Micro Presses: Unveiling Literary Treasures from Unconventional Sources

In the vast publishing landscape, micro presses stand out as literary diversity and innovation beacons. While mainstream publishing houses dominate the industry, micro presses offer a unique avenue for discovering lesser-known voices and unconventional literary works. This article delves into the world of micro presses, exploring how they unearth hidden literary resources in less-seen places and enrich literary culture.

In recent years, micro presses, indie or small presses, have gained momentum as alternatives to traditional publishing models. These intimate operations often specialize in niche genres, experimental writing, and works by emerging authors who need help finding footing in mainstream publishing. Unlike their larger counterparts, micro presses prioritize artistic integrity, literary merit, and community engagement over commercial viability. Consequently, they play a pivotal role in diversifying literary landscapes and amplifying voices that may otherwise remain unheard.

One of the most compelling aspects of micro presses is their commitment to exploring literary resources in less-seen places. While major publishing hubs like Toronto, Vancouver, New York City and London receive considerable attention, micro presses actively seek out voices and stories from overlooked regions, marginalized communities, and underrepresented cultures. By tapping into these diverse perspectives, micro presses enrich the literary canon and challenge dominant narratives, offering readers fresh insights into the human experience and the world.

Micro presses are steadfast champions of diversity and inclusion, showcasing works that reflect the multifaceted realities of contemporary society. Voices from racialized, marginalized and underrepresented communities and backgrounds are highlighted meaningfully, providing a platform for diverse voices to resonate authentically with readers. In doing so, micro presses foster an inclusive literary landscape where all voices are celebrated and valued.

In addition to promoting diversity and inclusivity, micro presses are incubators of literary innovation and experimentation. Not constrained by high sales pressures, these independent publishers embrace risk-taking, boundary-pushing, and unconventional storytelling techniques. From hybrid genres to multimedia formats, micro presses encourage writers to explore new creative possibilities and challenge traditional notions of what constitutes literature. As a result, they contribute to the evolution of literary art forms and inspire readers to engage with literature in fresh and exciting ways.

In an age dominated by mainstream publishing big houses, micro presses offer a breath of fresh air in the literary landscape. By illuminating hidden literary treasures from unconventional sources, these indie publishers enrich our literary experience with diverse voices, innovative storytelling, and inclusive perspectives. As readers, writers, and literary enthusiasts, we stand to gain immeasurably from exploring the offerings of micro presses and supporting their mission to amplify marginalized voices and expand the boundaries of literary expression. In doing so, we nurture a vibrant and resilient literary culture that continues to inspire, challenge, and unite us all.

 

Micro presses to explore:

A Different Booklist

Annick Press

Another Story Bookshop

House of Anansi Press and Groundwood Books

Knowledge Bookstore

Unique and independent bookstores in Ontario

 

My Math Program, Ten Years in the Making

After ten years of teaching, numerous PD courses, books and online documents, I have finally hammered down my math program. When introducing a new math concept, students can feel overwhelmed or confused. I like to break down each math expectation with a weekly focus on each one (giving extra time if needed). Ten years later, this is the structure that I have enjoyed the most and find my students enjoy the most:

 

Monday- introduce concept with key terms, videos and 1-2 examples on the board 

Tuesday- practice questions on whiteboards where students ask for help if needed

Wednesday- “Thinking Classroom” collaborative task where students work on 1-2 problems with a group of 3-4 students 

Thursday- math task with 3-4 questions, one bonus with an extension into further concepts 

Friday- math games to further the concept on gimkit, kahoot or knowledgehook

 

Their math mark is based on a combination of observations, conversations and a weekly product. My favourite day by far is Wednesdays where I randomly assign groups with numbered popsicle sticks. Students meet their group mates at their wipebook and get started on their question. I will post the most recent questions we solved and some of their solutions. Before each lesson, I ask students “What makes a great collaborator?” Student answers vary but often include:

  • A great listener 
  • Someone who includes students who are not involved 
  • Someone who listens without judgement 
  • Someone who does the work

 

Then, I walk around and look for evidence of the student-generated collaboration criteria. I also ask them questions about their math responses, never telling them they are on the wrong track but asking them about their process. After they have found some solutions, I pause the groups and ask them to walk around the room to view the other solutions. Sometimes I ask them to point to the wipebook that had their favourite process or the most organized process. We never take up the answers or I never correct their boards. Students often correct their own once the view the other boards. At the end of the class, I call students out into the hall and have them comment on the student who they thought collaborated the best in their group. 

 

That is my version of the “Thinking Classroom” in math with a focus on collaboration. 

Question and Student Responses:

 

 

 

This question was created using ideas from openmiddle.com.