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MVP of 2023

Every new year, I start a writing assignment where students have to brainstorm to decide who their MVP of 2023 will be. We generate lists based on possible categories such as:

  • Actors
  • Musicians
  • Athletes
  • Educators
  • Political Figures
  • Doctors
  • Youtubers
  • Citizens
  • Environmentalists

Then, I teach my students how to write a five paragraph essay. They start off by identifying the three main reasons that they think their person had an incredible year. This is usually a challenge as some of the main ideas are based around the same reasons such as they are generous, kind and charitable. We then talk about how our three main ideas should be very different from each other. I then approve the three main ideas before students start to research their person.

Students are encouraged to search through various sources to find quotes to prove their point- why their person should be the MVP of last year. They are encoruaged to find relevant, recent ideas that would make their person a stand out citizen. Then, they work on explaining their proof with their own ideas. I created an essay organizer which they filled out during their research stage to help with organization and flow. After that, they could start to type their first draft.

So many of my students were excited to see how long their first essay was. They were so excited to be able to write about a role model of their choosing and were excited to share their choice with the class. They also learned about proper citation format as well as thesis writing. Many of my students are in grade eight so this is something that they will be doing lots of this time next year. One of my old students came to me halfway through his grade nine English course and reminded me of how important the MVP assignment is that we did last year because it teaches all the necessary skills needed for high school English. I was very glad to hear this as I know it helped prepare him.

At the end of the essay assignment, students are able to read their peer’s essays and review them with our success criteria. Students are assessed based on:

  • developing ideas
  • organizing ideas
  • voice
  • word choice
  • revisions

After marking all of their essays this year, I was very proud to say that everyone excelled at developing and organizing ideas. I am wishing I had done a word choice lesson with similes, etc. before the writing process started as that was the area students needed to work on.

We also had a bracket tournament where everyone’s MVP was listed on the board. Students had to read their thesis for the competition so classmates could vote for the MVP of 2023. The final two canditates were one of the student’s moms vs. Cristiano Ronaldo. The winner for this year was…”My Mom” as it is hard to compete with a mom.

I look forward to doing this assignment again in the future as their are many present and future applications for it and students get to look for role models and reflect why they are important to them and to our world.

Micro Presses: Unveiling Literary Treasures from Unconventional Sources

In the vast publishing landscape, micro presses stand out as literary diversity and innovation beacons. While mainstream publishing houses dominate the industry, micro presses offer a unique avenue for discovering lesser-known voices and unconventional literary works. This article delves into the world of micro presses, exploring how they unearth hidden literary resources in less-seen places and enrich literary culture.

In recent years, micro presses, indie or small presses, have gained momentum as alternatives to traditional publishing models. These intimate operations often specialize in niche genres, experimental writing, and works by emerging authors who need help finding footing in mainstream publishing. Unlike their larger counterparts, micro presses prioritize artistic integrity, literary merit, and community engagement over commercial viability. Consequently, they play a pivotal role in diversifying literary landscapes and amplifying voices that may otherwise remain unheard.

One of the most compelling aspects of micro presses is their commitment to exploring literary resources in less-seen places. While major publishing hubs like Toronto, Vancouver, New York City and London receive considerable attention, micro presses actively seek out voices and stories from overlooked regions, marginalized communities, and underrepresented cultures. By tapping into these diverse perspectives, micro presses enrich the literary canon and challenge dominant narratives, offering readers fresh insights into the human experience and the world.

Micro presses are steadfast champions of diversity and inclusion, showcasing works that reflect the multifaceted realities of contemporary society. Voices from racialized, marginalized and underrepresented communities and backgrounds are highlighted meaningfully, providing a platform for diverse voices to resonate authentically with readers. In doing so, micro presses foster an inclusive literary landscape where all voices are celebrated and valued.

In addition to promoting diversity and inclusivity, micro presses are incubators of literary innovation and experimentation. Not constrained by high sales pressures, these independent publishers embrace risk-taking, boundary-pushing, and unconventional storytelling techniques. From hybrid genres to multimedia formats, micro presses encourage writers to explore new creative possibilities and challenge traditional notions of what constitutes literature. As a result, they contribute to the evolution of literary art forms and inspire readers to engage with literature in fresh and exciting ways.

In an age dominated by mainstream publishing big houses, micro presses offer a breath of fresh air in the literary landscape. By illuminating hidden literary treasures from unconventional sources, these indie publishers enrich our literary experience with diverse voices, innovative storytelling, and inclusive perspectives. As readers, writers, and literary enthusiasts, we stand to gain immeasurably from exploring the offerings of micro presses and supporting their mission to amplify marginalized voices and expand the boundaries of literary expression. In doing so, we nurture a vibrant and resilient literary culture that continues to inspire, challenge, and unite us all.

 

Micro presses to explore:

A Different Booklist

Annick Press

Another Story Bookshop

House of Anansi Press and Groundwood Books

Knowledge Bookstore

Unique and independent bookstores in Ontario

 

My Math Program, Ten Years in the Making

After ten years of teaching, numerous PD courses, books and online documents, I have finally hammered down my math program. When introducing a new math concept, students can feel overwhelmed or confused. I like to break down each math expectation with a weekly focus on each one (giving extra time if needed). Ten years later, this is the structure that I have enjoyed the most and find my students enjoy the most:

 

Monday- introduce concept with key terms, videos and 1-2 examples on the board 

Tuesday- practice questions on whiteboards where students ask for help if needed

Wednesday- “Thinking Classroom” collaborative task where students work on 1-2 problems with a group of 3-4 students 

Thursday- math task with 3-4 questions, one bonus with an extension into further concepts 

Friday- math games to further the concept on gimkit, kahoot or knowledgehook

 

Their math mark is based on a combination of observations, conversations and a weekly product. My favourite day by far is Wednesdays where I randomly assign groups with numbered popsicle sticks. Students meet their group mates at their wipebook and get started on their question. I will post the most recent questions we solved and some of their solutions. Before each lesson, I ask students “What makes a great collaborator?” Student answers vary but often include:

  • A great listener 
  • Someone who includes students who are not involved 
  • Someone who listens without judgement 
  • Someone who does the work

 

Then, I walk around and look for evidence of the student-generated collaboration criteria. I also ask them questions about their math responses, never telling them they are on the wrong track but asking them about their process. After they have found some solutions, I pause the groups and ask them to walk around the room to view the other solutions. Sometimes I ask them to point to the wipebook that had their favourite process or the most organized process. We never take up the answers or I never correct their boards. Students often correct their own once the view the other boards. At the end of the class, I call students out into the hall and have them comment on the student who they thought collaborated the best in their group. 

 

That is my version of the “Thinking Classroom” in math with a focus on collaboration. 

Question and Student Responses:

 

 

 

This question was created using ideas from openmiddle.com. 

Built on Trust

At the beginning of the school year in each class, we always spend a lot of time getting to know one another. The first term starts with engaging in conversations with the students and asking them to trust me, learn with me, and learn about themselves. We’re doing team building activities and I’m giving them time to explore who they are in this new space together.

But, there’s also something special about the second term in elementary school. It’s a time when I feel like we’ve built a classroom community, know one another, and the students are ready to dive in. Maybe because the days are starting to get brighter or maybe it’s because I’ve spent a lot of time reflecting on each students’ strengths and next steps while writing report cards, but I always feel like we’re in a different stage of our relationship. We’re building a trusting relationship with each other where we can all feel comfortable and safe.

It’s so important to build that trust. In times of challenging learning, the student-teacher relationship can be key to students feeling like they are not alone in their learning journey. Educator Zaretta Hammond, author of Culturally Responsive Teaching and The Brain, likens this trust to another familiar relationship. When we are with a physiotherapist, they give us exercises to help our bodies to move better physically. Sometimes those exercises stretch us to our limits, but we trust our care to these professionals. They assess and watch how we move and encourage us to continue getting stronger. Much of this ability to grow is based on trust; I know that I trust this person to do the best for me and provide care for me. Similarly, we help students to learn in class. We ask them to stretch their thinking, learn and attempt to master new skills, and take risks for their own growth. They trust us to guide them, provide them attainable next steps, build on their strengths, and be the person who helps create a safe place for them to learn.

Lately, I’ve also been thinking about the importance of building a space where students also trust each other. It’s difficult to host any space where there are so many different people together; many who come from different backgrounds and experiences and whose personality traits differ greatly from one another. How do we build trust between all of these students?

First we can define what that safe, trusting space looks like, sounds like, and feels like for each of us. We might have already done this activity together, but term two is a great opportunity to revisit those ideas. We might look at the original ideas if I’ve got a copy on chart paper or digitally and see how everyone feels as a whole or allow students to reflect individually and anonymously. I might ask if there’s anything to add, perhaps students have better language or understanding of what they are looking for in the learning space.

As the educator in the room, it’s also time for me to reflect personally on the ultimate goal of this learning community. This year, I’m radically dreaming of the possibilities for our classroom communities. I want students to feel safe and cared for by me, but I also want them to feel safe and cared for by each other. I want less division amongst social circles and more inclusion of everyone not because they are simply present in the space with us, but because we trust that we all belong here. I want all students to feel safe sharing their thoughts and to know that they don’t have to be perfect. This, too, all seems built on trust; that students trust one another to be respectful and trust that they will be kept safe.

Teaching is so challenging. There are so many things to think about; meetings, curriculum, deadlines, and more. It’s hard to trust that building belonging is essential for learning and wellness. In my year of radical dreaming, I’m remembering that at the centre of each day is a trusting, positive, and exciting experience for students in my care. I wonder what that looks like, sounds like, and feels like for all of us.

Forest of Reading Part 2 – Silver Birch, Yellow Cedar and Red Maple

For the second part of the series I’m going to focus on the Forest of Reading book clubs intended for independent readers. The Ontario Library Association created several categories based on age and reading ability. These clubs differ from Blue Spruce as the students read the books themselves in order to qualify to vote for their favorite book. In each case there are 10 Canadian books nominated and students are required to read at least five of the books to vote.

Silver Birch Express for grades 3 and 4

The list of 10 Silver Birch Express books often includes a combination of detailed picture books, graphic novels, nonfiction, and early novels. I absolutely love how accessible this book club is for readers who are beginning to read independently. For students in that age range there can be a great variety in the ability to read and yet this club makes books accessible for students to read on their own even if they are not as advanced in their reading as some of their classmates. I highly recommend a previous winner from Silver Birch Express called Meet Viola Davis. It is a very well-written overview of Davis’ life and includes the racial segregation she experienced and fought in the courts of Canada.

Silver Birch Fiction for grade 5 and 6

For readers in grades 5 and 6 there are 10 new Canadian novels nominated for the Silver Birch award. Again, students must read at least five of these books to qualify to vote. There have been many excellent books the nominated in the past and this year is no exception. The 2017 winner, OCDaniel, has been in constant circulation at my library. 

Yellow Cedar Non-fiction for grades 4-8

The Ontario Library Association recognizes the importance of non-fiction with the Yellow Cedar award. There is always a range of topics from animals to the world wars. Some students collect fascinating facts from these books and their horizons are broadened. One of my very favourite non-fiction books, Hannah’s Suitcase, was introduced to me through the Forest of Reading and I used it with many classes over the years.

Red Maple for Grades 7 and 8

Nominees in this category have included well known novelists Kenneth Oppel and Eric Walters. Having new Canadian books purchased for your school or classroom library always brings excitement to the literacy program. For some intermediate students, the Red Maple book club reignites their love of reading.

Tips for Running a Book Club

Giving students time to read is one of the greatest gifts we can give. These programs can be run in classrooms or as an extra-curricular activity. The OLA provides checklists of all the nominated books so it’s easy to track which books have been completed.  There are virtual visits with authors and illustrators if you register with the forest of reading as well.

Start early. The nominations come out in October and voting happens in April. If you can organize your funding and get the books right away then your students have more time to read!

Sometimes it’s hard for one adult to read several lists of books so this is a great opportunity to team up with colleagues and ask them to read some of the books too. In order for students to validate that they have completed reading a book they would visit the staff member who read the book and discuss the book with them.

Acknowledging reading accomplishments, such as completing a book, reaching voter status etc., can be done with announcements, posters or even a rewards program. School council, local businesses or your administration may be able to sponsor incentives such as food, stickers, or book fair credits. 

Celebrate by holding a special event. For example have an arts day with your school and get activity ideas from the nominated books.  When the OLA announces the winners you can attend in person or virtually. Your students can participate as ambassadors. It’s an energizing experience with music and great speakers.

I highly recommend participating the Forest of Reading. Students get excited about the new books and the fact that their votes decide the winners.  It’s also wonderful to support Canadian authors and illustrators!

Happy Reading!

 

Exploring the Language Experience Approach with Sentence Strips

Program adaptation for emergent speakers of English in the elementary grades has a lot of challenges. Educators have to adapt their classroom programming to make content comprehensible, set appropriate goals for language output, while also providing opportunities for the student to learn English.

This is where the Language Experience Approach, or LEA, comes in. LEA will not be a new strategy to many experienced teachers – it has been practiced for years in classrooms. It is a fantastic strategy for teaching literacy skills to English language learners (ELLs). Though you can find explanations all over the internet, Denise Nessel and Carol Dixon’s 2008 book “Using the Language Experience Approach with English Language Learners” remains a quintessential resource on the subject.

LEA combines experiential learning, oral communication, writing, and reading skills in fairly straightforward and textbook-free lessons. While many iterations of LEA exist, the central principle, as the Nessel and Dixon state, is to use the “student’s own vocabulary, language patterns, and background of experiences to create reading texts”.

At the core of LEA is building English vocabulary (or any target language you are teaching) through experiential learning. Through experiences, students naturally start connecting the words they hear with meaning. The experience can be something as simple as a classroom activity; as an educator, your role is to enrich that experience by explicitly teaching related words and their meaning.

For example, you might label items in the classroom, while also making a point of referencing those words during the day. When giving instructions to to students, explain the meaning of the action words as much as possible through movement and facial expression. The early learners of English in the classroom might receive flashcards with frequently used nouns, and be provided with opportunities to say those words in simple statements with common word patterns that have been modelled by the teacher.

There are a number of ways you can utilize LEA, but in this blog, I will focus on using LEA using sentence strips. This would be a great way to provide focused instruction to ELLs while other students are engaged in their own writing or drawing.

The Process

Start using LEA by taking students through an experience – it can be a day outdoors, an afternoon of playing games, or even exploring a picture or video if that is what you have done. The activity that follows is best used with ELLs that have acquired a basic oral foundation and can communicate using simple sentences (Ex. STEP 2).

When the experience is over, there are a number of different starting points you can work from. For early learners of English or primary students, you can start by having the class illustrate what they have experienced, whether it was playing a game or visiting a zoo. Students that are already writing sentences may choose to write about their drawing if they feel comfortable doing so.

While the class is drawing, start with one student and ask them to say a sentence about the experience or what they have drawn. Scribe the sentence exactly as the student says it. It’s important to use the student’s exact language so they will recognize their words when they reread their own writing, and they will also feel encouraged in creating dictated accounts.

If you want to gently encourage a revision, you might ask questions to help the student adapt their statement on their own. But you will want to make sure that the student has stated the words you scribe – avoid changing the text or they may not recognize the vocabulary or language pattern.

For example:

Teacher: What happened during the basketball game? Tell me one thing.

Student: I got a basket and scored a point.

Teacher: Oh, so you shot the ball in the basket and scored a point?

Student: Yeah, I shot the ball in the basket and scored a point.

Teacher: How should I write that down?

Student: I shot the ball in the basket and scored a point.

Teacher: (writes the sentence exactly as the student has said it).

Once you have scribed the student’s sentence in their notebook or journal, take a long strip of paper and write the sentence on that strip using a marker. Cut each word on the strip.

Example of student work using sentence strips with LEA.

Then, ask the student to put the words back in the correct order using the sentence that has been scribed for them. Ask the student to read the sentence back to you. Repeat twice. Once the student has mastered the sentence, you can ask them to read the sentence to a friend or partner.

Then, you can move onto the next student! You might use sentence strips again, or provide more advanced feedback to students who are already independently writing.

Picture by C-B studio

The Art of Cursive Writing: A Valuable Journey.

In the bustling world of elementary education, where the focus often lies on specific subjects and foundational skills, including cursive writing might seem like a quaint notion. However, delving into the art of beautiful writing from an early age brings forth many benefits.

Alright, picture this: little ones in elementary school getting into the groove of cursive writing. You might think, “Wait, isn’t that more for grown-ups?” Introducing cursive writing to the kiddos early on is like unlocking a treasure trove of skills that go way beyond just pretty handwriting.

Primarily, cursive writing serves as a nuanced exercise in fine motor skill development. The meticulous movements required to craft elegant strokes with a pen or brush contribute significantly to the refinement of hand-eye coordination. As students navigate the intricacies of cursive writing lettering, they concurrently enhance their motor control, laying the groundwork for improved dexterity in various academic and extracurricular activities.

Moreover, cursive writing imparts invaluable lessons in patience and focus. The deliberate and measured approach demanded by the art form instills a sense of meticulousness in young learners. In an era characterized by constant stimuli and distractions, instilling the ability to concentrate on a singular task becomes a transferable skill that can positively impact a student’s overall academic experience.

But it’s not all serious business. Cursive writing is a way for kids to show off their personality. Scribbling becomes an art form, a canvas for expressing feelings and ideas. That creative outlet isn’t just about making pretty letters; it’s about feeling proud of what they create and boosting their confidence.

Within the language arts domain, cursive writing uniquely combines visual and verbal communication. As students engage with this art form, they naturally develop an enhanced appreciation for the aesthetic aspects of language. This heightened sensitivity to the visual nuances of letters and words can elevate their understanding and enthusiasm for written expression, transforming language arts into a more captivating and enjoyable subject.

The advantages of learning cursive writing extend beyond the academic sphere, reaching into the realm of mindfulness and well-being. This art form’s deliberate, meditative nature gives students a serene space to explore creativity. In navigating the rhythmic flow of ink on paper, students can cultivate mindfulness, offering a valuable respite from the frenetic pace of contemporary life.

The integration of cursive writing into elementary education transcends the mere enhancement of penmanship. It represents an investment in the holistic development of students, fostering skills that span from refined motor control and patience to enhanced creativity and an enriched appreciation for language arts. The early introduction of cursive writing catalyzes comprehensive student growth, leaving an enduring impact on their academic journey.

daring 2024 – dragon edition

Au revoir janvier. Cue the fireworks as we look forward to the year of the Dragon along with many of our students. What a natural segue to a follow up to my earlier post daring 2023 where I unpacked what was daring in my classroom last year. For now though, let’s talk about dragons.

In the spirit of transparency, I am not a huge fan of fantasy books, neither of games with the word dungeons in them, nor into television shows where dragons are used as war machines in by gone Scandic empires. I am a fan of the book Dragon Rider by Cornelia Funke and of the mythology, stories, and art about dragons in Asian culture. Most of what I have learned about the latter with regards to the cultural significance of the Chinese Zodiac has come from my students, and their families. As a result, I am always gifted with something new from those interactions. Whether it is during an in school celebration of Lunar New Year when students dress in traditional new year’s clothing from their culture, or a retelling of activities shared at home with extended family.

I may have also wondered whether the 12 year cycle animals and their respective traits correlates at all to what goes on from year to year in the classroom. Would I know well enough to differentiate with such limited experience? I was born in the year of the Horse after all. In a nutshell, I am adventurous, energetic, and independent, but lack academic intelligence. This really means I am going to need the whole village to point me in the right direction, but I’ll get there at my own pace once I know the way.

For reals this time: a bit more about the Year of the Dragon – 2024.
“Years of the Dragon include 2036, 2024, 2012, 2000, 1988, 1976, 1964, 1952…
People born in Dragon years usually possess natural courage, tenacity, and intelligence, often displaying enthusiasm and confidence. In Chinese culture, the Dragon holds a significant place as an auspicious and extraordinary creature, unparalleled in talent and excellence. It symbolizes power, nobility, honour, luck, and success.” via Year of the Dragon:

Talk about daring 

If the characteristics of a dragon are not filling your thoughts about the work we do as educators, take another look at the list of traits above. Even with my horse-like tendencies, I can relate to the exciting, daring, and dignified descriptors used to define dragons, I mean educators. As we move forward through the Year of the Dragon, let’s all be daring enough to recognize the incredible courage, determination, and energy we all bring to school each day.

The fact that only 1/12th of us are born in the Year of the Dragon is not being overlooked. If we look at the other years/animals of the Chinese Zodiac we will find numerous positive traits that educators possess as well.

Let’s dare to acknowledge and celebrate the work we do and the accomplishments of those around us. Let’s hold our heads high even when time’s get tough. Let’s dare to try new things and take chances without fear of failure. Let 2024 be the best Year of the Dragon ever- unparalleled in talent and excellence”.

Beginner ESL Class: Fluid Dynamics and Bernoulli’s Principle

OK, not the topic we generally envision when planning instruction for students new to English. Nonetheless, this is exactly the lesson a classroom teacher and I planned for her STEP 1 MLLs a couple of weeks ago.

Ah, I can hear my teachers-college self exclaiming from 1998: “What?? How?!? This topic is advanced, with complex language! Don’t students new to English need simple topics to start? Is there an ESL workbook anywhere?”

Sigh.

Well, Diane of Yesteryear, you’ll be happy to know that we have had the good fortune to work with Multilingual Language Learners quite a bit in our career, and the equally-good fortune to collaborate with dedicated ESL colleagues and educators. Here’s a bit of the learning that happened along the way:

We learned that even if MLLs have a withdrawal instruction period each day, there are roughly 5 additional periods in the day that they have with their full class. That’s 5 periods of math, science, music, health, history, geography, Language, phys ed, or French …

We learned that MLLs need access to grade-level curriculum content and learning, just like everyone else …

We learned that just because English language ability is in the beginner stages, that doesn’t mean background knowledge, skill, and ability is …

We learned that MLLs consistently tell us that they want to contribute in class, belong, talk with their friends, and understand the lessons happening around them …

And finally, we learned there are effective ways to do all of that.

So.  Here’s how we taught fluid dynamics and Bernoulli’s principle to an entire grade 6 science class, in a way that meaningfully included the teacher’s STEP 1 MLLs. And bear in mind, I was present for the initial planning stages and one in-class support support session. Kudos to this teacher for the amazing program she developed for her students.

The classroom teacher and I briefly discussed the curriculum, in which students learn about the four forces of flight and Bernoulli’s principle. We located two educational science videos on the topic, one in Arabic and one in Spanish as these were the students’ first languages (what did we ever do before YouTube?). Using simple English and some strategic translation, we told them we were learning how airplanes fly. I took the students aside briefly and showed them the videos, to pre-teach content in first language. The classroom teacher then gave the entire class a picture word bank of key vocabulary related to the unit: flight, lift, drag, thrust, weight, air, pressure … Each of us worked with the MLLs to practice the terms, in English and first language. And the pedagogical bonus of having visual word banks such as these? They can be projected or posted during whole-class lessons. The whole class (not just MLLs) can then warm up each day by chorally repeating key terms attached to visuals – a quick 30-second focus and review exercise for everyone that has the added advantage of giving MLLs critical speaking and listening practice with target English vocabulary. These types of visuals are also great for pointing to throughout the lesson, allowing MLLs to more easily follow what the teacher is explaining. Finally, students had sentence starters and stems to write and speak about what they learned, in English and first language.

And learn they did.

When I returned, the teacher showed me how the week had progressed, with these few simple strategies. The students had sketched and labelled diagrams of the forces of flight, as all of their classmates had. They had practiced the same vocabulary the other students did. They had written simple sentences with support to describe the four forces, and they had accurately demonstrated through visuals, gestures, and first language their understanding of how those forces worked.

Have I mentioned lately that teachers are superheroes? Because when I think about lessons such as these, with the access to curriculum knowledge, the belonging and inclusion, the learning of English vocabulary (just a few terms and sentence starters each day, but adding up over time), I am reminded of the dedication that abounds in this profession, that inevitably leads to student success.

Take that, ESL workbook.

Forest of Reading Part 1: Blue Spruce Book Club

This two part series examines the annual Forest of Reading book nominations by the Ontario Library Association. 

Cracking open a box of brand new books is a wonderful part of the teacher-librarian role.  My favourite box has always been the Blue Spruce book club nominated titles.  Within the blanket of bubble wrap are 10 brand new Canadian picture books published within the past year. The selection committee uses specific criteria to narrow down the dozens of candidates to the top ten. The stories cover a range of topics with diverse characters and themes aimed at students in K-2.

If you register with the OLA you get several benefits including teaching resources and opportunities for virtual meetings with authors and illustrators. There is a fee for these services but I found administration or the school council always willing to support this initiative. 

By reading the 10 books before the deadline in April you can register your students to vote for their favourite book. Then in May the winners are announced. Blue Spruce book club time always generated plenty of excitement among the students and staff. We had deep discussions comparing illustration styles, characters and plots.  Students were eager to participate. What a fantastic way to generate excitement about books and reading!

Since I love reading aloud, this book club really suits me. I would read several titles to classes during library periods over a few weeks’ time. I would also encourage homeroom teachers to read some of the titles to show students that our entire staff was very excited about reading.

As the winter weeks pass, I would sometimes host large group readings with several classes in the library at once. Pushing aside tables and chairs we would gather together and warm up with a song or two and then settle in to hear a new book.  Bursts of laughter and the occasional sound effect or cheers of audience participation punctuated these large group readings.

The build up to the books arriving is also an exciting time. There are so many terrific past winners of the Blue Spruce book club.  I would read these books before starting the club for the current year.  I lean towards the funny ones…The Boy Who Loved Bananas, Stanley’s Party, Scaredy Squirrel and Chester come to mind right away. There are also touching stories about friendship, family relationships and struggles that our students can relate to.  It’s been wonderful to see BIPOC authors and illustrators nominated over the years, giving students diverse Canadian perspectives.

If your school doesn’t participate in the Forest of Reading, you can borrow the books from your local public library. When it’s time for voting day it’s fun to have students make posters and announcements so the whole school knows you are hosting this terrific literacy event. For more information check out these links…

2024 Blue Spruce nominees

 How to participate in the Forest of Reading 

Blue Spruce Winners and Nominees 2002-23

Happy Reading!

Brenda