This may seem redundant, but I found that unit planning comes up frequently as a topic of interest during workshops for beginning teachers. This is probably due to the overwhelming nature of the job and all of the simultaneous demands coming at you. Consequently, a weekly (let alone a daily) plan is as forward thinking as one can muster at times. It is tempting to use the plans included with some of the resources or someone else’s. However, designing your own is really helpful because you’re forced to really organize your thoughts and direction. The best format of a unit plan that I have ever come across was given to me by a friend at the Halton Board and was the template used by French teachers there. As someone who is very visual and relies heavily on graphic organizers, I immediately put it to use. Without getting bogged down by detailed descriptions, it is very simplistic and allows you to clearly chart a course of action.
Shaped in the form of a pyramid, the base is the featured language structures. What follows next are the diagnostic assessments and activities leading to the formative assessment. Finally the peak is your summative assessment. I always begin with the base of curriculum requirements and move on to create the summative assessment related to those. I then plan out the individual activities/lessons that students will need in order to be successful in the final task. What I really like about this format is it allows you to plot out everything and to foresee any possible gaps. In the end you’re left with an efficient, simplified yet cohesive vision that relieves the stress of incoherent and random planning. Both you and your students will benefit. I have included a blank template as well as one of my sample units. Strangely enough, unit planning can be as satisfying as cleaning out one of your messiest closets.
I love teaching writing. Let me be more specific. I loved teaching writing except when it came to poetry. For some reason, I’ve always managed to bring to life the other writing formats and genres with engaging lessons set upon a backdrop of real world contexts. The students, for the most part, ate it all up and asked for more. That is, until I mentioned we would be exploring poetry. The good times would come to a screeching halt as their faces reflected what I had also thought of poetry as an elementary student: boring and challenging to understand (how did I know what so-and-so meant by this-and-that?…and who cares?). So of course, with my determined and stubborn personality, in the past few years I’ve focused on learning how to breathe life into this wonderful writing genre. It hasn’t always been an ocean of roses but, for the most part, the exploration has led us to a whole new level of appreciation and learning.
We have just completed our poetry unit (which will continue informally throughout the year) and I can honestly say that the class thoroughly enjoyed it. I’d like to share with you a few of the activities and resources that made the experience engaging, meaningful, and memorable.
If you haven’t already done so, I strongly encourage you to purchase Classroom Events Through Poetry by Larry Swartz (just purchase any of his books on poetry and drama and you’ll be well on your way to an incredible teaching/learning experience). It’s a practical and concise book that provides easy and meaningful activities to explore poetry in our classroom and our lives. We started by looking at poetry in books, researching it on the internet, and sharing it with each other in daily poetry circles. We created newspaper poems by cutting out words and phrases and ordering them to try and create a themed poem. We took 2-4 sentences from a favourite poem and created a graffiti wall on our classroom door (the students thought this was very cool!). We acted out poetry, sang poetry, and shared the lyrics of our favourite songs after listening to them together. We learned about different structures by having groups of students become “specialists” as they taught the class the structure, gave examples, and had everyone try to create their own.
The culminating task involved creating a poem in the structure of their choice and presenting it at our Poet’s Cocktail Party! This was no ordinary party! Invitations were sent out, the poems were displayed all around the classroom, students dressed up, and food was ordered (grapes, cheese, crackers, cupcakes, and grape juice in place of red wine). As jazz music played, students mingled by reading each others’ poems and discussing their thoughts and opinions. A few students shared their poems and we snapped our fingers in appreciation of their work (yes, we snapped fingers, not clapped because that’s apparently what poets do).
A few students decided that they wanted to enter the Urban Voices poetry contest and their poems have been sent off. How special would it be to have a winner come from our class! Keeping our fingers crossed.
We cut out words and phrases from newspapers and ordered them to create a themed poem.
An example of a newspaper poem.
An example of a newspaper poem.
Students took 2-4 lines from favourite poems and created a graffiti wall on our door.
This poem was presented at our poetry cocktail party.
I have added a new layer to the writing process in my third-grade writing workshop. As I wrote in a past post, our writing workshop process begins with students writing in their Writer’s Notebooks. When a writer completes a piece of writing, they then meet with their assigned writing partner and/or me for a writing conference. At this conference, writers review the success criteria for their writing assignment and then identify two ways in which they have successfully met the criteria. Writers then identify one criterion that needs to be developed further. They then transfer their writing to their laptop keeping in mind the feedback they received and making their revisions as they type their second draft. Ultimately, writers post their narratives in their writing group on Edmodo.com where they receive more feedback from their group members.
Using Audacity software and a set of headphones with microphone, my third graders have learned how to read and record their personal narratives. Once recorded, students listen back. They then ask themselves two questions: “In what ways does my story sound like a real story?” And “In what ways can I make my story sound more like a real story?” Students enthusiastically record their stories. This component of the writing process engages those auditory learners who could benefit from this new component of the writing process.
I have changed the way I phrase these reflection questions. At first I instructed students to ask themselves, “Does my story sound like a real story? Yes or no?” If yes, why does it sound like a real story? If no, why not?” I found that this self-assessment exercise wasn’t making a significant difference in their writing. I concluded that it wasn’t the process that was ineffective, but the questions I was asking writers to consider. These yes/no questions left writers basically rating their narratives as “good” or “bad.” Their narratives either sounded “real” or didn’t. These questions didn’t allow students to identify the strengths in their narratives and where it could sound better. Realistically, all of my writers’ stories sounded a tad real, some more so than others. The goal here is to make everyone’s writing sound better. Using these new questions should ultimately improve the writers’ craft.
I am also thinking of adding audio to the writing conferences with writing partners and teacher. Some students struggle to give feedback on other students’ writing for a number of reasons. Perhaps a student’s penmanship is difficult to read or spelling or punctuation is interfering with comprehension. Listening to a story as it is intended to sound eliminates those barriers to comprehension.
I am proud of my third graders. Each day they are becoming more independent writers. I believe the secret to their success is that the students understand the flow of our writing workshop and, thanks to clear success criteria, they can identify their strengths as writers. They see themselves as writers! I am fortunate to have access to audio technology. In reality, you don’t need computers or even headphones to make this happen in your classroom. You can go “old school” with a mini cassette recorder. Some old cell phones have recording devices. One of our goals is to teach our writers to write like readers and read like writers. Using audio is one way to get there!
I am pleased with how our third grade writing-program is evolving this year. Students are at the point in the term where they are working independently. They know when they need to meet with their writing partner. They know when they need their laptops. They are learning how to publish their personal narratives using Microsoft Word, and use tools such as grammar and spelling to edit their work.
Our writing workshop is a simple process. First, all writing begins in the Writer’s Notebook. As I mentioned in an earlier post, I began the year introducing students to the narrative genre with “small moments.” Small moments are short pieces of writing that use action, dialogue and thought/feeling sentences. I provided writers with a number of strategies for generating ideas for writing, providing time for writers to practice each strategy. After several weeks of practice, I then introduced longer personal narrative writing. Students have a strong understanding of the success criteria for personal narrative writing.
Success Criteria:
You have written an effective personal narrative when:
your story has a beginning, middle and end;
the main character tells the story using the personal pronoun “I”;
you have included action, dialogue and thought/feeling sentences;
your story is a “seed” story, not a “watermelon” story;
you have correct spelling and punctuation.
Those familiar with the Lucy Calkin’s Units of Study resource will recognize the idea of small moments, seed stories and action, dialogue and thought sentences.
When writers feel they have finished a piece of writing, the next stage in our writer’s workshop is for writers to meet with their assigned writing partner. I decided to match writers who are writing at the same stage of development rather than pairing stronger writers with more dependent writers. This way each partner will benefit from the feedback they receive. Writing partners refer to our success criteria when giving feedback to their writing partner. I expect writing partners to provide two “glow” comments and one “grow” comment to their partner when they meet.
Following their meeting with their writing partner, the writer begins their first revision. Most students choose to type their narratives on Microsoft Word. As they begin to publish their narratives, they make revisions to their first draft, keeping in mind the feedback they just received.
In addition to meeting with their writing partner, I call writers for writing conferences each day. I usually wait until writers have completed their first revision on their laptops. I decide on a teaching focus, for example, using correct punctuation when using quotation marks, for our conference. A writer will walk away from our conference with a skill to practice as they continue to revise a piece of writing or when they begin a new piece of writing in their Writer’s Notebook.
For many, the most exciting step in writing workshop comes next. After writers have revised their personal narratives, they log in to Edmodo.com and post their narrative in their assigned writing group. I have created five separate writing groups on Edmodo.com. There are four to five students in each writing group. These groups are more heterogeneous. When writers post their narratives in the writing groups on Edmodo.com, they ask members of their writing group as well as their teachers for descriptive feedback. It is the responsibility of each writer to read their colleagues’ personal narratives and provide them with descriptive feedback in the form of glow and grow comments. Students’ writing partners are not assigned to the same writing group. Therefore, each writer in our class receives descriptive feedback from five to six of their peers as well as their teachers!
We are now at the stage where writers are reading their feedback on line and returning to their posted piece for a second or third revision. They then repost their narrative to share with their group members. Ideally, I would like my third graders to learn how to leave a piece of writing. They can start a new piece in their Writer’s Notebook and perhaps return to earlier published pieces later in the year.
Edmodo screen capture
Integrating Edmodo.com into our writing program revealed additional benefits I didn’t anticipate. Edmodo is basically acting as our class’ private server. Students can access their stories from any computer at school or at home. This eliminates the need for flash drives. If students want to work on a piece of writing at home, they simply log into Edmodo.com. I also have easy access to student writing. I can provide feedback to students at my convenience without having to carry writing folders. Parents can also see what their child is writing at school. When parents log in using their assigned parent access code, they only have access to their child’s posts.
Writing Workshop Flowchart
I promise that not all my posts will be about Edmodo.com, but it is really exciting to see students engaged in the writing process. It is amazing how this technology enriches our writing workshop. However, our writing program is not dependent on technology. If the technology were to disappear, our writing workshop would continue, just less efficiently.
As I read the previous additions by fellow bloggers, I look for connections to my own classroom, and what I see is the constant of change. We are all working with different age groups, but consider similar topics, such as adjustments to integrate technology, outdoor education, or making learning meaningful. Like others, I am continuously reflecting on my practice and making adjustments. As I am teaching in a new Full-Day Kindergarten classroom, there are many changes that the ECE and I have made in the last 8 weeks.
In September, our days were focused on establishing routines and building a community with our 27 children. The biggest routines were entry and dismissals, learning centres, and independent reading/quiet time. Then, as the children settled into these routines, we constantly re-assessed our schedule. We found that our children are so social, that independent reading is more like a book club with sharing and discussions. So, we now lead meditation and quiet breathing and stretching exercises after our reading block. Some of the children struggle with stilling their minds, while others have embraced it and look forward to this part of our day.
Adjustments to the classroom are also a constant in FDK. As interests in certain areas increase or wain, I change the spaces to accommodate the children’s interests and needs. I also change the materials. The basics in each learning centre remain the same, such as the blocks in the building centre, however, I may add recycled materials, clipboards and paper, or figures to encourage new relationships with the materials.
The planning has become one of the most challenging aspects of the FDK program, as there is no time for the ECE and I to sit down and exchange ideas. I continue to plan weekly with my Kindergarten teacher partners, then I convey ideas to my ECE while we are in the classroom together. I started off the year with my weekly plans in a binder on my desk (as I always previously used them). Then, I realized that it was more beneficial to enlarge them on an 11 x 17 inch page and hang them in the centre of the room where the ECE, and the Special Education Assistant can access the daily plans with ease. We are also using a web diagram to document the big ideas that are emerging in the classroom and the connections to the curriculum, which is visible to all.
Every day at our gathering circle, I start by asking the children, “How do you feel today?” As the children share their responses, I get a better understanding of what adjustments I can make to ensure it is a successful day for all of us. Making adjustments is just another way of being a reflective and responsive teacher.
I am using the literature-based resource kit, Social Justice Begins with Me (ETFO), to introduce various themes to my Kindergarten students regarding social justice. In the first lesson lesson we used the book, The Colors of Us by Karen Katz. It is the story of a little girl that paints a self-portrait and wants to use brown for her skin. Her mother takes her on a walk in their neighbourhood where she learns that there are many different shades of brown.
Before reading the book we compared and discussed the sources of colour used in the book, such as cinnamon, chocolate, and honey. After we read the book, we used red, yellow and black paint to mix and create various shades of brown. The children were engaged in the process as they observed then commented on whether their shade was a light or dark brown. Some children were using the words from the book in their descriptions, such as “It looks like cocoa!”
For the final activity, each child looked at the shades of brown and selected the one they identified with as the colour of their own skin. We made a display of “handprints” for display in our classroom, one for each child. As they picked the shade of their choice, they made comments such as, “My hand looks like honey” or “She is that shade of brown (pointing).”
During the week we spent on these lessons, we were also asked to paint a canvas for one of the Character Traits that our school recognizes throughout the year. The canvases are hung with pride at our school entrance. Our class was given the task of creating a canvas for the trait, Co-operation. The ECE and I thought why not have the children use their selected handprint not only as a symbol of identity and self-esteem in the classroom, but as part of one panel to demonstrate how respect for one another is the first step that leads to co-operating with one another. Our canvas became a culminating activity for lessons we learned about social justice.
As mentioned in my previous post, I have been working on an Art Studio for the classroom that will provide enough space and materials to meet the interests of all the children in my class. Even though I have set up a physical space called the “Art Studio” there are other centres in the classroom where representational art is also taking place. At the Messaging Centre, many children are graphically representing their ideas with pictorial images, and in the Building Centre children are using the blocks to create designs and structures. We have a table where play dough is often provided, and this too allows the students to represent their ideas in 3-D form.
By integrating art throughout the classroom, I can access many areas of the curriculum in a way that is engaging and accessible for the children. For example, one of the first overall expectations in Science that I like to plan for is “demonstrate an awareness of the natural and human-made environment through hands-on investigations, observation, questioning, and sharing their findings.” Children need support to develop their observation skills and really notice what is around them, rather than assume an image that they picture in their mind. When you ask a child to draw a tree, they often draw the same straight trunk with a round green top on it! By taking students outside to touch the bark, notice the texture and observe the branches, children will develop an awareness and reflect their observations in more accurate representations.
Strengthening visual discrimination in young children can be done at the art centre by providing an object to observe and represent. I often select a natural and aesthetic piece such as the vase of hydrangeas pictured below. A basket of leaves could also be used at this time of year. Then provide a controlled palette of materials. So for the hydrangeas I only set out pencils for drawing and coloured pencils that match the shades of the actual flowers, stems, leaves and vase. The children still have choice, but their selection is from a realistic palette that they will identify as they look at the object with discrimination.
Rather than make art for art’s sake, planned centres can be used to support skill development for visual discrimination, fine motor, and representational as well as integrate many subjects such as Science, Language, and Math.
As I mentioned in my last post, our Full-Day Kindergarten room was formerly a Special Education classroom, so it is evolving each week as I acquire furnishings and materials. With a limited budget I have been busy searching for some small scale furniture items and resources that will provide an inviting and engaging learning environment. One of the first centres that I focused on was a Reading Centre. Although I had a carpet and cushions to define a reading area, the children were not frequenting the space as expected. Last weekend I was able to source a small set of outdoor furniture from a friend that only required some sanding and painting. I then went to IKEA to buy a canopy leaf that would define the space (hanging a curtain or fabric as a canopy is also effective). Baskets were used for organizing the books, and I also added a container of magnetic letters to use on the front of my desk which frames the reading centre space. The Reading Centre is now an inviting area that is enticing all the students to settle alone or with a friend to look at a book.
In the photo you will notice a covered chalk board above. I found that the black chalk boards surrounding the areas were not useful, so I covered them with brown craft paper. This provides a neutral background to display the children’s work. In this area as seen in the photo, I glued a piece of black construction paper for each student (26 total) and used paperclips to hang their current “Self-Portrait” representation. As noted on page 85 of The Heart and Art of Teaching and Learning, the self-portraits provide a gallery of the children’s work, as well as a source for assessment. Each month the children complete a new self-portrait and it is added on top of the previous month. Over time, one can see the development of fine motor skills, pictorial development, and writing abilities.
The other centres that are popular at this time are the blocks/building centre, drama centre (we just received a fridge and sink), and the play dough table. I do not have a specific number of students for each centre, however we limit according to what makes sense. If 5 or 6 children want to play in the dramatic centre, the children can accommodate to make it work. However, if 10 children ask to go to the drama centre, we say, “There isn’t enough space today,” and the child selects an alternative. We are still adjusting our centres to meet the students needs and interests. This week I will be working on the art studio, writing centre and math centre. In the next blog, I will provide updates on this progress.
One advantage of entering your second or multiple year(s) of teaching is being able to go back and reuse materials you had previously gathered and created. The mad and desperate scrambling for resources during the first year of teaching a subject is what many would attribute as being the most stressful part of the job. Having a bank of lessons/activities/assessments allows you to devote more energy and thought to the many other aspects of teaching. As everyone is aware however, the need to consistently update, revise or in some cases, entirely revamp your program is a necessity. Apart from being an obvious benefit to your students, it is a way to push your own limits of creativity. I’ve found that this task is much easier and productive if undertaken sooner rather than later. It can be particularly tempting when your best plans and intentions go awry to want to immediately block out the experience or at least relegate it to the realm of distant memory with “well, I know I won’t be doing that again”. Without belabouring the “reflective process”, I try to efficiently take stock of the success or failure of activities and assignments as soon as they are completed by jotting down impressions on a sticky note and then adhering them to my printed master copy. At the same time and using the same sticky note procedure, I also solicit the input of students and ensure that everyone has the chance to comment at some point during the year. At the end of the process, I have a bank of input available when it comes time to plan for the following year. Sometimes, “reinventing the wheel” can be as simple as changing the assignment pairing (from an individual to small group) or restructuring the order in which things were taught or assessed. Of course, this process can be more stimulating and interesting if you have the opportunity to debrief and compare with your grade team or teaching partner, all of whom will bring a different perspective and insight to the table.
I have part of a new assignment this year. In the morning I am covering prep. Due to re-organization, my schedule is changing again for Monday. I have completed many get to know activities, learned students’ names and just found out some classes I still have and others are new for me. That being said, it will all work out! Everything does. The students get attached very quickly and now I will get to know even more students.
My afternoon, I teach English, Math, Health and Pool to a grade 6 extended French class. The grade 6 curriculum is the same for me but now I teach a smaller portion of it. I will be busy sharing my plans with the other teacher who now has my class for Science.
That is teaching; change and flexibility. My morning will work out and I have worked out my plans to have the next days covered. I just needed to adjust a few items and have been able to use my current plans. As a school, you may have to go through re-organization. It is difficult. Deciding which students will excel in which environment, which students need to be separated from each other, balancing the girls and boys, special education and ELL needs. It is a very difficult task which also needs to be completed after a long day of teaching a class of 52 kids.
As I need to get teaching (with the new classes) in order to have enough assessment for the Progress Report card, I have decided to incorporate my get to know activities with the curriculum. I am planning to find ways to incorporate these activities as much as possible with my new classes. I plan to start with appreciation fans to help build the community within the classroom. The students all know each other and many know who I am but I need to get to know their names (better).
