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How important are the arts?

arts

Look very closely at the picture above. This picture was taken at an elementary school in St.Kitts while I was on a tour. I stopped to look at the bulletin board and on the board was a list of classes that the students could choose from for the upcoming term. There choices were Cooking, guitar, drumming, steel pan, dance, drama, sewing, arts and crafts and masquerade. As an arts teacher, with a team of three to support the pursuit of arts at my school, we would not come even close to offering our students all of these subjects as a separate choice.

The reason why I was lucky enough to be taking a school tour in St.Kitts was because two summers ago I was a member of Project Overseas. As a participant on Project Overseas, I spent the month of July giving workshops to teachers in St.Kitts about autism and it was the experience of a lifetime. Although I was there to lead workshops, I definitely learned a lot about my own practice and came back with a lot of questions about our education system. First and foremost, how important are the arts?

Teaching in an elementary school, I see the benefits of the arts every day. For many of my students, it is a chance to be successful in an otherwise challenging day. For other students, it is the outlet that helps them deal with challenges in their home life. I could tell the story of my struggling student who beamed when all of his classmates gave him a standing ovation in class for his beat boxing presentation. During our Black History Month assembly, one of our students did such an amazing dramatic interpretation of a Maya Angelou poem the whole audience broke into thunderous applause at the end and she looked so happy. There are stories of art projects, songs written, original dance moves and hours upon hours of critical thinking and creative expression.

The arts also support learning in all other areas of the curriculum. The scientific inquiry process and the creative process follow a very similar trajectory. They both encourage a lot of curiosity and a chance to try something out and revise as needed. The arts also support learning in math. Music notation and instruction in rhythm is basically a different way of thinking about fractions. Many music posters with division of beats look identical to fraction strips. When I walk around my school, I also often see art projects based in tessellations or symmetry. Social studies is basically embedded in the third overall expectation in the arts curriculum. Analyzing historical contexts and the past and present community perspectives is taught every term in Ontario arts classrooms and that is directly tied with the Social Studies curriculum. Finally, language is often what drives music melody and dramatic presentations.

The arts are also bring us together and make us feel good about ourselves. I have read so many studies about how music and the arts provide stress relief and comfort in times of need. With a very important move towards providing support to our students in the area of mental health, we need to recognize the important role that the arts can play in achieving this goal.

I recognize that I teach in a school with a large staff that requires a lot of planning time so having specialized arts teachers is easier for us than many others. However, when you start looking at the research conducted by People for Education in 2013 versus the same study in 1998 about specialist teachers I start to wonder about the direction we are taking. In 2013, only 44% of elementary schools had specialist teachers dedicated to teaching the music curriculum. In 1998, the number of specialist music teachers was 58%. My question is if planning time went up over the last 15 years why are there fewer music teachers required?

Can classroom teachers do an amazing job at teaching, drama, dance, visual arts and music? Of course they can! I see amazing instruction in the area of visual arts at my school all the time. However, with funding for arts performances and programs down as well as declining commitment to have specialist teachers are we moving in the right direction?

Modifications and Accommodations in the Music Room

Modifications and accommodations happen daily in every classroom in Ontario. Teachers strive hard to make sure that their students have the necessary tools and supports to help them achieve the expectations of the Ontario Curriculum or modified goals. The following are some of the accommodations and/or modifications that I have used this year with a focus on the most common tool used in music…instruments!

When you ask my students what their favorite part of music is, many of them would answer quickly that they like using the instruments. I agree, instruments are AWESOME, but they can also be very challenging for students with impairments in fine motor skills, breath control, impulse control or visual acuity. To help these students, try a few of the following tricks…

  1. Xylophones- Most xylophones have removable bars for students who are overwhelmed with all of the notes laid out before them. I take the bars off that the students don’t need to play a particular song. I also rearrange the bars to make sections of the music more playable for some students. For example, I will move the E and F bars away from the G and A bars so that the student can more easily see the space between the two and identify them as separate. Selecting only part of the melody or accompaniment can also give students with processing difficulties a chance to keep up with the pace of the music. For my students with impulse control challenges, I give them a heads up that while I am giving the instructions I will be holding their mallets and as soon as we start playing I will return them. Furthermore, improvisation can be your student’s best friend on the xylophone as it takes the pressure off of playing specific notes. Finally, metallophones have much better contrast for students with visual impairments than regular xylophones.
  2. Recorders- To help students match their fingers to the right holes on the recorder, I have used small pieces of coloured electrical tape. I put a small piece of blue on the first hole of the recorder and put a small piece of blue on their pointer finger of their left hand. I add one finger at a time and work towards removing the tape when the student is ready. I have also matched a colour coded system to the music that they are reading. For students who have large challenges in fine motor skills, I have also taped the back hole for the first section of the year to let them focus on the front holes.
  3. Drums and Percussion Instruments- When it comes to the percussion family, instrument choice becomes very important. Maracas, bells and guiros are some of the more difficult instruments to use to produce clear rhythms. Rhythm sticks and bucket drums are a much better choice as the sound is more easily produced and controlled. Another helpful tool is to use words to learn rhythms. Using words to help students learn rhythms is great for all students but is especially important for students who need extra support. From the tabla in India to the taiko drum in Japan, there are so many countries that use words to share rhythms. Simple or repetitive words are much more accessible than musical notation for many students.

 

Recording Process

I recently gained access to the HWDSB app catalogue on our new teacher iPads. I was able to download up to 175 apps and check out the apps I thought would be very helpful for my students. The one app I discovered that I think helps with recording student progress and behaviours in class is the app called idoceo.This app allows for you to walk around with your iPad and keep track of all student work ethics throughout the day. I have started to use the “happy face” symbols that come in four different colours to note the four levels of achievement. This is so helpful because you do not always have to have your mark book out, you now have a portable mark book with easy to use features.

You can also use the “seating plan” section app that helps you chose students at random rather than calling out random students. This keeps all students on their toes and always ready to answer.

You can always show students how they are doing on this app by calling them over to check their process marks in class. I find that I am always so focused on the end product and do not focus enough on the process of my students. With this app in hand, I feel I will be more readily available to record student efforts.

I am very fortunate to be able to have this extra iPad for my class which makes using technology that more accessible.

Reflections on Black History Month

February is Black History Month. It is a month dedicated to paying homage to the diverse contributions and experiences of ordinary and extraordinary Black Canadians, members of the African Diaspora around the world, as well as those who live and whose roots stem from the continent of Africa. There are, in fact, many months that have like-intentions to highlight the narratives of historically marginalized groups in Canada: Women’s History Month in March, Asian Heritage Month in May and National Aboriginal History Month in June. The presence of these months speaks to the result of historical silencing of these narratives from mainstream discourse wherein a call for intentional action in addressing missing voices have been issued in public spaces. But how might we authentically achieve the goals of heritage/history months within our classrooms in ways that go beyond their designated months?

As noble starting points, heritage/history months, and in particular, Black History Month, can be addressed in tokenistic or celebratory ways that miss the intention behind their existence. Songs and dances, foods and celebrating public icons are great starting point in capturing the wealth of often untold histories/her-stories of the Canadian experience. Narratives of pioneers, inventors, politicians, “rebels” and “heroes”, civil right leaders, doctors, nurses, mothers, fathers, caregivers, veterans, children and their experiences in schools, laws, lawsuits, inclusion, exclusion, all make up the rich tapestry of Canadian nation building. With narratives so rich and deep, it important to have these included in the discourse of everyday schooling regardless of the month. As such, heritage/history months should be seen as an impetus to intentionally integrate the diverse narratives of Canadian communities in the everyday-discourse of our classrooms.

What does it actually look like to go beyond a heritage/history month? More than having images of people of racially and ethnically diverse backgrounds posted around the classroom, moving beyond the month might look like intentionally including diverse voices and perspectives in the classroom conversation. It may not solely be reading texts where the protagonist comes from a minoritized community, but rather inviting a discussion around the missing voices in existing texts. It may not be limited to including math questions that include ethnic sounding names, but rather investigating the practice of name changing or prevalence of anglicizing names in general. In grappling with what moving beyond heritage/history months might look like, consider some of the following questions:

  • How might diverse narratives be shared in ways that do not reinforce limiting and sometimes harmful stereotypes?
  • How might teachers engage students in learning opportunities when the student body seemingly is void of students who share the specific heritage that is being acknowledged during the month?
  • What might the conversation sound like or feel like when addressing painful memories as well as uncomfortable truths?
  • How might one invite the telling of stories by those who love them rather than telling their stories for them?

I end this post with more questions than answers. Perhaps this is an invitation to engage our students/colleagues in uncovering that which lie beneath the surface.

Life is for Learning Curves

The view from the halfway mark of my first year teaching senior kindergarten is a lot different than it was just four months ago. Whereas I struggled every day in terms of how to implement the curriculum, now I am so much more comfortable in many, but not all, areas of the program. I hadn’t really taken the time to reflect on how I was feeling about my progress as a teacher and co-learner until, while chatting with my principal the other day, she asked me if I loved kindergarten. I hesitated, because I was thinking back to other grades I have taught, wondering if I had ever said that I loved teaching any of them. I realized, in forming my answer to her, that it is never really the curriculum of any given grade that I love teaching, but rather learning about my learners in order to be able to teach them is what I enjoy the most. I said to her that last term felt like ice-climbing, but now I am on a sort of a plateau – I can take a breath, look back proudly at where I came from, and look forward to how much I still need to learn. I most definitely have not mastered this grade, however, with the loop-de-loop learning curve I have been on this year, I am sure I will be a much better teacher next year.

That is what I was telling myself until recently when our school board confirmed its decision to integrate junior kindergarten with senior kindergarten next year. Even after having lived the senior kindergarten life for six months and feeling they could not be too dissimilar, I could not really tell you what goes on in a junior kindergarten classroom. That is why I am hoping that my principal will give me some coverage time to hang out in one of our JK classrooms to get a feel for the way the program is run and to see how the wee ones go through their day, as a way to help me imagine a blended classroom. Adding French Immersion will be another part of the picture – what will that look like? In-service workshops are to be part of the plan from the school board, and hopefully, so too is having quality time to work it all through with a supportive team of ECEs and teachers. Whereas this year, I was scrambling to make sense of it all as the newbie in the midst of a crew of seasoned kindergarten teachers and ECEs, next year, everyone will be trying to work things through. Life is indeed for learning curves.

Geometry and Race

Can you have a conversation about Black History Month without discussing race?

Important question? Bold question? Irrelevant question?Let me digress here to share an exchange I had with my grade 3/4 students during math class in February.

I’m a math teacher. Although the conversations that take place in my class go deep within and far beyond the math curriculum, I love inviting my students to make connections between real life and the mathematical ideas we explore.

In an integrated unit on Data Management and Geometry, my students were invited to investigate and name the many attributes of 2D figures with a focus on the properties of polygons. They learned the latin prefixes used to name various polygons based on the number of sides. We engaged in an angle scavenger hunt all over the school, classifying the angles we noticed as acute, obtuse and right angles. We also wrote a song that highlighted our learning, adding verses as the learning progressed throughout the unit (https://heartandart.ca/?p=3638).

In a particular conversation about the similarities and differences among quadrilaterals, I questioned my students on the need to classify polygons and then further classify them within the category of quadrilaterals. I then invited them to name the other ways in which things or people are categorized based on different attributes. Almost immediately some students shouted, “skin colour!” Was I shocked? A little bit, but I thought, let’s go there. I had never really engaged in an conversation about race with this group of students and I was curious to hear what was on their minds about the subject. The conversation then delved into discussing the confusion between incongruent language that is often used to describe skin colour when the actual colours in questions were browns, tans and peach-like hues. This conversation invited students to voice questions and make connections between the experiences of fitting in and not fitting in in particular spaces – in a similar way that a trapezoid fits into the category of a quadrilateral, but not in the experience of being a parallelogram. It was an interesting conversation that led to what one student called it as being “shape racism” and another student naming it as “social injustice.” Students have a lot on their minds – I was intrigued with what they shared and the ways in which they articulated their thinking and confusions about the experience of labeling.

Race and geometry were intertwined in that one conversation. Who would have thought? So back to my original question which may, depending on how you look at it, or may not be related to everything I just articulated. Can you have a conversation about Black History Month without discussing race?

Time for a change

quote by Admiral Grace Hopper
quote by Admiral Grace Hopper

The words above can pervade many work cultures.
It is no different in education. Here’s why.

“We’ve always done it this way,” says…

There is nothing to strive towards. It says, “we’re out of ideas.”
Change is frightening, requires hard work to implement, and may have unpredictable outcomes. It says our corporate culture is too fragile and or afraid to take chances that might result in failure. Run!

“We’ve always done it this way,” says…
Disruption and change are not allowed in the building because they challenge the structures and status quo. It says, “free and fresh thinking are not welcome.” Is there any place where this is a healthy work ethos?

“We’ve always done it this way.” says…
It’s easier to go with the flow than rock the boat. It says that making waves might sink your career. Let me throw you a lifeline.

A friend gave me some great advice when I started out my career as a teacher. He said, “Never stay at a school for too long. Take the opportunity to join new communities of learners to keep your practice growing.” In my career, to date, I have worked at 3 schools and have loved every new adventure.

Was it scary to leave and join a bunch of strangers? Yes! Was it worth? YES!
Do I miss my colleagues? Of course, but that is exactly what coffee shops were made for — reconnecting.

Joining a new staff allowed me to broaden my professional practice and experience new communities of learners while broadening my world-view in education. Think of it from this angle; by making a change you will bring the benefit of your experiences and enthusiasm to a new school. It is in these shifts and new partnerships that strengthens our collective wisdom, and is crucial to innovation of our profession.

It is the time of year where we are asked to submit our teaching assignment requests for next September. For many new teachers this is a great chance to stretch beyond the confines of the comfort zone towards new opportunities.

Frank Zappa said, “Without deviation from the norm, progress is impossible.” This has to start from within. If you work in a place where innovation and growth are discouraged, let me encourage you to take a chance, step out of your comfort zone, and make a change. Seek out communities where ideas are fostered, tested, and curated.

Change is often messy, but it is important to progress. A very very few might still lament not being able to hand write report cards. Although, at the time, there were skeptics of the technology and the disruption it caused while teachers learnt and mastered a newer method of reporting.*

Step out, break free, and affect change in your space. Do anything, but maintain the status quo.
I encourage you to find like minded educators who value the process over perfection and consider where to make a change in your practice whether it is by applying to a new school or in courageously sharing fresh ideas in yours.

*If you’ve seen my handwriting you will be glad the reports are typed and printed.

…What I have Learned

Well, true to form, the trajectory of inquiry can never be predicted. And so it was that at the end of the couple of weeks of exploring What Happens in Winter, our students ended up quite aways beyond knowing that animals hibernate and plants die off when the weather gets colder. Following a visit from a teacher from the Ottawa Inuit Children’s Centre, their understanding was now in the realm of recognizing how a wintery landscape not only makes animals adapt in different ways, but how it has also influenced the lives and culture of the Inuit.

The students touched sealskin, fox, and rabbit pelts; tried on an amauti (anorak), kamik (boots), and bone snow goggles; played a caribou skin drum; held seal knuckle bones which were used to create pictures during storytelling; and played Inuit games that involved strength and stability (hilarious wrestling games which they discovered are also easily played outside in the snowy school yard). Our KWL bulletin board filled up with sentence strips on which the students wrote about what they learned and liked about the visit; “I learned that sealskin is best for clothes and boots because it’s warm and waterproof.”; “I learned that Inuk live in houses not igloos.”; “I liked playing Inuit games.” At the art table, several chose to paint what they learned; “I learned how to play a drum – a man’s drum and a woman’s drum,” “I learned that fox don’t hibernate in the arctic – they change color,” and, “I learned how to tell a story using seal bones.”

In activities and centres we set up following the visit, we offered opportunities to draw on their learning.  In math, after discussing the best shape of rock to build an inukshuk, students were challenged to draw an inukshuk with more than 5 rectangles and then to tally the total number of rock rectangles they used. Later in the block centre, several students took the challenge further and built free-standing, life-sized inukshuk (which are usually not very tall). Another day during the week following the presentation, a group of students were tipping over chairs and using them as blinds while they were hunting seal and polar bear – it started to get very physical with running and squealing, so, for safety reasons,  the crew were redirected to the art table to make paper bag puppets of seals, polar bears, hunters and dog sleds. They were so excited to use the puppet theatre to act out their skit which we were later all invited to watch. Another provocation was posting the Inuktitut ‘alphabet’ on chart paper. Next to each symbol I wrote out the sound it represented. While some students recognized that there were several triangles in the alphabet, others attempted to find the syllables they could use to write their names.

Now when we are outside for our outdoor learning every day, I ask questions about the snow, the sky and clouds, and animals; “If we had to build a shelter, would this be good snow to use? Let’s find out.”; “What are the clouds telling us? What do you notice about the weather today? Is it different from yesterday?”; “Can you hear any animal sounds? Have you noticed any signs of animals?” (scat, tracks, birdsong, etc.)

The students are also now aware of the fact that, according to our local groundhog who got scared of his shadow, we are in for a few more weeks of winter. What does that mean for them? Now that they have learned a bit more about What Happens in Winter, and have explored how arctic animals and the Inuit have adapted and survived in a wintery land, my next challenge is to provide opportunities for them to show me what they will do with that knowledge. The big question is, what do I need to do to help my 5 year old students take the next step into stewardship and sustainability?

When Your Best Is Not Enough

I work with some very challenging students, who at their core, are really nice people. As I get to know them as people first and learners second, what surfaces quite rapidly is that many of their needs are beyond my skill set. I am not a counsellor. I am not a psychologist. I am not a physician. Yet the needs they bring to my classroom are very diverse and more complex than just literacy and numeracy. I find myself often saying, what can I do to help this child succeed and feel good about themselves. As you know, there is no simple answer to this question.

This year I have been faced with a dilemma that I have never before in my career been in. I do not know what to do for a child in my class. All of my efforts, strategies, consultations and professional readings have left me in the same place I started with this child over 6 months ago. This individual’s lack of progress (and at times regression) have been a huge stressful burden on me as I struggle everyday trying to figure out what to do to help this child stabilize and grow as a student should. My initial reaction was that despite my absolute best effort, I have failed this child.

I have a very good friend and colleague to whom I shared this belief about myself with. He was very quick to point out that I had not failed him. The student’s lack of progress is a result of many needs not being met. He began to query me about my approach with the student. The conversation went something like this:

Do you differentiate the work for this student so that it reflects his current academic level? Yes

Do you provide accommodations in his program that meet his individual’s learning needs? Yes

Do you work hard to make that student feel welcome and cared for each and every day in your classroom? Yes

Do you seek out additional supports within your school and/or board to assist you in creating a program for this student? Yes

Do you communicate your concerns in an ongoing manner to your school support team, principal as well as the student’s family? Yes

Do you smile and tell that student what a nice person they are and thank them for coming in everyday and putting forth their best effort? Yes

At the end of that conversation I came to realize that I had not failed this child. I had to the best of my knowledge and skill set did everything humanly possible to help this individual succeed and that despite my best effort, that progress was not occurring. I had not failed him, because I had not given up on him.

Weekly News

I want to share with you an experiment gone really right. Over 2o years ago, a very good friend of mine and I started working with high-risk youth (Grade 6 -8) in our board in the summers. We had developed a program based around adventure-based learning. Our focus was to use the outdoors and physical challenges to assist them in developing social and self-regulation skills that would increase the probability of their success in school. One of the tools we developed was a Daily Newsletter (as we called it at that time) to inform families of their child’s progress as well as provide a summary of the days successes and occasional not so good outcomes. That one teaching tool has evolved over the last twenty years into what is now my Weekly Parent Book.

At the end of each week, at my classroom computer station I sit, look around my room and ask myself the following questions:

  1. How well did I meet the needs of each of my students?
  2. Did I make time to talk with each student on a one-to-one basis to find out how their life is going?
  3. Did I push too hard or not hard enough in moving them along their academic journey?
  4. What did I accomplish this week in literacy, numeracy etc.?
  5. What went well in Room 16 this week?
  6. What did not go well in Room 16 this week?
  7. How will I use that information to make the next week more successful for everyone?

That weekly routine has turned into one of the most rewarding and successful self-reflection tools I have ever had. Its initial, sole intent was to inform parents of what was going on in their child’s classroom. What it has become is a tool that I use to inform families, publish good news stories, share advice on how parents can help their child, updates on school-wide initiatives and most importantly, a tool to reflect on my week’s teaching.

It is a time that I actually use to decompress from the week’s events, look back in order to plan ahead for my next week and set goals of what I need to accomplish the following week (from a curriculum standpoint or what is needed to help specific students move forward). As the year progresses, the content of the weekly news becomes a shared work whereby students start to contribute to its production. That is when this tool becomes a very powerful learning tool for all of us.

Of course being the old school type, every Monday our morning circle starts with the sharing of the past week, goal setting using the feedback on that two-sided sheet of paper and then the ritual of adding it to their Parent Book to go home and be read and signed by an adult in their home. It goes home on Monday and is not due back until the following Monday to accommodate a wide variety of family scenarios and work schedules. The back of the page usually has some photograph that was taken during the week, an advice column, new goals for the class, a funny parent story or some other kind of important read for my families. At the end of the year it turns into a yearbook that can serve as a memory of their year. I still have all of my copies and when I need a little nostalgia fix all I have to do is go back and look through my career, year-by-year.

Weekly News