Using anything but words to respond to music

The second part of the arts curriculum, which is all about reflecting, responding and analyzing the arts, can be a bit of a bore. Some of the resources available are structured so that a teacher plays a CD and the students listen to a piece of music and complete a chart in response. This type of activity is a good way to evaluate students’ initial reaction and description of the elements of the music. It is also are a great way of informing the teacher about the prior knowledge that the students already have. However, I have not found these types of activities to be successful in capturing a deep level of analysis and interpretation. I have also never heard a student cry out in glee about the prospect of completing one of these activities.

To really get students to analyze music and critically reflect about what they are hearing, students need to engage with the piece of music more than one time. But how do you keep their attention and focus over multiple listening experiences? The answer is do activities that are fun and have built in time for changing thoughts and opinions.

flashlight2flashlight

 

 

 

 

 

 

Activity One

Ceiling Flashlight show.

This first Unit stemmed from an idea that was presented in a workshop by the OMEA president Gena Norbury.

The students create light shows on the ceiling of the classroom to go along with a classical piece of music. You can buy small hand held flashlights for fairly cheap and take some Sharpies and colour the lens with a variety of colours. Next, turn off your lights, lie down and watch the ceiling light up! I usually create one example with the class where we identify all the elements of music that we hear, the form of the music and our initial reaction. We then choose the colour, formation and shape we want our light show to take so it matches the music. We test it out and come back and change it until we are happy with the end result.

Next, the students are responsible for identifying the form, elements, and initial reaction to their own piece of music and for creating their own light show to perform for the rest of the class.  I would rate this as my favorite unit for a grade 4 or 5 class to develop their listening skills. Each group listened to their piece dozens of times through their preparation. This really allowed them to develop opinions, thoughts and feelings about the piece of music.

Each group should have access to their own music player for their piece (yes, this is noisy) and I block out my windows in my class during this unit. When the students designed their own light shows in the past they used Bizet- Toreador Song , Beethoven- 5th symphony ,Prokofiev- Romeo and Juliet (Montagues and Capulets), Vivaldi- Four seasons- fall. You can really use any music that has an easy form to follow and fairly straightforward elements to identify.

postertempo poster

 

 

 

 

 

Activity Two

Create a story that demonstrates the music.

I start this lesson with a jigsaw activity where each group becomes an expert on one music term. Each group receives one of the posters from the music room and reviews it and quizzes the other members in the group. Afterwards, I reorganize the groups so that there is an expert on each vocabulary term in the each new group.  Their first job is to listen to the music and share their initial reaction to the music using some of the vocabulary they have just learned. If groups are having trouble, I approach them and ask some simple guiding questions such as “What is the feeling of the music? What does the music bring to your mind?” We share some of our thoughts in a whole group discussion and then each group decides on a story that the music could be telling. The group then begins to act out the story with mime to try and capture the feelings and themes of the music. Students share their creations with the class and I have students give feedback. Each group goes back and revises their initial creation. My favourite piece of music to use for this activity is anything John Williams but especially “Close Encounters of the Third Kind”. That long crescendo to the very loud accented note make the kids laugh every single time.

Draw it

Activity Three

Draw it and pass it on.

Have students listen to piece of music and have them draw whatever the music makes them think of. At a certain point have everyone in the room switch papers with someone else as the music continues. The next person continues the pictures by adding their own ideas. Make one more switch and have the final person add colour to the piece of art. When students are able to do this task successfully use a piece of music that clearly changes feeling in the middle. This allows the pictures to evolve as they are passed around.
My students tell me that these are some of their favourite activities all year.

 

 

Field Trip to the Toronto Symphony

Last month, all of my grade four classes went on a field trip to Roy Thompson Hall to see the Toronto Symphony Orchestra play their annual concert for students. I love going on this field trip. For most of my students, this is the first time that they have ever seen an orchestra live and for many of them it is a rare occasion that they visit downtown Toronto. They ooohhhed and aaahhhhed as we passed by the CN tower and marveled over the fancy seats at Roy Thompson Hall.

Before, during and after the field trip there were many details to organize to ensure a safe, fun learning experience for everyone involved.

Before the Trip

Logistical Planning (A couple of months before the trip)

  1. My first stop before planning the field trip was to ask my administrator for permission to go. I was asked to fill out some forms with information about costing, busing requirements and date of attendance. After my administrator gave the green light to plan, I made contact with the coordinator for student field trips and decided on a date.
  2. (Note: In my very first year of teaching I inadvertently booked my school on a field trip. I was calling two different locations and trying to enquire about dates for both. I had not booked or signed any contracts with either place but one of the locations turned around and sent me a bill for around $500 dollars for not showing up to the field trip day that we had spoken about on the phone months before. Through lengthy discussions with the location the situation was resolved. So learn from my errors and be VERY explicit when discussing dates with potential locations.)
  3. After the date was selected and my administration approved the forms I added the date to the master calendar of my school so that nothing else got booked on that day.
  4. Once I booked the trip, I approached my office staff for a cheque to pay the deposit.
  5. I followed my school’s protocol for ordering the buses and kept the confirmation in a safe place.
  6. The next step was to prepare a parent letter for field trip. (Here is the letter….Toronto Symphony letter 2016)

Logistics (The final couple of weeks leading up to the trip)

  1. I put a plan in place for students who did not be attend the field trip. For my school, this was all the grade 3 and 5 students in split classes. The teacher of the grade 4/5 class stayed back and taught all the grade 3 and 5 students during the day.
  2. Also, I ensured that there was a plan in place for students with special needs. I was the extra support person for the class that required assistance. I stayed with a group of high need students the whole trip.
  3. I spent a lot of time preparing students for the assignment that they were required to complete post field trip.
  4. In class we reviewed expectations on a field trip. I was very explicit. We all did role plays of good audience behaviour at the symphony. What would audience behaviour look like at a symphony versus a rock concert. It was a lot of fun.
  5. With so many details to remember, I sent an e-mail to my administration and all the teachers attending the field trip one week before the trip to review all of the information required for a successful day. Hopefully this list will help remind you of a few items for the day.

Hello everyone,

 Here are some final pieces of information/reminders about our trip on Thursday and a schedule of the day.

  1. Our office staff has provided me with a master list of all emergency contacts for every student in grade four.
  2. Just a reminder that all grade four students will be having pizza day this Wednesday not Thursday.
  3. Remind your students to eat a big breakfast on Thursday. Lunch will be slightly later than normal on Thursday so remind them to fuel up before we leave. I have told your students not to bring their backpacks or lunch bags with them on the trip as their will be no space for them. However, I have told them a small purse or a small string bag would be fine.
  4. Remind students that there are no devices on this trip and students do not need to bring money.
  5. Remind students that there will be time to visit the bathroom before the concert and after the concert at Roy Thompson Hall. Please encourage them to use the bathrooms at those times so that they are making every effort to watch the one hour show.
  6. Please ensure that all students with medical needs bring their epi pens and puffers on the field trip.
  7. My cell phone number is ———-.
  8. This year the organization of the TSO student concerts have changed slightly.  “Ushers will meet you at the main doors of Roy Thomson Hall to guide you and your class to your assigned seats.  Please note: there are no hard tickets for this concert; ushers will be working from a seating plan. I have the busing and seating information package and will be bringing an extra copy for both buses on Thursday.
  9. I have attached the schedule for all students not attending the trip.
  10. Finally, remind your students to look awesome on Thursday as we are having a fancy dress up contest!”

 

During the Field Trip

Before we left I handed in the attendance of students on the trip, the bus number and an emergency number to the office staff. I then helped students find their seats on the bus and at Roy Thompson Hall. I was very careful about who my students were sitting beside and worked hard to ensure that the students were making good choices all day long.

After the Trip

Follow up activities

Besides having an amazing, awesome fun day with the students, all five of my grade four classes had an assignment to complete in the last hour of school when we returned from the trip. Leading up to the trip, I spent a lot of time prepping the students for what they were going to hear and see at the symphony. We spent a lot of time analyzing pieces of classical music and using word banks that they would be using for this assignment. In addition to analyzing music, I also showed the students the actual assignment and wrote examples of a level 4, 3, 2 and 1 answer. Every student also received a paper with a word bank that I have from Musicplay’s Listening Resources and a list of the songs played by the orchestra.

Here are the Anchor charts for grade 4 assignment and Grade 4 symphony assignment for your use. Hope you and your students have an amazing, wonderful, excellent, awesome time on your next field trip!!!

 

Embracing a New Teaching Assignment

The spring brings many new things to us in the teaching profession. It is an end to hallways that smell like winter boots and the request of help from the students in our class who have lost their mittens for the tenth time this year. Spring also brings the new teaching assignment. As is practice for many schools, teachers wait for their principal to meet with them at this time of year to assign the new package for the upcoming school year.

Four years ago when I was teaching a grade 2/3 split my principal came to me with what seemed like a crazy idea for me to team teach music with the other music teacher in the school. I understood why she asked, I had done some extracurricular work co-leading some students in drumming so it seemed like a good fit. Although I was very cheery when I responded to my principal and told her that this assignment “sounded great” when I got home I freaked out. I had no formal music training and I was going to be team teaching with someone who was a professional oboe player before she became a teacher. I didn’t know how to read music. I knew how to find a good groove on the drums but that was it. I literally went ahhhhhhhhh every time I thought about this assignment for the next few days.

After I calmed myself, I met with my new co-teaching partner. She was very keen and nice to me in that initial meeting but I am positive she knew I had very little formal training in music. I grew up in a maritime house where kitchen parties and dancing around the house was the norm. I heard Patsy Cline at 6:00 AM every Saturday morning throughout my entire childhood as my parents sang and cleaned the house. I love music but I had never taken any kind of formal music lesson. However, I wanted to do well at this assignment so after some reflection, I signed up for piano lessons. Yes, it felt funny to be sitting in the waiting room with a bunch of children but the teacher that I had was great and in no time at all I was reading music and playing the piano.

I continued with piano lessons and then theory lessons and every single music workshop that I could get me hands on until I had improved my knowledge base significantly. What initially drove me to go to these lessons was that I felt my students really deserved a teacher who was knowledgeable and committed to doing the best that they could to facilitate learning. What I didn’t expect was how much I ended up loving the piano and the music it creates and will probably continue to study it for a very long time. I also discovered that I love spending a good chuck of every summer ‘geeking out’ studying music theory.

So as you get your assignment this spring, and it may feel unexpected and like a strange fit. You never know, it might be the best thing that ever happened. I have no intention of leaving the arts department at my school anytime soon. Who would have thought it four years ago that when my principal gave me this crazy assignment that it possibly would be a long term career path.

However, if this spring you get the worst teaching assignment you could have ever imagined, then there is always hope for next spring when the new assignment will come again.

 

How important are the arts?

arts

Look very closely at the picture above. This picture was taken at an elementary school in St.Kitts while I was on a tour. I stopped to look at the bulletin board and on the board was a list of classes that the students could choose from for the upcoming term. There choices were Cooking, guitar, drumming, steel pan, dance, drama, sewing, arts and crafts and masquerade. As an arts teacher, with a team of three to support the pursuit of arts at my school, we would not come even close to offering our students all of these subjects as a separate choice.

The reason why I was lucky enough to be taking a school tour in St.Kitts was because two summers ago I was a member of Project Overseas. As a participant on Project Overseas, I spent the month of July giving workshops to teachers in St.Kitts about autism and it was the experience of a lifetime. Although I was there to lead workshops, I definitely learned a lot about my own practice and came back with a lot of questions about our education system. First and foremost, how important are the arts?

Teaching in an elementary school, I see the benefits of the arts every day. For many of my students, it is a chance to be successful in an otherwise challenging day. For other students, it is the outlet that helps them deal with challenges in their home life. I could tell the story of my struggling student who beamed when all of his classmates gave him a standing ovation in class for his beat boxing presentation. During our Black History Month assembly, one of our students did such an amazing dramatic interpretation of a Maya Angelou poem the whole audience broke into thunderous applause at the end and she looked so happy. There are stories of art projects, songs written, original dance moves and hours upon hours of critical thinking and creative expression.

The arts also support learning in all other areas of the curriculum. The scientific inquiry process and the creative process follow a very similar trajectory. They both encourage a lot of curiosity and a chance to try something out and revise as needed. The arts also support learning in math. Music notation and instruction in rhythm is basically a different way of thinking about fractions. Many music posters with division of beats look identical to fraction strips. When I walk around my school, I also often see art projects based in tessellations or symmetry. Social studies is basically embedded in the third overall expectation in the arts curriculum. Analyzing historical contexts and the past and present community perspectives is taught every term in Ontario arts classrooms and that is directly tied with the Social Studies curriculum. Finally, language is often what drives music melody and dramatic presentations.

The arts are also bring us together and make us feel good about ourselves. I have read so many studies about how music and the arts provide stress relief and comfort in times of need. With a very important move towards providing support to our students in the area of mental health, we need to recognize the important role that the arts can play in achieving this goal.

I recognize that I teach in a school with a large staff that requires a lot of planning time so having specialized arts teachers is easier for us than many others. However, when you start looking at the research conducted by People for Education in 2013 versus the same study in 1998 about specialist teachers I start to wonder about the direction we are taking. In 2013, only 44% of elementary schools had specialist teachers dedicated to teaching the music curriculum. In 1998, the number of specialist music teachers was 58%. My question is if planning time went up over the last 15 years why are there fewer music teachers required?

Can classroom teachers do an amazing job at teaching, drama, dance, visual arts and music? Of course they can! I see amazing instruction in the area of visual arts at my school all the time. However, with funding for arts performances and programs down as well as declining commitment to have specialist teachers are we moving in the right direction?

Modifications and Accommodations in the Music Room

Modifications and accommodations happen daily in every classroom in Ontario. Teachers strive hard to make sure that their students have the necessary tools and supports to help them achieve the expectations of the Ontario Curriculum or modified goals. The following are some of the accommodations and/or modifications that I have used this year with a focus on the most common tool used in music…instruments!

When you ask my students what their favorite part of music is, many of them would answer quickly that they like using the instruments. I agree, instruments are AWESOME, but they can also be very challenging for students with impairments in fine motor skills, breath control, impulse control or visual acuity. To help these students, try a few of the following tricks…

  1. Xylophones- Most xylophones have removable bars for students who are overwhelmed with all of the notes laid out before them. I take the bars off that the students don’t need to play a particular song. I also rearrange the bars to make sections of the music more playable for some students. For example, I will move the E and F bars away from the G and A bars so that the student can more easily see the space between the two and identify them as separate. Selecting only part of the melody or accompaniment can also give students with processing difficulties a chance to keep up with the pace of the music. For my students with impulse control challenges, I give them a heads up that while I am giving the instructions I will be holding their mallets and as soon as we start playing I will return them. Furthermore, improvisation can be your student’s best friend on the xylophone as it takes the pressure off of playing specific notes. Finally, metallophones have much better contrast for students with visual impairments than regular xylophones.
  2. Recorders- To help students match their fingers to the right holes on the recorder, I have used small pieces of coloured electrical tape. I put a small piece of blue on the first hole of the recorder and put a small piece of blue on their pointer finger of their left hand. I add one finger at a time and work towards removing the tape when the student is ready. I have also matched a colour coded system to the music that they are reading. For students who have large challenges in fine motor skills, I have also taped the back hole for the first section of the year to let them focus on the front holes.
  3. Drums and Percussion Instruments- When it comes to the percussion family, instrument choice becomes very important. Maracas, bells and guiros are some of the more difficult instruments to use to produce clear rhythms. Rhythm sticks and bucket drums are a much better choice as the sound is more easily produced and controlled. Another helpful tool is to use words to learn rhythms. Using words to help students learn rhythms is great for all students but is especially important for students who need extra support. From the tabla in India to the taiko drum in Japan, there are so many countries that use words to share rhythms. Simple or repetitive words are much more accessible than musical notation for many students.

 

IEPs for Music

This week I am faced with the task of completing my term two IEPs for the subject area of music. Below is my process in determining the need for a student to be placed on an IEP for music and some of the past comments that I have used for my students.

Determining the need

Every year in term one and term two, I receive a list from the special education support team of students that are on an IEP. Attached to this list is the question of whether or not I feel that any of the students currently on an IEP require specialized goals for music.

The first question that I ask myself when determining whether or not a student requires an IEP comment for music is “Does the student’s exceptionality impair their ability to be academically successful in music?” In order to determine the answer to this question, I gather some assessment data on the student. This can be challenging at the beginning of the school year when the IEP needs to be completed in a very tight time frame. To help speed up the process, I recommend reading the student’s IPRC’s statement of decision or previous IEPs as they can direct you to analyze the student’s specific exceptionality in the context of your class. Afterwards, I watch my students for impairments in things like receptive language, language processing, expressive language, cognitive abilities, sensory engagement, visual spatial processing and both fine and gross motor skills. In a nutshell, after I have read the decision about the student’s needs in their OSR, I watch closely to see how that impacts their learning in music.

Once I have evidence to support my decision, I go about setting the direction for the music section of the IEP. After analyzing the data, I must decide whether to modify the number of expectations or modify the grade level expectations that I am using to assess the student. In addition, if the student is on an alternative IEP, I must create a measurable goal for them. I do my best to create a goal that will both challenge the student and ensure success for them.

After I have decided on the goal for the term, I compile the accommodations, assessment methods and annual program goals for the students. I then pass all of the information over to the teacher in charge of the IEP. See below for some examples.

Comments for Alternative IEPS

will demonstrate a response to a variety of songs once in a music period.

will physically respond to music (e.g., claps hands, whole body movements).

will participate in music 30% of the time

will participate in music class by singing and playing the xylophone, drums and unpitched instruments for 30 minutes every class

will create and perform a simple composition with some support

will perform a musical piece in front of a large audience

will participate and explore on the xylophone, drums and unpitched instruments

will ask music teacher or peers for help

Comments for IEPs

will apply the creative process to create and perform simple music compositions from modified musical notation.

will sing unison songs in tune and play simple accompaniments.

will perform simple music compositions from modified musical notation.

will communicate his feelings and ideas in response to a piece of music.

will respond to a piece of music through movement and using a light show.

will sing unison songs in tune and/or play simple melodies and accompaniments for music from a wide variety of cultures, styles and historical periods.

will create and perform music in unison on the xylophone and unpitched percussion instruments.

Assessment Methods

Observation of student playing an instrument

Checklist

music performance

self-reflection after singing a song

demonstration of moving to music

Accomadations

Colour cues

Large size font

Use of headphones

Visual cueing

Extra time for processing

Scribing

 

 

Resources – Here are a few resources to give some guidance when writing IEPs.

PRS Matters has written a great bulletin called “The Individual Education Plan (IEP)-What You Need To Know http://www.etfo.ca/AdviceForMembers/PRSMattersBulletins/Pages/Individual%20Education%20Plan%20Advice%20to%20Members.aspx

A great resource for writing IEPS is located on the Ministry website “The Individual Education Plan (IEP), A Resource Guide (2004)”

 

 

 

 

 

Music Report Card Comments

Today’s blog is a simple one. Below are a variety of comments that I have used for reporting to parents over the past couple of years. The shorter comments are for the progress reports and the longer comments are for report cards. Hopefully, these comments can be a starting point for those of you who teach their own music. The framework should allow you to individualize them to your own students and school. If you have any great comments that you would like to share, please leave a comment below.

($=child’s name, @@=He/She @=he/she #=his/her)

Grade One

$ is able to sing and sign simple melodic patterns in tune, using the pitches, mi, so and la.

$ created and performed an accompaniment for the story ‘The Tulip Bulb’. @@ demonstrated an understanding that sounds can be represented by symbols by reading cards with pictures on them while clapping the rhythm of the words.

$ showed that @ can apply the steps needed to learn songs. @@ moved and sang songs with fast and slow tempi such as “Rig a Jig Jig” and “Downright Upright”.

$ applied the elements of music when singing, playing and moving.

$ demonstrated the ability to identify sounds of higher and lower pitches by performing the song ‘As I Went Out To Play’. $ expressed # feelings about an African music performance.

Grade Two

$ classified instruments by listening to their sound. @@ created and played an eight beat rhythm as an accompaniment for the story ‘Percussionville’.

$ showed that @ can apply the steps needed to compose simple songs. @@ used proper technique when playing simple accompaniments on the xylophones.

Through the study of the piece ‘Carnival Of The Animals’, $ was able to classify instruments by listening to their sounds. @@ demonstrated an understanding that symbols can be used to represent sound.

$ demonstrated an understanding of pitch and musicality by expressively moving # body to the sound of a slide whistle and copying it with # voice. @@ played the accompaniment for the song The Teeny Tiny Woman on the xylophone with proper playing technique.

$ demonstrated the ability to sing unison songs in tune and play simple accompaniments.

$ is able to name many instruments and classify them by listening to their sound. @@ demonstrates an understanding that standard rhythmic symbols represent specific note values.

Grade Three

$ is able to describe some examples in which the elements of music are used in the music @ performs, listens to and creates.

$ demonstrated the ability to sing, in tune, unison songs, partner songs and rounds.

$ showed that @ can apply the steps needed to learn to play and appreciate music. @@ performed the Japanese song “Kaeru” in unison and in a round.

$ sang the song Little Boat So White in tune, with musical expression, and played an accompaniment for it on the xylophone with proper playing technique. @@ composed and performed a 4-beat rhythm pattern that created a B section of an ABA form based on the poem Breakfast Time.

Through the study of the musical tale ‘Peter And The Wolf, $ was able to describe several examples in which the elements of music are used to create a specific mood. @@ identified ways in which music is used in a variety of communities.

$ performed movements and rhythms in 3/4 time. @@ identified and described ways in which music can be used in # community. @@ described ways in which the elements of music are used through the study of the piece Peter And The Wolf.

$ used good technique when learning to play “Pachelbel’s Canon” on the xylophone. @@ responded to a performance by the Canadian Opera Company.

Grade Four

$ showed that @ can apply the steps needed to learn to play and to appreciate music. @@ composed and performed a variation of Hot Cross Buns on the recorder.

$ demonstrated an understanding of musical signs and standard notation on the five-line staff by playing a piece of music on the recorder. @@ applied the elements of music when singing and playing instruments.

$ demonstrated an understanding of musical signs and standard notation on the five-line staff by reading a simple piece and playing it on the recorder. @@ responded to a performance by the Canadian Opera Company.

$ demonstrated an understanding of musical signs and standard notation on the five-line staff by reading a simple piece and playing it on the recorder. @@ was able to identify the use of music in communities today and in the past.

$ demonstrated an understanding of musical signs and standard notation on the five-line staff while playing the recorder. @@ created and performed melodies on the xylophone in both major and minor tonalities.

$ used the tools and techniques of musicianship when learning a song on the recorder.

$ used the tools and techniques of musicianship when performing the songs “Hello Everybody” and “I Like Singing”.

Grade Five

$ identified the elements of music in a classical piece and described how they were used. @@ prepared a presentation for the junior concert using the techniques of musicianship.

$ created a musical composition that used body percussion, instruments and voice. @@ used the tools and techniques of musicianship in the performance of “Little Tommy Tinker” and recorder duets.

$ created and performed an eight beat rhythm using quarter notes, eighth notes, sixteenth notes and sixteenth note and eighth notes combinations. @@ applied the elements of music when playing and composing music to create a specific effect.

$ showed that @ can apply the steps needed to learn to play and to appreciate music. @@ used proper playing and singing technique and showed creativity when developing # own rhythmic patterns.

$ applied the elements of music when singing, playing, composing and arranging music.

$ is able to demonstrate an understanding of basic harmony by composing a short piece of music based on the notes of specific chords. @@ is able to perform a piece on the recorder in 6/8 time signature with consistent rhythmic

$ created and performed a rhythmic composition that included sixteenth notes. @@ demonstrated an understanding of 6/8 time signature, clefs, and standard notation by performing the song ‘Millions of Cats’ on the recorder.

Art in a Contained ASD class

This year as part of my teaching package, I was asked to teach art one period a week in a contained ASD class. Surprisingly, it has become one of my favourite periods of the week and something I look forward to. There are 6 students in the classroom with a variety of needs and challenges but we have somehow managed to create some really cute art during the first four months of school.

Let me be upfront and honest. I have very few artistic skills. Therefore, the thought of leading anyone in art was a little nerve racking. To combat this problem I relied on the knowledge of my student’s interests, Pintrest and amazingly supportive colleagues to come up with some fun projects.

Before we began every project, I showed them all the finished product and had step by step verbal instructions to complete the task. This highly structured environment enabled all of them to be successful and lowered stress levels for some of the students. art making (2)

We all sat at the table together and the materials were placed in front of every students work station.


 

Some of the art we created was inspired by the students’ interests.

One of the students in the class loves animals. To inspire our art lesson,  I made a prezi about my cat Harley https://prezi.com/vquishjdeok3/my-cat-harley/. We then made our own Harley kittens out of paper plates, paint and construction paper.

cat art

Another student in the class loved the book “A Soup Opera” that we read last year in music. I took one of the images from the book and we recreated it in another art lesson.

soup booksoup art


A song called “5 Little Pumpkins” was the inspiration for another art piece. After we learned the song, we made our own 5 little Pumpkins.

pumpkinart


A colleague of mine lent me a book with a variety of art activities in it. We made teeth puppets out of paper plates and gloves. We then created tooth brushes out of recorder cleaners and tissues and sang the song “You brush your teeth”

tooth art


Another helpful tool this term was Pintrest. I sure I am the last person in the teaching profession to find out about this great tool and the next two winter art pieces were inspired from art on Pintrest.

snowman art

penguin art


 

I have taught other contained classes the arts in the past and some further considerations to keep in mind before starting are:

  1. In some classes scissors could be very dangerous if not probably monitored.
  2. Oral fixations that result in consumption of glue, clay or art materials is a possibility for some students. Make sure to read the student’s IEP and speak with their classroom teacher before bringing these materials
  3. Knowing your students’ triggers are important. I had a student in the past where holding a pencil caused them a lot of anxiety so I planned accordingly.
  4. Have a very clear plan about the pairing of student with staff to create the best scenario for success.

 

 

 

 

 

 


 

 

 

The holiday assembly is this week. Help, I need an idea!

I got an e-mail last night from a friend of mine last which had the subject line “The holiday assembly is this week. Help, I need an idea!” As progress reports were just handed out in the last week or two, preparing for assemblies in December have been put on the back burner for many people. In case you need an idea for this coming week as well, below are some of the songs and features of our December assembly.

The goal of our December assembly is to promote community and have a great celebration before the break. Every student will be involved some way in the assembly either as a member of the whole group sing along or performing with their class.

I have been spending a small part of my music classes over the past couple of weeks getting the students ready for a sing along. Instead of Rudolph or Jingle Bells, I have decided to teach the students two new holiday songs both of which they are loving!! Both of the songs are from a resource produced by Music K-8 which can be downloaded from the internet. The resource is called “All Time Christmas Favorites“ and the two songs which have been very popular are “We Will Jingle” and “Have a Happy, Happy Holiday”. “We will Jingle” plays on the riff made famous by Queen and is going to sound just awesome when a gym load of students are all rocking out together next week! “Have a Happy, Happy Holiday” is a great song if you are trying to be sensitive to all cultural backgrounds and beliefs as it makes no references to any specific holiday. It is light and upbeat and energetic which is perfect for December.

Our holiday assembly is also going to include a great presentation by our Autism Spectrum Disorder Class. They have been practicing the song S A N T A. This song imitates the song B I N G O which removes a letter at a time and replaces them with a clap. Each student in the class is holding one of the letters in Santa and as the letter is replaced with the clap the sign that they are holding is placed on the ground in front of them. Of course, they have Santa hats to wear and believe it or not their therapy dog is going to make an appearance in the performance. Acer, the therapy dog, has a full Santa outfit that he has been waiting to show off.

Another easy to prepare idea is to have a Santa costume relay race. We have rounded up two Santa costumes and we will be inviting some teachers to the front to participate in the race. One teacher for each team will be at the front of the gym and each team will race to get their costume pieces on their person first! We will have each side of the gym cheering for the team on their side. You could easily have some members of your class lead this activity.

Is there anything simple and easy that you are doing with your students this week in an assembly?

“I Don’t Know” and “I Need Help”

“I don’t know” and “I need help” are two statements that I have uttered this week. I have said both of these statements while discussing two students that I am struggling to teach. After the conversations, I felt really down and defeated that I am at a complete and total loss on how to help these students and manage their behaviour. My usual management strategies are just not working and I have tried at least a half dozen new strategies with no success. I have analyzed every word, interaction and problem that has happened but cannot figure out the puzzle of these students.

After a couple of weeks of really beating myself up over not having all the answers, I realized this morning that I am not supposed to have all the answers. It is unreasonable to expect that I am an expert in ADHD, Autism, learning disabilities and communication disabilities which both of these students are identified as having. In addition, I also do not have a degree in child phycology or training in dealing with trauma. I want to help these students more than anything in the world, as I do with all of my students, but some of these students needs are greater than my training. In short, I needed to remind myself today that it is okay to ask for help and that my learning is an ongoing process!

So now that I have picked myself up from my downtrodden state, I have made a plan to be proactive in trying to change the patterns of learning in my classroom with these two students.

Plan #1

Re-read their IEPs.

My first task will be to re-read the IEPs for both of these students with a focus on their strengths. I know what the challenges are for these students. I have been focused on nothing but their challenges for the past month. It is time now to try and capitalize on their strengths.

Plan #2

Meet again with the classroom teachers

My plan is to go through my next lesson with their classroom teachers and let them see if they can add any insight into shaping an environment that will promote success for these students. Both classroom teachers have had moderate success with their students so I want to build upon the things that are working for them.

Plan #3

Get suggestions of resources and articles to read

My behaviour specialist has told me that the student I am struggling with has the most severe case of ADHD she has ever seen in 30 years of doing her job. This tells me that I need to learn more about ADHD by doing some further research. I will be asking my special education team and behaviour specialist for recommendations on resources and articles to read.

Hopefully, my plan of improvement will start the ball rolling in the right direction for these students. However, if the first three ideas that I try do not yield positive results, the most important part of the plan is…

PLAN #4

Do not beat myself up if things don’t go perfectly!!!

I admit that this is SO hard for me. If I have a problem with one of my classes or students, I will spend so much time thinking about how to solve the problem. I am trying hard to accept that challenges exist that I might not have answer to right away and that it is okay for me to be in a constant state of professional learning and growth.