Colleen Elep e-learning, English As Second Language (ESL), General

Language Learning App Review

As an ESL/ELD resource teacher, I often get asked about what apps are beneficial for students who are learning English. This can be a tricky question! On one hand, I believe that spontaneous oral communication and interactions are the best way for students to acquire proficiency in an additional language. At the same time, I understand that teachers need resources to support their students, especially when they are in the early steps of acquiring English. While ESL accommodations and modifications may help to’level the playing field’ for newcomer students in the mainstream classroom, I think it is still important for English learners to receive explicit, targeted English language instruction, especially when they arrive in Canada during the intermediate grades. This is where language learning technology can play a huge role: many newer programs are designed to cater to the interests of learners, and follow a scope and sequence that aligns with international language acquisition continua.

Language learning technology has advanced significantly over recent years: there are a slew of fantastic options that make language learning fun and engaging. Let’s take a look at a few language learning apps that are fun for kids and adults alike to use. If any of these options sound intriguing, you can easily sign up for a week long trial to see if it will work for you or your students.

Drops by Kahoot

Drops is a fabulous language learning app that hails from the same company as Kahoot, a company whose app became ubiquitous in the virtual teaching world. Users of Kahoot will recognize the dark purple interface and illustration style, along with the same easy to use, immersive, and exciting virtual environment of their quiz games. I absolutely love this language learning app for the same reasons I love Kahoot: it is fun, intuitive, and has an element of urgency to keep you on your toes.

Drops is an app that is best used on a mobile device. The app works by feeding the user a steady flow of highly visual vocabulary learning activities. Once you have correctly identified the meaning and spelling of a word a certain amount of time, you have “mastered” the word or phrase and can move on to new ones. The app is great for supporting students who are getting regular oral practice in the classroom or through other immersive situations.

I could see this app being used by an older multilingual learner who enjoys games and is accustomed to using a mobile device. Drops does not have a dashboard teachers can see or monitor learning, so a teacher would have to check in with the learner regularly to see how they are progressing through the app.

LingoPie

Lingo Pie capitalizes on the access Netflix has to content from all over the world. You can watch multilingual shows and movies from all over the world, geared for different ages and levels of language acquisition. The subtitles are interactive, and the user can click on words they don’t know. After the content has been watched, Lingo Pie generates a set of digital flashcards the student can use to practice.

This is a fun app that enables learners to experience language through media and storytelling. I could see a teacher having a single subscription and sharing the media on a projector, pausing when a student or students identify an unfamiliar word. This app could have great potential with French or any international language app.

Mondly

Mondly is Pearson’s contribution to the language app world, and it does not disappoint. Educators will feel comfortable using content from such a well known publisher, and the website does indeed offer purchasing options for schools and boards. Mondly presents basic vocabulary and phrases for multilingual students, and students can learn the target language using instructions and prompts from their home language (ex. there is an Arabic interface for those learning English as the target language; you could learn Romanian from Turkish, or French from Chinese). The app produces a daily lesson, and students can complete that lesson or move forward if they’d like. The app can be used on both mobile and desktop devices.

Another great aspect about Mondly is that there is a version for young kids with child friendly graphics. My daughter in grade 1 enjoyed playing it!

I could see this app being used widely by multilingual learners of different ages. It is a great way for students to practice at home, or in school during periods of independent work. In my dream classroom, my entire class would using it to learn the language of their choice!

Lexia for English Learners

Lexia, whose reading app has become widely used and praised, also has created a program for English learners. This app is designed for desktop use, and has culturally responsive characters that appeal to kids through storytelling and subject based learning. Students do not require literacy skills in the target language to start the app, as it is focuses on building oral foundations for students: much of the initial part of the app is based on listening and students speaking to the app.

To support its methodology, Lexia has published a series of rather informative and useful articles explaining the pedagogy of the program. As you might expect, the app is rather costly. However, the subscription package does offer some flexibility so educators can make the most out of it during the school year.

Which App is the Best?

As with all technology, it is more than worthwhile to give it a good test run before making the investment. Much of the effectiveness of the app will depend on how it is utilized and the extent to which it compliments the ongoing language instruction happening in the school.

Colleen Elep English As Second Language (ESL), English Language Learners (ELLs), General

On Supporting English Language Acquisition in the Mainstream Classroom: A Blog in 2 Parts

This summer I will have the privilege of facilitating a workshop with new teachers in my board at a New Teacher’s Conference. The topic is one that I know has stymied many teachers for a long time, including myself: how do you support newcomer students in acquiring English in the mainstream classroom?

Answering this question is a challenge – even with all the policy documents and resources out there, the reality is always more nuanced and complex than it seems.

In my own conversations with teachers, I have noticed a trend where there is decreasing support for English Language Learners (ELLs) in schools, as ESL support staff are being utilized all too often to cover classes in schools where there is a supply teacher shortage. Support for ELLs is critical, especially for newcomer students who need accelerated instruction in English to build vocabulary, speaking, and listening skills.

Another element that makes teaching ELLs a challenge in Ontario is the fact that ESL programming in elementary school is based on accommodations and modifications to the curriculum. Yes, accommodations and modifications are essential to adapting the learning environment to ELLs. These adaptations create an entry point for ELLs and make equitable assessment and evaluation possible for teachers. But there is still a missing piece: how do we actually do the work of teaching the essential, oral foundations of English?

Additional or Foreign Language classes are typically focused on teaching students the basics of the target language: how to greet others, to interact in practical situations, build vocabulary, or how to use different verb tenses. While the secondary curriculum offers specific courses that address the usage and mechanics of English, there is no specific ministry resource that provides a scope of learning expectations that address the unique needs of elementary English language learners. Sure, we have the STEP continua – but this document is more of a list of look for we might see as ELLs acquire English, and not a comprehensive list of learning expectations.

What I often see in schools is the expectation that newcomer students will acquire the oral foundations of English from interacting with other students or being immersed in the English saturated world of Canada. And for the most part, this is largely what happens. For younger children in Kindergarten and the primary grades, English acquisition happens through structured play, the explicit teaching of foundational literacy skills, and texts and lessons that are highly visual and graphic. Teachers may incorporate practices like language experience approach and picture word inductive model that support academic vocabulary acquisition for English learners.

Older students in the intermediate grades are in a much different position. Older ESL students may have completed the majority of their learning in another language, not to mention in another school system with a curriculum different from the Ontario’s. Entering a new classroom can be exciting for newcomer students, but also difficult if they perceive that their prior learning and language skills have no place in their new learning environment. Many students go through “silent phases”, or appear disconnected or disengaged from classroom activities. As a result, many classroom teachers often feel at a loss of what to do, especially if they are unused to working with newcomer students. In my discussions with many classroom teachers, they are often wondering:

  • How do I teach them to start speaking and understanding English?
  • Are they bored?
  • What more can I do for the student?

While I wish there was more specificity to ESL programming beyond modifications and accommodations, there are many strategies teachers can use to make the work of teaching ELLs feel more purposeful and intentional without adding additional weight to the current workload. In the next blog, I will focus on unpacking some ways educators can integrate English language instruction into their regular classroom teaching.

Cover Image Source: Magda Ehlers, Pexels
Colleen Elep English As Second Language (ESL), English Language Learners (ELLs), General

Podcast Recommendation: Teaching MLs with Tan Huynh

Do you want to keep up with the latest culturally responsive pedagogical strategies and thinking, but cannot squeeze yet another book into your shelf? Look no further than Tan Huynh’s “Teaching MLs” podcast, which focuses on sharing the perspectives of the most innovative educators in the field of multilingual learning. Best of all, it’s free, and perfect content for your commute, lunchtime walk, or whenever you find its best to listen to a podcast. Tan’s podcast has over 150 episodes, with new content added weekly.

I have personally found podcasts to be very “hit and miss” in terms of content and quality. Some podcasts seem to barely scratch the surface of their topics, focusing a little too long on conversation and not nearly enough time on the topic that drew me to listen in the first place. Tan does a great job of balancing the banter with substance, making every episode feel like something between a friendly conversation and a keynote address.

This podcast is excellent not only for the topics featured – translanguaging, multilingual assessment, dual language schools, science of reading, and Chat GPT, just to name a handful – but the incredible speakers that most educators will recognize from their professional libraries. John Hattie, Jim Cummins, Ayanna Cooper, Margot Gottlieb, John Seidlitz, and Gholdy Muhammad are just some of the “educelebrities” you will encounter on the podcast.

Tan manages to bring out useful insights and conversations from renowned speakers and experts that will make a lasting imprint on your thinking and pedagogy. Personally, I have found it an excellent resource for summarizing big topics like phonics based instruction, balanced literacy, aritificial intelligence, and and teacher collaboration. Tan connects the research and ideas of his interviewees to his own experiences as a multilingual educator, English learner, and language learner, layering his ideas and perspectives onto the work of renowned researchers and educators in the field. Even when speakers are not completely focused on the topic of multilingual learning, Tan does an excellent job of connecting the topic back to English language pedagogy.

Listening to an author or expert speak about their work also helps me to better understand things I have read, and sometimes even compels me to re-read, deepen and consolidate my learning.

I was fortunate to meet Tan in the fall of 2021 when he accepted an invitation to be a virtual guest speaker at our board’s annual conference for ESL/ELD teachers. He joined our planning meetings and conference from Thailand, where he was likely tuning in at what should have been his bedtime. He turned out not only to be a confident, knowledgeable, and talented presenter, but unbelievably kind, humble and easy to talk to. His presentation on Translanguaging continues to impact my work and the work of my fellow PETL colleagues: we still get comments on how informative and practical his presentation was.

Tan’s dedication to the work of multilingual educators is inspirational and exciting. In a moment where it can seem more challenging than ever to be an Ontario educator, we need professional learning that will affirm and enhance our practices. Check out the Teaching MLs podcast on your favourite streaming platforms. His website also contains great resources and a blog!

Colleen Elep English As Second Language (ESL), English Language Learners (ELLs), General, Language Learning

What is Translanguaging?

A few years ago I had the pleasure of welcoming Maryam (student’s actual name has been changed), a grade 8 newcomer student from Afghanistan. She had multiple years of interrupted schooling due to the political situation in her home country, and arrived in middle school speaking a very emergent level of English while being fluent and literate in Pashto and Urdu. At the time, I was working as an ESL/ELD teacher in the school, supporting all classes in the school with programming for English Language Learners. Her homeroom teacher raised the inevitable question: how do I program and assess a student with such unique needs?

One of the best ways to accommodate newcomer students with literacy and oral communication skills is to use translanguaging strategies. So what exactly is translanguaging?

Translanguaging, as academic and educator Ofelia Garcia states in EAL Journal, is “the act performed by bilinguals of accessing different linguistic features or various modes of what are described as autonomous languages, in order to maximize communicative potential.” Translanguaging is all about students using all of their linguistic resources to explore new learning, making connections with prior knowledge, and communicating their knowledge and lived experiences. It is asset-based and honours the rich linguistic resources multilingual learners bring to the classroom.

Sure – there are moments during instruction where accuracy, concision and proficiency in English will be the focus. But translanguaging practices should be encouraged in areas where the work is content-based. Language acquisition is a journey, and learning should always be accessible no matter what part of that journey a student is on.

How Can I use Translanguaging in the Classroom?

Start by creating a translanguaging-friendly learning space by encouraging students’ use of home languages at the start of the year. Take a language survey to find out what students are speaking at home and with friends and relatives, who has literacy skills in a different language, or who is taking heritage language classes. Once you know the linguistic and cultural assets students are bringing to the classroom, you will also be better equipped to be more culturally responsive. Keep multilingual dictionaries in students’ languages in the classroom, or teach a lesson on how to use digital translation tools like Microsoft Translate, Google Translate, or SayHi. Show students how to set multilingual captions on sites like Youtube. While students may find that digital translations are not always accurate, they can help students who are in the earlier steps of English language acquisition to understand new content.

Use multilingual word walls, media, signs, and posters in your school’s or class’s top languages. If you are multilingual, model translanguaging by communicating with students that also speak the same language. Pair same language speaking students strategically in seating plans or group work. Once multilingualism is seen as an asset and a norm in the learning environment, you can start to see translanguaging occur organically in academic and social contexts.

Translanguaging from Instruction to Assessment

Embed translanguaging throughout your teaching cycle, from instruction to assessment. Encourage multilingual language learners (MLs) to take notes in their home language and/or English during class: it is common for newcomer students think that they are only allowed to use English in class, which should never be the case. Offer multilingual content whenever possible, encouraging the use of subtitles when video content is being shared. When labeling diagrams or visuals, MLs can have the option of using multiple languages, which helps to build critical academic vocabulary for content based subjects.

Text sets are another great way to scaffold and differentiate learning in content-based areas like Science, History, or Geography. To create a text set, gather a set of materials related to one area of learning that enable students to engage with the content in different ways. For example, text set might include similarly themed articles at different reading levels, content in languages used by students in the classroom, related diagrams and photos, photos, and links to different sites and videos. Creating text sets can take time – team up with other teachers to create different sets you can use throughout the year or a teaching cycle.

Finally, offer students opportunities to complete summative learning tasks or assignments in the language or languages they feel most confident using in addition to English. When students with more confident in their first language have the opportunity to use it in school, it can be empowering and create an opportunity for families to engage with their child’s learning. If you do not speak the same language as the student, you can ask a colleague who does to help with assessment, or ask the student to complete a secondary task to translate their work using dictionaries and translators. Make sure your rubric and success criteria are adapted to reflect the curriculum expectations and the student’s STEP: keep in mind that their learning goals may be different from that of their non-ELL peers.

Interested in taking a more detailed look at using multiple languages in your teaching? Check out Classroom Assessment in Multiple Languages (2021, Corwin Press)  by Margo Gottlieb for a comprehensive guide. There are so many ways for multilingual students to share their knowledge beyond writing and speaking in English. Once you identify the best strategies for enabling MLs to express their ideas and learning, you will see their growth and confidence flourish.

Nilmini Ratwatte Henstridge Advocacy for change, Differentiated Instruction, Diverse Learning Needs, English As Second Language (ESL), English Language Learners (ELLs)

Mentoring Moments: Importance of Our Names

I always wanted to write why the name each of us are given is important to consider. Each year we have the privilege as an educator to touch and impact families as we teach their children. I emphasize as a teacher we teach children that belong to many cultures and backgrounds…As a teacher we have so many opportunities to reflect on pronunciation of names, spelling of names and the chance to talk about each individual story behind the name that we are given. As we celebrate World Teacher Day this month reflect on the privilege we hold as teachers to embrace diversity, be inclusive and bring about change in the education system that we work for towards a better future for all.

This blog starts with you getting to know me a bit better as an Educator in Ontario. Nilmini is my middle name- it was given to me by my parents because “Nil” in Sinhala means the colour Blue. “Mini” in Sinhala translates into “Gem”…Nilmini means a Blue Gem a precious stone, and important name that I was given. I love it…I never really thought about how when I was born the white part of my eyes had grey and blue tones….Moreover, now as an educator I reflect on why my name holds a special place in my heart since it is also apart of my heritage the beautiful country I was born in Sri Lanka before I immigrated to Canada with my family as a child.

“Each year we have the privilege as an educator to touch and impact families as we teach their children.” @NRatwatte

Ask your students about their Name Stories

As an educator there is no better way to build a trusting relationship than to ask students about who they are so you can connect it to the curriculum that is being taught each year.

  • Build in lessons through out the year to get to know your students names
  • Their heritage
  • Their traditions
  • Call students by their names – real names
  • Don’t change them since they are long
  • Do give them pride and ownership in using their own name

Some Books that can help you start the conversation about Names

Name Jar

I love using this book to discuss the importance of keeping our language cultural name and customs. The book helps us talk about inclusion practises in a school setting and importance of feeling belonging.

Chrysanthemum

No better book for me as a teacher since my name is very long and I go by my middle name Nilmini that is a family tradition.

They call me Number One

A book I start the conversation with about the importance of making students feel welcome when learning about the First Nations Peoples of Canada and the Residential School System.

Growth Mindset to Teaching

I encourage you as an educator to embrace the differences and not shorten names but call students by their real names to give them respect for their identity. Names are apart of each individual identity since they are interconnected to who we are, our cultural heritage or our customs.

  • Ask Questions
  • Encourage sharing
  • Embrace the Learning

In my culture we have a “letter sound” that is given to us when we are born according to our horoscope and that is the sound that we use to name each child according to be prosperous in our lives. These traditions carry with us over the generations because they are meaningful and they encourage customs that hold our heritage over the centuries close to our hearts.

Reflection Question: Think about why your name is important; write down your name story that you can share with your student during a lesson and courageous conversation.

Yours in Education,

Nilmini

Deb Weston agency, Assessment, Challenging Topics, Communication Tools, Diverse Learning Needs, English As Second Language (ESL), English Language Learners (ELLs), General, Mentorship, Professional Judgement, Professional Learning and Growth, Report Cards

Report Cards Are Coming: Professional Reporting

Growing Success K-12
Growing Success K-12

Elementary Report Cards … the mere mention of report cards can send some teachers into anxious ridden days and sleepless nights. Even after 17 years of writing elementary report cards, I anticipated that my levels of anxiety would be non-existent but, no, for me, the thought of report card writing still stresses me out. I know of some colleagues who are so anxious about report card writing, that they had to seek medical support.

The source of this anxiety is embedded in inconsistencies in how report card policy is implemented. And the source of the inconsistencies is rooted in the process of educational policy implementation. With each level of educational policy implementation gatekeepers, such as boards of education, superintendents, schools, administrators, and classroom teachers, all interpret and change the policy based on their own context and their own perspectives (Ball, Maguire, & Braun, 2012).

As report card policy initiatives are translated into real life, the policy stakeholders, like administrators and teachers, adapt and reinvent their interpretation of the policy into school contexts. Since the education policy guidelines tend to be abstract and non specific, confusion and disjointedness results (Ball, 1993), and teachers end up decoding and recoding the policy text such as the reporting policy, Growing Success (Ontario Ministry of Education, 2010). Even with the well written Growing Success document (Ontario Ministry of Education, 2010), the process of understanding and translating report card policy can result in various degrees of intentional and unintentional interpretations (Fuhrman, Clune, & Elmore, 1991). Or, in other words, there are inconsistencies in report card policy implementation. Competing theories between policy authors (i.e., governments and school boards) and report card implementers (i.e., principals and teachers) can cause conflicts between the vision of policy and the practice of policy (Timperley & Parr, 2005). This can result in gatekeepers’ experiencing “most carefully planned” initiatives unfolding in a “non-linear manner” (Timperley & Robinson, 2000, p. 47).

This policy implementation process results in the practice of report card writing that look different from the vision of the report card policy writers. Therefore, because of this flux,  report card formats and content can change from school board to school board, school to school, year to year, administrator to administrator, and sometimes even term to term (Note: this is strictly based on my own experience over 17 years). As noted earlier, at every level of implementation, each person put their own spin on the policy. The result is that teachers have to deal with changing report card writing expectations. Inconsistencies directly result in teachers having to spend a great deal of time trying to meet the expectations of different stakeholders. Teachers then have to use their professional judgement to interpret these expectations.

The document Growing Success (Ontario Ministry of Education, 2010, p. 152) states “ Judgement that is informed by professional knowledge of curriculum expectations, context, evidence of learning, methods of instruction and assessment, and the criteria and standards that indicate success in student learning. In professional practice, judgement involves a purposeful and systematic thinking process that evolves in terms of accuracy and insight with ongoing reflection and self-correction.”

Further, Growing Success states that “successful implementation of policy depends on the professional judgement of educators at all levels, as well as on educators’ ability to work together” (Ontario Ministry of Education, 2010, p. 2). It is through educators’ collaboration that educational change becomes reality; it is how policy becomes practice. “Teachers’ professional judgements are at the heart of effective assessment, evaluation, and reporting of student achievement.” (Ontario Ministry of Education, 2010, p. 8). So teachers, working with other stakeholders, using their professional judgement need “to clarify and share their understanding of policy and to develop and share effective implementation practices” (Ontario Ministry of Education, 2010, p. 2).

Below is a breakdown of the Growing Success policy based on areas I have needed information on while writing report cards. This is not an exhaustive list. Please refer to the documents noted below for further information.

Growing Success Reporting Chart

Ontario Report Card Policy Breakdown with reference to report card writing

The Growing Success document notes the following “It is important that teachers have the opportunity to compose and use personalized comments on report cards as an alternative to selecting from a prepared set of standard comments. School boards should not enact policies that prevent teachers from providing personalized comments on report cards. It is expected that principals will support best practice and encourage teachers to generate their own comments.” (Ontario Ministry of Education, 2010, p. 64)

Given the focus of encouraging “teachers to generate their own comments”, having a bank of pre-approved board-wide report card comments available to elementary teachers may or may not be forthcoming.

After the above analysis and reflection regarding report card writing and professional judgement, I ask myself “What has helped me the most in report card writing?”

My answer is collaborating with other teachers. It is in the discussion, co-creating, and sharing of report card comments that I have been supported the most in my writing of the Progress, Term 1, and Term 2 report cards. For me, sharing report card comments does not mean that I simply “cut and paste” my colleagues’ work. This does not happen because I write comments through the lens of my own teaching practice. My colleagues’ shared learning skill comments often inspire me to write comments especially for challenging students.

In writing report cards, I use my professional experience and knowledge that has resulted in the development of my professional judgement. So my advice to any teacher who is being challenge in report card writing is to reach out to your colleague … for advice, support, or debate.

I believe that when working collaboratively, teachers are better together … especially when writing report cards.

Collaboratively Yours,

Deb Weston

 References

Ball, S. (1993). What is policy? Texts, trajectories, and toolboxes. Discourse, 13(2), 10-17.

Ball, S. J., Maguire, M., & Braun, A. (2012). How schools do policy: Policy enactments in secondary schools. New York, NY: Routledge.

Elementary Teachers Federation of Ontario. (ETFO). (2016). The elementary provincial report card continued implementation update – Grades 1 to 8, Professional Relations Services, PRS, Volume #66, January 2016. Retrieved from http://www.etfo.ca/SupportingMembers/Employees/PDF%20Versions/The%20Elementary%20Provincial%20Report%20Card%20Continued%20Implementation%20Update%20-%20Grades%201%20to%208.pdf

Fuhrman, S., Clune, W., & Elmore, R. (1991). Research on education reform: Lessons on the implementation of policy (pp. 197-218). AR Odden, Education Policy Implementation. Albany, NY: State University of New York Press.

Ontario Ministry of Education. (2000). The Ontario Student Record (OSR) Guideline, Retrieved from http://www.edu.gov.on.ca/eng/document/curricul/osr/osr.pdf

Ontario Ministry of Education. (2010). Growing success: Assessment, evaluation, and reporting in Ontario schools, First Edition, Covering Grades 1 to 12 Retrieved from http://www.edu.gov.on.ca/eng/policyfunding/growSuccess.pdf

Timperley, H. S., & Parr, J. M. (2005). Theory competition and the process of change. Journal of Educational Change, 6(3), 227-251.

Timperley, H., & Robinson, V. (2000). Workload and the professional culture of teachers. Educational Management & Administration, 28(1), p. 47-62.

Wiliam, D. (2011). Embedded formative assessment. Solution Tree Press.

Tammy Axt English As Second Language (ESL), English Language Learners (ELLs), Inspiring Students

Celebrating Our Student’s First Language Through Music

Do you recognize the lyrics to this song?

Lyrics better!

I didn’t until one month ago, when my students began a project I created about celebrating songs in other languages. This project came out of a desire to change one part of my music program. The most important part of any arts program is student creations. In my class students create songs, ostinatos, percussion compositions, raps etc… You name it, my students have probably created it. However, I felt that the part of the music curriculum that focuses on exploring forms and cultural contexts could be improved. I felt like the music that I was bringing in was authentic and reflective of my student population but the problem was, it was always initiated by ME. So I decided to try something new and it has been the most amazing project.

I am very fortunate to work in a very diverse school where many of my students are bilingual or multilingual. In previous years, as many songs as we learned from different communities and cultures, I didn’t feel as if I was really helping my students increase their multilinguistic skills or supporting them through their cultural identity journey. In the past, I felt that my students learned a lot about cultural music through units I created, but I wanted something deeper this time.

The idea for this project was inspired by a project called “Dual Language Identity Project” http://www.multiliteracies.ca/index.php/folio/viewProject/8. In this project, students were encouraged to write stories in their first language to support their acquisition of English Language Skills. I really liked how the students had ownership and pride in their linguistic skills in their first language. The inability to write proficiently in English was not placed as an obstacle for their expression.

My students differed from the students in the “Dual Language Identity Project” because they have a lot of proficiency in English. Most of my students were born in Canada and spoke another language at home until they came to school, but are now fairly fluent in English. However, I recognized the pride that came from the “Dual Language Project” and I wanted to emulate that. Being a music teacher, I decided that we would complete a project with songs. Students chose a children’s song from their first language and created a lyrics book so that our younger students could learn the songs. For many of our younger students who do not read or write in their first language, it also gave them exposure to text in Punjabi, Singhalese, Urdu, Guajarati, etc.

In addition to completing the project to increase student’s engagement with their own personal cultural music, I had some other goals with the project:

a)     To increase the exposure to languages that were unfamiliar to them. The project helped students become accustomed to hearing and interacting with people who speak different languages and have different cultural backgrounds. At the beginning of the project, with 6 or 7 different songs being played at the same time in the classroom, students would look up and sometimes react to the sounds of other languages. However, a couple of weeks into the project, students started asking questions about the songs instead of reacting negatively.

b)    To increase students’ pride in their cultural identity. At first, students were very shy to share their cultural heritage. Four weeks in, however, I have heard about students’ family trees and the multitude of different languages that are spoken in my students homes every day, and many, many other stories. I believe that holding onto first languages and culture has positive impacts on the social and emotional well-being of students.

c)     Studying the linguistic structures of one language really helps the growth of language acquisition skills in all languages.

d)    I have been looking for ways to include my incredible multicultural families into our music program and this was a perfect way.

To complete the project, students were primarily placed in groups based on their first language. If they were multilingual, they were allowed to pick which language they wanted to join. If they spoke no other language, they were allowed to choose which language they were interested in learning.  Today, my student who does not speak another language performed quite a lengthy song in Guajarati!

Some students worked alone by choice, others worked in groups of approximately 4 or 5. The students were given an IPad to use as a reference tool if they needed it.

In the first period, the students spent most of the time listening to different songs they might be interested in using. Some students found it difficult to find songs online so they asked their families that night at home for ideas.

20170614_133730

Their next job was to work together to create the books. The students wrote one lyric per page and drew a picture that corresponded with them. They were also responsible for including an English translation at the back of the book and a title page at the front. All of the books were between 6-12 pages.

Title better!

The books turned out amazing and I can really see the desire each group had to create a polished product.

Teaching the younger students has been really fantastic as well. It is so special to see a grade four student connecting with a grade one student who both share the same language.

20170621_135116

In addition to watching the most amazing interactions between students, I had one student who did not speak Japanese but was really interested in learning a Japanese song so I told her go right ahead. Wow! She learned that song in no time. She was even teaching a rather reluctant student in my class to sing it (and he HATES singing). I felt like this project was a miracle worker.

I watched students of Trinidadian background learn songs in Urdu and students who are sometimes rather shy in my class absolutely shine as they shared their deep knowledge of their language and culture. Artistic students helped consult on picture and colour choices

Everyone had something to bring.

Everyone was allowed to choose their direction and course.

Were there mistakes in their multilingual writing? Yes, there were. For those of you who are proficient in Punjabi, my students literally sounded out the word foot and wrote it in Punjabi instead of writing paair. However, I could hear students discussing and trying to figure out how to write certain words, helping them to grow in their first language. Some rarely get this opportunity. I also listened to a 10 minute conversation between two students who speak Tamil about the translation to English. They were working with the song “Nela Nela Odiva” and the direct translation was about the ‘moon running’. They talked it out for a quite a while and decided that the ‘Moon was moving quickly’ made more sense.

I learned a lot about my students, their interests and their cultures through this project. I learned that some of my students work hard on their Saturday morning to learn how to write in Hindi, Singhalese, Punjabi, Tamil and so many other languages. I learned that Guyanese kid songs are incredibly difficult to find on the internet (that might be my next project).

Music is about connecting with who we are as expressions of ourselves and I feel this project helped me to get to know my students more deeply. It was also a powerful way of learning and working with cultural music.

Tammy Axt Diverse Learning Needs, English As Second Language (ESL), English Language Learners (ELLs), General

Learning Academic Vocabulary

It is the time of year to start reflecting on what went right and what you would like to improve on for next year. As teachers, it is important to say “I did a good job this year on helping Paramjot learn his timetables or Kayla adjust to a new school and make friends.” However, in more cases than not, we spend time looking at what we can improve on as that is what makes us good teachers.

If I had to choose one area that I would really like to improve in the next couple of years is helping my students acquire academic language in music. This has been an area of my program that has challenged me over the past five years as I feel that the vocabulary is not ‘sinking in’. I feel like we use it to describe the music we are listening to, but when we try to use it again a couple of weeks later, the students have forgotten it. I feel like I am constantly re-teaching the vocabulary.

I teach at a school where there are many English Language Learners, so vocabulary in general is a challenge for them. After doing some reading about vocabulary acquisition for ELLs (there is a great monograph from the Literacy and Numeracy Secretariat called “World of Words”) I learned that many of my students come to school about 1000 words behind their peers. This means, as teachers, that we are constantly in a catch up game for our students.

After thinking about why the vocabulary acquisition part of my program is not working, I think one problem is that I do not place enough emphasis on it. We play, compose and rock out all day in music class, but we don’t spend as much time talking about the music. I feel the other problem that could be plaguing that part of my program is that I try to introduce too many words at once, which overwhelms the students.

The other issues are that most of the approaches that are suggested for direct vocabulary instruction don’t really happen in music class. We rarely, if ever, do shared reading, and making inferences from context can be more challenging when the new words are used orally instead of in a reading passage. I also see how word analysis can be really challenging, as a lot of the academic vocabulary that we use is in Italian. Students are therefore unable to look for clues in prefixes and suffixes that they might know from other subject areas.  

The one suggestion that I have read about that I am going to try for next year is called 30 on the wall. The goal is to target 30 subject specific words that students become “intimately familiar” with by the end of each year in every subject. 30 words seems really manageable and by the end of their five years with me they would know 150 words very well-related to music. It would take some forethought and planning to target a specific set of words, but that is going to be my goal for the coming year. I will spend some time this June looking at a natural progression of vocabulary words, which ones will work best with the curriculum expectations for each grade, and which words are most useful and transferable in my students’ academic career.

But at the end of the day, as we work towards our goal, I will still take time to raise a glass and proclaim….

 

 

 

vocabulary

 

Mike Beetham Assessment, Challenging Topics, Combined Grade Classes, Differentiated Instruction, Diverse Learning Needs, English As Second Language (ESL), General, Math, Professional Learning and Growth, Resources

Overcoming Math Phobia

A phobia is defined as an extreme fear or aversion to something. This can often be associated with mathematics both by students and teachers alike. Human nature is such that when we feel we are not good at something, we therefore can’t be successful at it and we tend to avoid that what we will fail at. This self-fulfilling prophecy is often alive and well in a teacher’s or student’s thoughts.

I will be the first to say that at an earlier stage of my career I was very uncomfortable and unsure of myself when teaching mathematics. Sure I knew how to do math, but did I know how to teach something I was not very comfortable with. I had to do something to ensure that my skills and pedagogy were improving. Thus began a voyage of self-learning or self-guided professional development. Now, twenty-five years later I am still on that journey of learning about how to best teach mathematics so that my students learn and are engaged in their world that is so filled with math.

As with anything else you must find the right tool or vehicle for learning. I attended as many workshops as I could on mathematics. The Waterloo Region District School Board offers a wealth of learning opportunities for their teachers as does ETFO and the Ontario Association for Mathematics Education (OAME) (http://www.oame.on.ca/main/index1.phplang=en&code=home).

These are several key areas where you can start your journey of learning. I would like to share three key resources that have helped me become a more efficient and knowledgeable mathematics teachers. The first is the work of Dr. Catherine Twomey Fosnot. Her work and approach to the instruction of mathematics is the number one influence I attribute to my growth in mathematical instruction. I attended several of her sessions as well as visiting her site in Harlem. I would highly recommend her series ‘Young Mathematicians at Work’ as a classroom resource.

The second most useful tool I have come upon is the series entitled Super Source. There are many reasons why I like this resource. The first is the rich problem solving tasks that are in each book. There are a variety of tasks and each task is connected to an area of mathematics where it can be used like number sense or patterning. There is a book written for each type of manipulative (Base 10, Pattern Blocks, Tangrams etc…). The most valuable asset of this resource is that there is a section where the mathematics behind each task is explained to the educator (the big ideas) as well as suggestions on how to bring out the math in your students. As with any resource this provides a jumping on point where a teacher can then adapt the task to meet their needs.

The final resource I would like to share with you is one of the many works of Van de Walle. I used this resource as a teaching tool for myself. It helped me understand the concepts I was teaching and how to bring out both a level of engagement as well as a deeper understanding of mathematics in my students. I hope these resources prove to be as valuable a tool to you as they are for me in my teaching of mathematics.

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Tammy Axt English As Second Language (ESL), English Language Learners (ELLs), The Arts

Helping English Language Learners in Music

Music Class can be tricky to navigate for our ELLs (English Language Learners). Although music is really fun and engaging, learning lyrics to songs and terms for describing music can be challenging to remember.

Lyrics to songs can be difficult for ELLs as there are often slang words, incomplete sentences or words that are used in unusual ways. Lyrics manipulate grammar rules and each genre can have its own style of communication, depending on its origin. In addition to lyrics, vocabulary for music has the same challenges as many content subjects, which is that the vocabulary is often not used in daily life. You don’t hear people talking about how forte, vivace or legato a song was. As the vocabulary is only used for such a small portion of their school week, it is very hard to internalize. 

My student population has around 70-80 percent of students on the STEPS of Language Acquisition. In trying to help my ELLs be successful in music class, I have used the following:

1)      Song selection: My team is very selective when choosing songs to sing in class, and we are always looking to make sure songs are not too long, often repetitive and that new vocabulary is not too overwhelming for students to learn.

2)      Patience: We take time to let students internalize one section of the song before we move onto the next. If we are learning a song that is a little longer, we only focus on one verse for part of a class and visit the next verse in subsequent classes.

3)      Visuals: There are diagrams and visuals to support students in discussing music. (You can find mini posters about the elements of music on the website Teachers Pay Teachers).  Also, illustrating a song can help solidify meaning.

4)      Actions: We often add actions to many songs to help us understand the meaning of what we are singing.

5)      Cooperative Learning: We do some whole group and teacher led instruction to learn some new vocabulary and lyrics. However, more often, students work together as pairs or groups towards internalizing the lyrics and their responses to music.

6)      Use music that represents the culture and language of your students: Using songs from a student’s culture allows them to feel valued and they become the expert in the room.  Finding authentic arrangements and scores can be difficult. Making a connection to a member of the community that can help you is a very important asset.

7)      Make it fun: Ultimately, music should be a fun way to engage with language. So encourage the students to enjoy themselves!

Even though music can be challenging, it can also be very supportive when learning a new language. About 15 years ago, I decided to move to Japan to be a teacher. I ended up loving it so much that I stayed there for three years. In my own personal journey of learning a new language and writing system, music played an important role. I listened to a lot of Japanese music and bopped and bounced along to the music in my home, car and at school. New vocabulary stuck in my brain from the songs that I heard, and I enjoyed learning how new vocabulary was written in Kanji (the Japanese writing system) from the inside of CD covers. Listening to music was great as it was the one Japanese activity in my day that didn’t require a response from me. Music can play a very important role in the acquisition of language.