentation by distinguished Professor Dr. Stuart Shanker on self-regulation in the early years

 

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Photo of Roz Geridis

Engaging students in Visual Arts

Over the last 2 weeks, my class have been working on this wonderful visual art activity which is also connected to grade 6 aboriginal studies. We began by studying the art work of Norval Morrisseau, an Aboriginal Canadian artist (books are available at the public library). Morrisseau’s style is characterized by thick black outlines and bright colors. I shared with the boys the plan for this project was for everyone to complete their own version, then we would do body images of 1/3 of the class which will end up being painted on the Junior Stairway walls.

The boys were very excited about this project and I really tried to encourage their interest and ownership of the art work. As a class, we moved along for the boys to use an overhead and trace their head, hands, or feet to complete their own versions of Morrisseau themed pictures. The boys then had a lesson on drawing the shapes inside their images (guiding them to leave enough room for their black line). Primary colours were used to colour the inside of the shapes and the background was in secondary colours. Using only 2 overheads for the whole class, this stage of project took a little longer than a whole afternoon.

At the end of the first day, we had a discussion as to what the images of the boys would portray. The next day, the boys were asked to bring in items which reflect them in a sport type of way; for example, scooters, hockey equipment, soccer balls, swimming goggles. The boys selected the images to represent themselves as a class. They selected swimming, cart wheel, hockey, soccer, mountain climbing, and baseball. We were planning on adding someone reading and a second image but time was an issue which didn’t allow our plan to fully work out. Using the overhead, in groups of three, the boys then traced their image on life size paper. As others were tracing, the first group would then cut out their image. After lunch, we were able to finish off full body tracing for the rest of the groups and began (the groups completed the cutting)  adding the shapes within their image. This aspect of the project needed to be reviewed with the class a few times. The first lesson was on the personal image, the second mini lesson was to remind them of what to do to begin on the larger image, the third mini lesson was to go through their larger image and fine tune their shapes. This took us a full day.

The next day, we taped up all body images on the stairwell walls. Looking to see which image should go where. This was an adult only decision. Once image placement was decided, the boys then traced their image on the wall. After every image was traced on the wall, some boys began painting the background colours while on the opposite side of the wall other boys were tracing their shapes in their image. This process took another full day. Each wall needed two coats and a day to dry between coats.

The fourth and fifth day, the boys were painting the shapes in each image (in groups of three) and then the black line last. We also needed time for touch ups. At the end of it, the boys were able to add their own signature to a wall which will be there for years to come. We are also painting some thank yous on a wall as all the paint used was donated by a local paint store.

The project took a total of five days and I really would recommend to get it completed in a chunk of time. The interest was there and interruption to your regular programming is not much. It was a week of limited program which was a great time to get to know and have some fun with your students. Remember, this is a visual arts project and it is connected to aboriginal studies. I have assessments for both curriculum areas. To adjust it for any grade, if your school walls are already colourful, you can do something very similiar and use the life size paper to paint and hang on the hallway walls. Also, use visual art as your first curriculum area and find a second curriculum area to connect it to, whether it is social studies or math.

Included are some pictures to help you visualize the project. It was a project completed with a parent (who is also an artist). While she was working in the stairway with the boys, I was in class keeping them on track. The first few days, there was plenty of work to keep the boys busy but by mid day on the fourth day on, the boys had less to do on the art project. That being said, behaviour was amazing!!!! I guess the boys thought if they didn’t manage in class, I couldn’t send them in the hall. Which is a pattern in our class. I definitely had support for this project (administration, artist, and Educational Assistant in the afternoon). I also sent out a letter to the parents informing them of the pending project, the boys working with Latex paint, and dirty clothes coming home (with a tear off signature return). I also asked for volunteers to come in a week later to help paint the final protective coating. I have many teacher and parent volunteers. The boys feel a sense of pride, ownership, and community to their school!

Photo of Sangeeta McCauley

What’s the noise all about?

How much talk is acceptable in a classroom setting? Or more importantly, how much talk is acceptable in your classroom setting?

We all have different beliefs about teaching and learning and this is reflected in what our classrooms look like and sound like. Just by walking down the hall at your school, you may have noticed differences in:

-desk/table set up

-visuals hung up in the classroom

-students working in groups

-use of technology

or the noise level…

And that’s okay. Because not only do our classrooms reflect us, they reflect our students.

I have 18 boys and 9 girls in my Grade 4 class and yes, my classroom is constantly brimming with activity and talk, even during the lunch hour, when the students are supposed to be eating.

When I realized that this is how they prefer to communicate and share, I discovered so much about them, like: one of my student’s father died 11 days before he was born, another student is getting a new sibling and Bruno Mars is a favourite artist among many of my students.

So I say, bring on the ‘noise’.

 

 

Photo of Carmen Oliveira

The Importance of Communication in the Parent-Teacher Partnership

As we devote the next few days to completing our report cards and prepare for our parent-teacher conferences, I’d like to share an experience that really came to prove that  how often and the manner in which we communicate with our students’ families and caregivers really makes a difference to in supporting and furthering their learning experience.

I am part of the Portuguese-speaking Students Task Force created by the TDSB.  It’s mission is to look deeper into the challenges experienced by Portuguese-speaking students and their families including a very high drop-out rate in secondary school and low enrolment with respect to post-secondary education.  We have spoken to the students themselves, teachers within the Portuguese community, and most recently, the parents.  We discussed at length issues including: how Portuguese-speaking students and their families are viewed by educators; whether students and families feel supported by the TDSB (programs, resources, etc.); what challenges exist; and possible solutions and/or suggestions.

I found it absolutely fascinating that there was one aspect/challenge that each group (students, teachers, and parents) mentioned as needing immediate attention: communication between the school/teachers and parents.   The reality, concerns, and suggestions made were practically identical and so I thought it would be beneficial to share the parents’ viewpoint as we think about our parent-teacher conferences.

Parents commented that although they understand teachers are very busy, they often feel left out of their children’s education because they do not really know what’s going on in the classroom on a regular basis.  They said that their children’s education is a bit of a mystery when it comes to what they are learning, how they are being assessed, how they can further support their child, and how the education system works overall.  It came down to admitting that they feel intimidated at times to speak to the teacher or ask questions about what is happening in the classroom.

When asked about what they would like to see happen with respect to communication between educators and parents, they put it very simply: they wish educators would reach out to them on a regular basis whether it be through a newsletter, email, webpage, tweet, agenda, phone call, etc. to let them know what the children are learning, how the learning will be assessed, and how the family can support and further the learning outside the classroom.  Overwhelmingly, parents said that when teachers care enough to take the initiative by constantly keeping the doors of communication open, they feel more motivated in able to guide/support their child.

Let’s keep this in mind…myself included!

 

Photo of Tina Ginglo

Drama and Dance Resource

Report Cards are fast approaching and I can’t help hear some teachers comment that they need to teach and assess drama and dance ASAP!  For those who are not comfortable teaching drama or dance or for those who do not have much experience or access to drama and dance resources, it can be a challenge to plan regular lessons that integrate as well as explicitly teach students drama and dance concepts and skills.  I have many “go-to” drama and dance resources that I refer to regularly to assist me with my planning.  One particular favourite is the Council of Ontario Drama and Dance Educators (CODE) website.   Under the Resource tab you can search for K-12 drama and dance lessons and units.  You will find videos of teachers modeling the strategies as well as BLMs that you can print and copy.  Some of the lessons are marked “Members Only.”  Membership is 50.00/year, but I think there is a discount for first year teachers.   What I like best about the site is that there are always new resources added and I really appreciate the dance/movement lesson plans!  Feeling Artsy?  Have a look:)

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Salon du livre – Celebrating French Projects

Oftentimes, French teachers have a difficult time motivating their students when it comes to expending effort on their work. Not to generalize (but I will nonetheless), enthusiastic students tend to put forth a high degree of effort no matter what the subject while those who are not put even less into their French assignments. Engaging the creativity, motivation and enthusiasm of students is no doubt a French teacher’s greatest challenge.

Take heart! The expression that higher levels of achievement are the result of higher expectations also holds true for Core French. With each summative assignment, I always make sure to provide students with the opportunity to maximize their efforts (and end up dragging the less enthusiastic ones along for the ride). To do so, I ensure four things.

1)      The project is both engaging and allows for individual expression.

2)      The students have concrete and visual examples to refer to.

3)      The appropriate supplies (cardstock, various colours of papers, markers, pencil crayons, paints) are all available for them to use and the proper amount of class time is allocated.

4)      They have an opportunity to showcase their work to a larger audience.

For the last point, there are many different options available. The one that I’m undertaking currently with my grade 8 classes is something I call “Le salon du livre” and is the culmination of a “novel study” (albeit a very short one).

Having read the Galaxie reader “Le secret” together as a class, students were asked to reinterpret the story in some way (new cover design / summary /reviews, portfolio of one the main characters, rewrite an alternate ending) and be able to visually exhibit their work at the “Salon”. With their classmates, they are divided into small groups where they orally present their project and the following day, I assemble the assignments from all the classes and give the students the opportunity to see and review everyone’s projects.

On this day, I have selected students who have been nominated by their groups to come to another class for an “author’s visit” where they read a selection of their work. We finish off the event by having refreshments (usually croissants and juice) and taking the opportunity to relax, enjoy and celebrate each other’s company and hard efforts. I find that this kind of event ups the ante and even my most reluctant students rise to the occasion.

Photo of Tina Ginglo

The Whole Child

As a third grade teacher, I sometimes get caught up and distracted by the fast approaching EQAO assessment.  Our school doesn’t fair very well in the EQAO world and there is a lot of talk about getting the students ready.  One way our school is preparing students for the assessment is by providing them practice runs at previous EQAO questions.  As Sangeeta mentioned in a previous post, I also worry about the amount of pen and paper tasks our students complete.  Don’t get me wrong, knowing how to read and write are VERY important skills that must be acquired, but there are many ways to learn how to read, THINK and write, technology being one.

As we neared the end of the calendar year, I allowed myself to forget about EQAO and teach the way I taught when I taught grades 4 and 5 and kindergarten!  Even though my students receive their music and art instruction from other teachers, I decided to include it in my program as well. Visual literacy, music, drama, art, movement, design and technology were springboards for incredible thinking and prompted the most meaningful and well crafted writing I have assessed so far this year!   More importantly, the level of engagement in my class springboard as I observed students focus and participate in ways I was not able to observe when I did not integrate the arts in my teaching.

I know this! Why do I allow myself to get caught up in the EQAO frenzy?  Don’t get me wrong. I actually like the EQAO assessment and take the responsibility of teaching STUDENTS the Ontario curriculum very seriously— but sometimes I think we get turned around and teach the CURRICULUM to students.  I think there is a difference.   My goal for 2012, is to make sure I teach to the WHOLE CHILD everyday and allow students to explore the curriculum in different ways before bringing out the pen and paper:)

Heart Picture

More About Not Reinventing the Wheel…and Being Resourceful

It is sage advice for us as teachers not to  reinvent the wheel’, and it is so nice when it is followed up with a good idea.  Carmen’s Financial Resource link will go in my ‘back pocket’ of resources to use when in an upper grade, as will many of the ideas and suggestions from the teachers in this blog. To add to the blog’s repertoire of ‘resourceful ideas’ I have one to share that can be adapted to any grade and it has been successful with my Grade 1’s.

One of the initiatives at my school is to be more ecologically conservative (waste less, conserve, recycle and reuse).  In this spirit,  I have planned some creative cross-curricular art activities that have the students re-using found materials and scrap materials in the classroom.  It’s a simple formula for me to follow, requiring us to use what’s available in the classroom and it results in art work that the students become very engaged in and that is meaningful to them:

I start with a picture book or unit theme to act as a springboard to the task. From the unit/book I select something for the students to create in their own image (for example, at the beginning of the school year we read the story ‘Chrysanthemum’ by Kevin Henkes).

I then have the students design a ‘plan’ of their work, mapping out the materials and colour schemes of their work (in this case, a flower that reflects their own individuality, much like Chrysanthemum’s name in the story book).

I give the students a wide variety of materials to choose from (scrap paper, coffee filters, markers, crayons, pastels, water, old wrapping paper, foil, foam etc. ) to construct their item and encourage them t o follow their plan as they create.

I usually follow up the activity with a writing task which can be linked to a variety of Language expectations (writing in the voice of their created item, descriptive writing,  narrative etc.)

It’s incredible how enthusiastic and engaged the students are in these kind of activities because it reflects their own creativity and individuality.  There is no wrong answer as the artwork and writing is the students’ own creation, and it is a rich task that acts as a vehicle for me to teach and assess  specific strands of the curriculum that need to be applied to their work.

I am attaching a picture of the flowers created at the beginning of the school year, and I will attach more photos in the new year of the students’ more recent creations (*the leaves of the flowers show student writing: “I am special because…”)