Velvet Lacasse Anti-Racism, Assessment and Evaluation, Building Inclusion, Celebrating Success, Constant Learning, Equity, Indigenous Perspectives, Professional Learning and Growth, The Arts, Year End Reflection

What’s Your Superpower?

 

“What’s My Superpower” is a sweet and powerful book written by Aviaq Johnston and illustrated by Tim Mack. This is the story of Nalvana, an Inuit child who lives in a northern community, and her journey to find her own “superpower”. This book was gifted to me by my educator friend, Ellie Clin. She thought I might be able to relate to Nalvana, and she was right!

As we prepare for the end of year, some of us might be hoping to include student voice in our Report Cards and/or facilitate Student-Led Conferences. This story could inspire Writing, Drama, and Visual Arts, as well as meaningful opportunities for self-reflection and celebration of all of our “superpowers.”

Here is how I am planning to use this book:

1. Listen to the story, “What’s My Superpower?” by Aviaq Johnston, read aloud on-line.

2. Reflect: What is your superpower?
For example: What makes you a good friend? What activities feel easy for you? What are your gifts or talents?

3. Write about your superpower. Give examples.

4. Draw a picture of yourself using your superpower.

5. Optional: Dress up as a superhero and share your superpower with the class.


I shared this idea with other teachers in the school, and invited them to co-create the template and “success criteria”. We have been talking about creating a shared writing task that can be implemented across the grades to help us build a skills continuum or exemplars of student work from Kindergarten-Grade 6. This writing sample could be considered both a self-reflection for Learning Skills and an introduction to next year’s teacher. It could be included in every students’ portfolio, and/or used for moderated marking.

Transforming Power:
I recently participated in professional learning as part of ETFO’s MentorCoaching program. One of the workshops was called “Transforming Power,” and it was facilitated by Indy Bathh and Louise Pitre. The first activity we did together was to share our superpowers in the Chat. This was a wonderful way to introduce ourselves to each other, and to practice naming our strengths.

It is always interesting to reflect on qualities of leadership with a group of educators who identify as women. As you might expect, the impact of patriarchy and misogyny, capitalism and racism reinforce the oppressive belief that women have less value. In a group of union leaders, it was still difficult for some of the women to identify their own superpowers. This reminded me of how important it is for all of our students to know their power, and to feel powerful, and to use their power to make change.


I want to encourage everyone who is reading this blog to pause and reflect. What are your superpowers? Make a list or draw them. Can you think of a time when you used your superpower to support and empower others? HINT: You do it every day with your students!

CommUNITY:
As I reflect on my own superpowers, I think about how I have been successful at creating community this year: in the classroom, in the school, and in professional learning communities.  During this time of isolation, building relationships and making connections has been the most meaningful work I have done.

In the classroom, I support everyone to feel like a VIP every day. We play together, and celebrate our strengths by giving and receiving Heartprints. In GLOW Club, I actively teach about love, pride and resistance. I organize whole-school events, like the WTF embodied Land Acknowledgment, Gender Splendour Week, sing and dance like a Mummer, and strut my stuff on the runway during our Kiki Ball. I listen and share picture books with staff, and acknowledge the powerful work they are doing with their students.

In the school, I facilitate brave conversations with families through Book Club and Community Core Values discussions, and I share resources with families about Settler Allyship and how to talk to children about anti-Black racism. As the Union Steward, I use our BBSAT (Building Better Schools Action Team) distribution list to share information about ETFO campaigns and actions by Ontario Education Workers United and Ontario Parent Action Network. 

As part of my own professional learning, I will continue to share ETFO’s Women’s Equality Project with locals, and collaborate with members in Ottawa to build relationships of equity and justice. I will continue to attend ETFO webinars and access resources.  I hope to finish my Masters of Education next year.  It has been an honour and a privilege to learn with educators in community.

Gratitude:
After 12 years, I will be leaving The Grove Community School. As one of the founding teachers, I am extremely proud of the learning we have done together to create the first public alternative elementary school with an explicit focus on environmental justice, equity and community activism. I am deeply grateful for all of the students, families, educators, and community members I have worked with at The Grove, ETT and ETFO.  Thank you!

Thank you to “The Heart and Art of Teaching and Learning” for the opportunity to document this unusual year with my Grade 2 students. This summer, my partner and I are moving to Peterborough.  I will be teaching in Kawartha Pine Ridge as an Occasional Teacher next year, which will be a humbling experience.  I will be looking for new allies and educator friends, and re-reading posts from this blog for support and inspiration.

Tammy Axt Equity, General, Indigenous Perspectives

Residential Schools

The remains of 215 Indigenous children were found at Kamloops Indian Residential School this past week. Every child found was a brother, sister, daughter, son, grandchild, and important member of their family. Every child found loved and was loved by their family. Every child found was taken from their home and stripped of their culture and dignity. Tk’emlúps te Secwépemc First Nation is working with the coroner’s office to determine the causes and timings of their deaths, which is currently unknown. What is known, is that no one from the school, community or government documented these deaths. It is a grave reminder that many people knew the horrors of abuse and disease that was going on at residential schools across Canada and no one stopped it. Not a member of the community, the government, a chief medical officer, a teacher or mayor stepped in to stop this horrifying situation for 150, 000 innocent children and their families. It is imperative that we share these stories so every student in Ontario knows this history and can become an advocate for Indigenous rights in Canada.

A couple of years ago, I was sitting at an outdoor theatre with my aunt watching Charlottetown’s Confederation “Centre Young Company” perform a musical that told stories from all around Canada. At the conclusion of the performance, my aunt turned to me with a surprised look on her face and said, “I didn’t know that happened.” She was referring to the powerful song, written and performed by a very talented young man from Nunavut who spoke of the intergenerational trauma of residential schools. I was incredibly surprised that my aunt had not been aware of the cultural genocide that happened at residential schools but soon realized that through conversation that she was never taught it in school and had never heard about it in other areas of her life. As our conversation continued, I saw the transformation in thoughts about our Indigenous peoples as education and the arts can do.

As educators, it is imperative that we do not have more children graduate from our schools not knowing the harm that was caused by residential schools and the history of Colonialism which is still very much ingrained in our current educational and child welfare systems in Canada.

To support teaching about residential schools, there is a Bookstore in Toronto called GoodMinds. This bookstore is First Nations owned and operated. Below, I have highlighted different books that can introduce and continue to tell the horrific history of residential schools in Canada. It is important as educators that we are teaching our students that as settlers, we all have a responsibility to learn the history and advocate for our Indigenous peoples.

Primary:

When We Were Alone/Quand on était seuls by David A. Robertson and Julie Flett

This book is a very gentle introduction to the concept of residential schools that can be read to children as young as Kindergarten. The young girl asks her grandmother, Kokum,  about her brightly coloured dresses, long braided hair, Cree language, and about the times when she was a young girl. Kokum tells her about her experiences attending a residential school for a number of years as a child in a way that her granddaughter can understand.

Shi-Shi-etko/Shi-Shi-etko by Nicola I. Campbell

Shi-shi-etko is a picture book about an Interior Salish child with just four more days at home until she goes to residential school. She takes time to explore her environment and spends quality time with her family. The illustrations are beautiful and conveys the connection to one’s community. Although the book is the final days at home before departing, residential schools are only mentioned on the introductory page.

Junior:

I am Not a Number/Je ne suis pas un numéro by Jenny Kay Dupuis (Ojibwe) and Kathy Kacer

This is a dual language book in English or French and Nibisiing.  Nibisiing was the language that Irene was not allowed to speak at the residential school where she was forcibly sent by the “Indian agent”. The book I am Not a Number tells the story of Irene Couchie Dupuis and her horrible and frightening experiences of being in the residential school system. The book is written by her granddaughter Jenny Kay Dupuis.

The Orange Shirt Story/L’histoire du chandail orange by Phyllis Webstad (Northern Secwepemc (Shuswap) from the Stswecem’c Xgat’tem First Nation (Canoe Creek Indian Band)

The Orange Shirt Story by Phyllis Webstad explains the truth behind Orange Shirt Day held each September 30th. This book describes the sadness Phyllis experienced being away from her family and the cruelty she experienced in the residential school system in Canada.

Intermediate:

Residential School. With The Words and Images of Survivors by Larry Loyie(Cree)

This book honours the survivors, the former students, who attended residential schools. It offers a first-person perspective of the residential school system in Canada, as it shares the memories of more than 70 survivors from across Canada.

The trauma inflicted by residential schools is still very much a part of the lives of many of our Indigenous peoples across Canada. Below is a plea from Kelly Fraser, an outstanding Inuk musician, who spoke about the call to action for all Canadians before her tragic passing in 2019.

“Both my mothers are residential school survivors, both their father’s dogs were taken away and killed so they couldn’t go dog sledding to get their food to feed their family. TB/influenza caused our people to convert to Christianity and let go of their culture (drum dancing, tattooing, throat singing, shamanism…etc)  because the priests were the only ones with the medicine and I’m not here to say being a Christian is not right, I believe in the freedom of believing what you want to and I respect ALL religions. The Mounties were sent by the government to take away our kayaks and made my family walk thousands of kilometers to a new settlement where they were told there would be houses when there weren’t any. I believe we can rise above what has happened to us by telling each other to please find healing and help by elders, mental health workers, there’s the internet where we can learn to meditate, learn about our culture and reach out and help each other heal. Its time for us ALL people to also call onto the federal/provincial/territorial/municipal governments to give us food that is affordable, programs that will help us heal, proper housing, proper education that allows us to go straight to college after grade 12 and proper healthcare by writing to them and calling them up, this is up to ALL Canadians too!!”

Velvet Lacasse Advocacy for change, Anti-Racism, Challenging Topics, Constant Learning, Equity, Indigenous Perspectives, Mindfulness, Professional Learning and Growth, Remote Learning, Social Justice

Break open…and rise up!

Spring is a good time to reflect and pay attention to growth, change and transformation. After a long year of isolation and stillness, everyone is hopeful about the promise of movement and possibility. Planting seeds is a wonderful metaphor of the learning that we are doing together in our school communities.

Planting Seeds:
Jenny Davis is one of the parents at The Grove Community School who has supported the growth of the Rainbow Garden, by working in consultation with First Nations and Indigenous families and community members. In the fall, Jenny harvested seeds from some of the edible plants, including sunflowers, cornflowers, and marigolds. This Spring, families worked together to deliver a paper bag of soil, seeds and a pot to every student.

Jenny facilitated on-line planting with our classes, and shared what she is learning about important Indigenous protocols, such as the practice of gratitude and reciprocity. We were encouraged to sort and describe our seeds and learn their names before planting, to draw pictures on our popsicle sticks to welcome them, to “pay attention” and give them what they need to grow. During our Land Acknowledgment, I have been honouring our plant relatives, and inviting students to share what they notice about their seeds as they break open and rise up.

Me and White Supremacy:
This winter, as part of my ongoing commitment to the practice of anti-racism, I participated in a community Book Club with a small group of parents and staff. Together, we read “Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor” by Layla F. Saad. I highly recommend this resource to White educators. This is a powerful book that includes journal prompts at the end of every chapter to support deep reflection and action. Layla Saad first wrote the book as a 30 day Instagram challenge, with daily prompts to support readers who have White privilege to recognize and disrupt White supremacy in their lives. Our Book Club met on-line every month, and we discussed one week at a time.

Layla Saad offers a process for engaging in the work called “The Circle Way”, which was developed by Christina Baldwin and Ann Linnea. The Circle Way includes guidelines and a structure for readers to follow, including rotating facilitators and a shared intention and responsibility to stay focused on the work. It was very helpful, and can easily be used to facilitate critical and courageous conversations in other contexts. I recently facilitated a discussion about the final chapters, and I invited everyone to think about their own growth, change and transformation, and how we might invite others into this work.

Root into darkness:
This work is not supposed to be easy. Layla Saad explains that feelings of devastation, anger, and confusion are important parts of the work. She writes, “Without those feelings, nothing changes, because there is no reason to heal what does not feel broken.” (page 199) As White educators who are committed to racial justice, we must recognize how we are complicit in a system that is causing harm to Indigenous, Black and racialized people, and allow the pain “to break your heart open” and work towards creating change.

Maya Angelou wrote: “Do the best you can until you know better. Then when you know better, do better.” After discussing what holds us back from “doing better”, such as fear, loss of privilege, confusion, or insecurity, the Book Club members made commitments to take action and disrupt White supremacy in our different communities. Each member shared “I will….” statements, and we agreed to continue the Book Club next year, and support new families to join the discussion.

Me and My Commitments:
I want to share my own commitments to anti-racism and publish them in this blog, so I can be held accountable. I will also include concrete actions that I will take towards these goals.

*I will….continue with my own on-going learning and professional development.

(I recently started the ETFO MentorCoaching program, and I am learning about intersectional feminism, anti-oppression frameworks, and transforming power. I will continue to use the reflective journaling prompts in the book to challenge my own White silence and fragility.)

*I will….share my learning with others.

(As an ETFO workshop facilitator, I meet with members from all over the province and always position myself as a co-learner. I will always join committees at school and/or in my local, that are doing racial justice and equity work.)

*I will….use my privilege to disrupt White supremacy in my classroom and school community.

(I will meet with my principal to discuss Equity goals for next year, and share recommendations at our last Parent Council meeting, including an on-going process of discussion and reflection to determine how well we are meeting our collective goals.)

*I will….center and celebrate voices of Indigenous, Black and racialized voices in the classroom.

(I have more learning to do about anti-Asian racism, and integrating curriculum to support East/South Asian students. I will dig deeper into the new ETFO resources, and implement Culturally Relevant and Responsive Pedagogy. I will teach love and pride always.)

*I will…listen and learn when I am called out and called in. I will allow myself to make mistakes, especially as I break open and rise up!!

Thank you for reading this blog. Writing and learning in community continues to be a transformative practice for me. I am deeply grateful for all of the support and nourishment I have received to keep growing.

Velvet Lacasse Anti-Racism, Assessment and Evaluation, Building Inclusion, Celebrating Success, Curriculum Planning, Differentiated Instruction, Equity, General, Inclusion, Indigenous Perspectives, Integration, Outdoor Learning, Play-Based Learning, Science, Social Justice, Teaching online

Buiding an Inclusive Playground

I am having a lot of fun learning how to center issues of disability justice and equity throughout the curriculum.

Every week, during MSI (Math-Science Investigations) the Grade 2 students solve problems using a variety of building materials. As part of the Science curriculum, we are learning about Movement and Simple Machines. We started this inquiry when we were face-to-face and finished on-line.  We have integrated this learning with disability justice, equity and community activism. For example, we went on a walk and collected data about barriers and “bridges” in our local community. Then, the Grade 2 students designed inclusive playgrounds where everyone is welcome.

Here are some other examples of how we are deepening our understanding of Structures and Mechanisms, and making connections to the local and global community.

World Water Day:
We celebrated World Water Day on March 22, as part of our year-long inquiry about water. Throughout the year, we have explored a variety of texts, including resources from The Junior Water Walker website. After reading “The Water Princess” by Susan Verde and “Anna Carries Water” by Olive Senior, our class simulated the experience of carrying a bucket around the track for 1 km, to represent the journey taken by girls and young women every day.

 

Then, we used building materials to investigate: How might you move water from one place to another?

We learned about a simple machine that was invented to help families carry water in rural India. We watched a YouTube video about The Wello Water Wheel, and talked about the impact it might have.



Toy Day:
On Toy Day, the MSI challenge was: Design a structure that moves or helps your toy to move.

Freda made a wheelchair for her doll.  Svea made a sled.

After building, we watched this video:
Science Max: Simple Machines

Outdoor Learning:
One day, we collected materials to bring outside to investigate simple machines. We worked with partners to explore: How might you use ramps and different balls to investigate levers and inclined planes?

Before schools went back to on-line learning, we went on a Community Walk.  I invited students to think about: “How might we make our community more accessible?  What are some of the barriers and “bridges” in our community?”  Students worked together to draw, write and collect data on clipboards.  We found ramps made by StopGap Foundation, and followed up our walk by reading books about children with different abilities.



Inclusive Playgrounds:
The summative task was: Design and build a model of an inclusive playground that includes a simple machine. The equipment must move a person up and down, or round and round or back and forth.

Students used a variety of materials to build their inclusive playgrounds, including Lego, recycled materials, clay, and Minecraft. Before building, everyone was encouraged to make a plan and draw their designs. Everyone worked on their project off-line and came together to share their VIP: Very Important Projects at the end of the week.

Clem used a glue gun to spell “PARK” in Braille letters.  Avery included an elevator.



Oral presentations have been an effective way to connect, share ideas and feedback, and assess students’ understanding. Technology/Being on-line has created space to hear each other, share our screens and look at photos of our work up close, and invite others into creative Minecraft worlds.  These integrated learning activities were engaging, fun, creative, and provided meaningful opportunities to explore inclusive design and disability justice.  

 

Velvet Lacasse Advocacy for change, Anti-bullying, COVID19, Curriculum Planning, Gender Equity, Inclusion, Indigenous Perspectives, Integration, Learning in a Real Life Context, Literacy, Media Literacy, Music, Play-Based Learning, Remote Learning, Social Justice, The Arts

Point of View

This month, we are exploring different points of view through reading and writing a variety of texts. This “big idea” has many possibilities for critical thinking and cross-curricular integration with Media Literacy, Social Studies, Science, Visual Arts, Music and Drama.

In my Grade 2 class, we have used point of view to explore issues of accessibility, anti-Black racism, Indigenous sovereignty and homophobia. Here are some of the texts that Kindergarten-Grade 8 educators can use when learning on-line and in class:

William’s Doll
During Gender Splendour Week, we read “William’s Doll” by Charlotte Zolotov, to explore gender stereotypes and homophobia. We also watched a video from the movie, “Free to Be You and Me” that sings the story as a song. “William’s Doll” is about a boy who wants a doll to play with, but he is told that he cannot have a doll because he is a boy.

Young children receive powerful messages from family, media, clothing and toy stores about what is expected of “boys” and “girls.” These binaries reinforce heterosexism, and often cause harm and exclude students who do not fit into these boxes. It is important to give children the opportunity to name, question, and challenge these gender binaries, and create space for more possibilities.

Before reading “William’s Doll”, I asked students to share their ideas about what it means to be a “boy” and a “girl.” We talked about what a “stereotype” is and how these ideas might not include everyone. Students easily made connections to their own personal experiences of shopping, and described how different products are sorted and sold, (e.g., pink Kinder Eggs for girls). After reading, we used a graphic organizer to support our ideas with evidence from the text.  Then, students wrote about different points of view expressed in the text.  

Of Course They Do!
On the International Day of Pink, we continued to have courageous and critical conversations about how schools can be more inclusive, and how we can take action as allies. After reading texts such as, “Of Course They Do! Boys and Girls Can Do Anything” by Marie-Sabine Roger and Anne Sol, and “10,00 Dresses” by Marcus Ewert, students talked about their experiences of being told they couldn’t do something because of their perceived gender. For example, boys with long hair shared their experiences of being challenged in the washroom. We focussed our discussion on how we might respond to questions and/or suggestions that we don’t belong. We used Drama and role-play to practice naming and responding to behaviour.

Hey, Little Ant!
“Hey, Little Ant” by Hannah Hoose and Phillip Hoose, is a story about a kid who is about to squish an ant. The story is told from two different points of view. On each page, we hear the voice of the kid and a response from the ant. The story ends with a question, which is a great prompt for discussion and writing, “What do you think that kid should do?”

This story is a great opportunity to explore empathy and compassion, and students’ relationships with animals. “Hey, Little Ant” also includes a song, which can enrich the text. After reading, students wrote about the different points of view in the story, and then wrote about their own point of view.

The Tree
“The Tree” written by Dana Lyons is written from the point of view of a tree in the Pacific Rainforest. After writing and sharing the story, the author learned from elders of the Lummi Nation, the original inhabitants of San Juan islands, that he has written the tree’s song. Every tree has a song.

We listened to “The Tree,” drew pictures and shared stories about trees that are important to us. Then, students wrote their own poem or song from the point of view of a tree. We used sentence prompts, such as: “I live….” “I hear….” “I have seen….” “My favourite season is…..” “I wonder….” “I hope…” I found a video of Dana Lyons singing the text as a birthday present for Jane Goodall. I hope we will be able to turn our text into songs!

The Council of All Beings
I am always inspired by my teacher friends! Maria Vamvalis is currently working on her PhD, and shares her learning about climate justice with Natural Curiosity as a mentor coach. We took a course together at OISE, and Maria shared how she has used “The Council of All Beings” to allow students to connect with land and speak in-role from the point of view of other life forms, including animal, plant or natural feature, (desert, forest, etc). This article written by Joanna Macy describes the process.

I am learning that the purpose of the Council is to listen and give voice to land, which includes animals, plants, air, water, soil, etc. The process honours our shared responsibilities and relationships with more-than-humans, and helps us to remember and reconnect with land. It requires guidance and thoughtful facilitation. It sounds like a powerful teaching and learning experience.

Joanna Macy explains: “The Council unfolds in three consecutive stages. First, the beings address each other, telling of the changes and hardships they have experienced.” The second stage creates space for humans to hear from the more-than human beings directly. A few students remove their mask and are invited into the centre of the Circle to listen. The third stage of the council involves the other beings offering gifts to the humans. “As ritual guide I might cue this stage by saying, “Many humans now realize the destruction they are causing; they feel overwhelmed and powerless in the face of the forces they have unleashed. Yet our fate is in their hands. O fellow-beings, what strengths of ours can we share with them, what powers can we lend them?” With this invitation, the beings in the Council begin spontaneously to offer their own particular qualities and capacities. After speaking, each leaves their mask and steps in the centre as humans to receive gratitude and gifts. There is opportunity for singing, dancing and release, as well as reflection and stillness.

I think “The Council of All Beings” would enrich any Earth Day celebrations, and/or National Indigenous Peoples Day. I believe it could be adapted for on-line learning, and would be a powerful collaborative and creative experience for all members of the school community, including families.

People’s Tribunal on the Coronavirus Pandemic
I have a new subscription to “Rethinking Schools”, which is an excellent magazine about social justice education. In the Winter 2020-2021 issue, Caneisha Mills describes how she organized a tribunal with her Intermediate students to explore responsibility for the COVID-19 crisis in the United States. Some of those on trial include: Mother Nature, Racism, the HealthCare industry, Capitalism, and the U.S. government. You can read the article, “Who’s to Blame?” here.

Caneisha Mills honours student voice and engages students in a collaborative and critical process of exploring the global pandemic from different points of view.  She honours student voice, and creates a brave space for students to “grapple with profound social injustice” and imagine different possibilities. Mills explains that the “most important part of this lesson involves students writing a 10-point program — inspired by the Black Panthers’ 10-point program, adopted in 1966 — on how to prevent crises like this in the future.”

The article includes a clear teaching plan and provides information for educators who might want to implement the People’s Tribunal on the Coronavirus, on or off-line. “This people’s tribunal begins with the premise that a heinous crime is being committed as tens of millions of people’s lives are in danger due to the outbreak of the novel coronavirus — COVID-19. But who — and/or what — was responsible for this crime? Who should be held accountable for the spread of the virus and its devastating impact?”

The teacher plays the role of the prosecutor. Students are assigned different roles, and the “defendants” are supported to work in small groups to develop a defense against the charges outlined in the indictments. A jury is selected, and each group shares their arguments at the trial. There is only one rule: They may plead guilty, but they must accuse at least one other defendant of being responsible. After the jury deliberates and explains their verdict, all students are invited to reflect on the experience. Then, they use their voice to demand and create change.

The tribunal sounds like a meaningful learning opportunity for older students to explore different points of view. I am curious to think about how this might be adapted for younger students.

In your point of view, what are some powerful texts and/or dramatic conventions that you have used in the classroom and on-line?  Please add them to the Comments below.



Velvet Lacasse Anti-Racism, Curriculum Planning, Equity, Inclusion, Indigenous Perspectives, Inspiring Students, Integration, Language Learning, LGBTQ2S, Literacy, Media Literacy, Mindfulness, Social Justice, The Arts

“Breathe-in experience, breathe-out poetry.” M. Rukeyser

April is National Poetry Month.

During this challenging year, poetry has supported critical and courageous conversations, offered some comfort and hope, while honouring pain and anger. Here are some examples of what this work has looked like and sounded like in our Grade 2 classroom:

Igniting the Spark: Amanda Gorman
The whole world was inspired by the poetry and brilliance of Amanda Gorman in January 2021. Her poem, “The Hill We Climb” filled us with light during this time of “never-ending shade”. Her story about overcoming a speech impairment reminded us all to believe in ourselves and find our voice. I shared her poem and her TEDTalk with my students, and she was the spark for our inquiry about the power and possibilities of poetry.

Power Poems for Small Humans:
I have reached for poems during difficult times when I could not find the words to express my feelings. Jillian Christmas is a Vancouver-based slam-poet, who is an organizer and activist in the arts community. I have shared her poem, “On Honouring Anger” in response to racial violence and injustice that continues to impact students, staff and families, and requires educators to take action.

This poem, and other powerful voices can be found in an anthology called “Power Poems for Small Humans”, published by Flamingo Rampant. Flamingo Rampant is a micro-press that publishes children’s books that center and celebrate stories of kids taking action, disability pride, 2SLGBTQ+ voices, racial justice and more. Please check out their website and bring their books into your classroom library!

Yesterday, I Had The Blues:
When we were learning remotely, I used the Poll feature on ZOOM to check-in with students. One day, the question was: “How are you feeling today? Choose a colour to describe how you are feeling.” Students were invited to analyse the data, and share why they chose the colour. Then, we talked about different ways that people experience colour. We listened to the story, “Yesterday, I Had the Blues” by Jeron Ashford Frame, and made text-to-self connections.

Next, we read selected poems from “Hailstones and Halibut Bones” by Mary O’Neill. I love this book, but it is important to preview the poems, because there is one poem that uses outdated language, and needs to be unpacked or revised. Each poem begins with the same question, (e.g. What is Orange?) and uses the five senses to describe colour in poetic ways. I created a graphic organizer, and students were invited to write their own Colour Poems.

Pink!
On the International Day of Pink, we had a discussion about how some people think that pink is a “girl’s colour.” We talked about where these ideas come from, and how these gender rules might make people feel excluded. We created a poster using post-it notes to capture our ideas, in the style of a JAMBoard. Then, we wrote our own “What is Pink?” poems and displayed them in the hallway. 


Quick as a Cricket:
After reading, “Quick as a Cricket” by Audrey Wood, students wrote poems using the template, “I’m as ____________as a ___________.” This was a fun and accessible way to learn about the poetic device of similes. A simile compares two different things using “like” or “as” in an interesting or unexpected way.

Gratitude Poems:
After reading several poems from a collection called “ThankU: Poems of Gratitude”, we wrote our own “Dear Water,” poems. Students used the following sentence prompts to write a letter to our relative: “I love….I think….I will….I hope….You are….” On World Water Day, we read our letters to each other in the Rainbow Garden and talked about what we value, and how we might protect water. 



Splish! Splash! Splat!
One rainy day, we brainstormed different sounds that water makes. Then, we learned about Concrete poems, which are poems that take the shape of the subject that they are describing. Students chose a shape and wrote a poem about water. 



Respond and Rebuild:
We will continue to explore poetry, self-expression and identity by writing an “I am Me….” poem. This lesson plan is from www.welcomingschools.org and can also be found in ETFO’s newest resource, Respond and Rebuild CRRP Lesson Plans. I am looking forward to integrating movement and choral reading to this work.

What are your favourite poems or poets to explore in the classroom?



Velvet Lacasse Differentiated Instruction, First Nations, Indigenous Perspectives, Outdoor Education, The Arts

Birds of a Feather….

….FLOCK Together!!

In preparation for the Spring Equinox, which is usually held in the Rainbow Garden, I started to think creatively about how we could gather as a whole school community and respect COVID health and safety protocols. I wanted to incorporate dance, and then I remembered about flocking.

WTF?
Flocking is a type of movement improvisation, where the whole group mirrors each other’s movement. Students can be organized in a straight line or in the shape of a diamond. In flocking, there is one student who leads a movement, which is followed by the other students.

Different students can become the leader, just like birds do when they are flying together, by changing their position. In a diamond formation, the student at the top of the diamond is the leader. When everyone rotates a quarter turn, there is a new leader at the top of the diamond. Flocking can be inspired by music that is played, but I wanted to integrate text and embody the Land Acknowledgment.

Thanksgiving Address:
We are learning that many Indigenous and First Nations communities offer greetings and gratitude at the beginning of every gathering. The Haudenosaunee Confederacy, which includes the nations of Cayuga, Onondaga, Tuscarora, Seneca, Mohawk and Oneida, share The Thanksgiving Address. Here is a video that describes the importance of this text.

In the Thanksgiving Address, all parts of creation are recognized with honour and respect. Here is a link to the text we used. We have been deepening our understanding of this important protocol by speaking and listening to the words, drawing, writing and reflecting. This was our first time exploring the text through choral movement and mindfulness. It was very powerful.

Bear Song:
As educators, it is important to build relationships with First Nations and Indigenous families, which includes consultation and collaboration, and invitations to share knowledge with the community. At our school, we are fortunate to have several parents who have shared songs, drumming and dancing at different events. After gathering in the field, Archer and Ansley sang the Anishinaabe Bear Song to welcome Spring. Here is the song performed by Turning Point Women’s drum group from Skownan, Manitoba.

Medicine Wheel Teachings:
In the article, “Teaching by the Medicine Wheel: An Anishinaabe framework for Indigenous education,” Dr. Nicole Bell (2014) describes how schools might integrate Indigenous knowledge, and create a process of education that is respectful and culturally relevant for Indigenous families. Bell explains that while there are some variations of teachings and representations of the Medicine Wheel, there are common threads of understanding, including the importance of appreciating and respecting the interconnectedness and interrelationships of all things.

I wanted to incorporate Medicine Wheel teachings into our Spring Equinox gathering. The Medicine Wheel is a circle that is divided into four parts, which represent the four directions (East, South, West, North) using four different colours. Each of the directions include teachings that are interdependent, including the four seasons, stages of life, times of day, medicines, life givers, and learning process.

We organized the students into four sections, from youngest to oldest, starting in the East. Everyone was standing in the field, facing the same direction. As the Junior students read the Thanksgiving Address, everyone followed the movements of the Junior leader at the top of the diamond. The refrain, “And Now Our Minds Are One”, was repeated in chorus, and was the signal for everyone to rotate a quarter turn to the right together. Then, we started to follow the movements of a new leader. The rotations and the movements continued until the Thanksgiving Address was finished.

It was flocking amazing to welcome the new season with movement, gratitude and respect. Happy Spring!!





Tammy Axt General, Indigenous Perspectives

Calls to Action for Educators: Murdered and Missing Indigenous Women and Girls

As part of the 2019 Final Report on the Inquiry of Murdered and Missing Indigenous Women and Girls, there was a list of calls to action created. As elementary educators our call to action is very clear:

We call upon all elementary, secondary, and post-secondary institutions and education authorities to educate and provide awareness to the public about missing and murdered Indigenous women, girls, and 2SLGBTQQIA people, and about the issues and root causes of violence they experience. All curriculum development and programming should be done in partnership with Indigenous Peoples, especially Indigenous women, girls, and 2SLGBTQQIA people. Such education and awareness must include historical and current truths about the genocide against Indigenous Peoples through state laws, policies, and colonial practices. It should include, but not be limited to, teaching Indigenous history, law, and practices from Indigenous perspectives and the use of Their Voices Will Guide Us with children and youth.

Here are three resources to use in your classroom in 2021 to teach your students about the tragedy of Murdered and Missing Indigenous Women and Girls:

If I Go Missing by Ojibwe author Brianna Jonnie is an incredible adaptation from a letter that Ms. Jonnie wrote when she was 14 years old to the Winnepeg Police Service. At the time of the letter, Ms. Jonnie implored with the police to “do better” when investigating cases of missing Indigenous peoples. It uses a graphic novel format with incredible artwork by Nshannacappo. The artwork combined with the poignant text tell a very impactful story, especially for those students in the intermediate grades.  The book is also incredibly powerful as it challenges the common narratives of Indigenous girls and the messaging about them in the media.

 

 

We are More Than Murdered and Missing is an important TED Talk by Tamara Bernard. She shares her personal story of the intergenerational impact of her great grandmother being taken and the legacy of trauma that it had on her family. She also speaks about the portrayal in the media of Indigenous women and girls and how that shapes the self perception of many young Indigenous girls.  Ms. Bernard touches on some of the historical policies that created a system for Indigenous women to be devalued. This TED Talk would be valuable as an educator tool or for use in an intermediate classroom.

 

 

Their Voices Will Guide Us is an education initiative of the National Inquiry into Missing and Murdered Indigenous Women and Girls. This Resource is for educators to begin to embed lessons in their program about the systemic causes of violence against Indigenous women and girls in order to take collectively responsibility for their safety. If you are an educator who has wanted to begin to introduce these kinds of lessons but have been hesitant because of lack of knowledge this is an amazing resource for you. It clearly speaks to the need for all educators to continue learning and to not let fear or not knowing everything be a deterrent of starting to introduce this very important topic to your classroom. The educator section is extensive and will provide you with many avenues to continue your learning. The resource also has sections for grades K-4, 5-8 and high school. In each section there are a list of themes that you may want to focus on in your lessons and a list of resources to support your instruction.

Velvet Lacasse Anti-Racism, Assessment and Evaluation, Celebrating Success, Curriculum Planning, Differentiated Instruction, Equity, Indigenous Perspectives, Inquiry, Media Literacy, Music, Outdoor Learning, Pedagogical Documentation, Play-Based Learning

“The answer, my friend, is blowin’ in the wind….”

This term, I had the honour of working with a Master of Arts student in Child Studies and Education, in his first teaching placement. Working in collaboration as a co-learner and co-teacher is a humbling experience. It is always a lot of work, but I appreciate the opportunity to reflect on my own practice, and remember what it feels like to be a new educator.

Ishai Buchbinder and I had a lot of fun creating an integrated unit about Wind for the Grade 2 students. This inquiry connects to “Air and Water in the Environment” as students “investigate, through experimentation, the characteristics of air and its uses.” (The Ontario curriculum, Grades 1-8. Toronto: Ontario, Ministry of Education, 2005.) This blog post is a documentation of our learning together.

Where Do I Begin?
Ishai asked me to describe the planning process for developing a series of lesson plans and activities that culminate in a summative assessment task. This year, I am trying to integrate Indigenous perspectives through land education and environmental inquiry. I am also trying to center stories of Black excellence and innovation throughout my pedagogy.

First, I look at the expectations in the Ontario curriculum, think about the “big ideas”, and generate a few guiding questions to support our inquiry. Then, I brainstorm several activities that might help us to explore and investigate our learning goals. Next, I gather resources, including: picture books, songs, videos, real-world examples of innovation and creativity. Then, I think about a summative task that would allow students to have choice and demonstrate their understanding in different ways. Finally, I sequence the learning activities in a way that builds on prior knowledge and connects to new learning, while also being responsive and open to following the interests, needs and questions of the students.

Who Has Seen The Wind?
We started our inquiry with an active game called “When The Big Wind Blows…” and a poem by Christina Rosetti called, “Who Has Seen the Wind?” This poem has been re-imagined as a song, which I learned from an Orff Music workshop. There is a simple ostinato that is layered underneath, and patsched on the lap: “Wind, Wind, Passing By.” We chanted and sang this song outside during our Welcoming Circle, and acknowledged the wind with gratitude.

Knowledge Building:
Ishai shared a riddle with the students: “What takes up the most space but is something that you cannot see?” After solving the riddle, the students shared what they already know about air and wind. Then, we asked the students to generate questions about what they wanted to know, using “I wonder…” inquiry cards.  These activities help to honour student voice and position all of us as co-learners,



During MSI (Math-Science Investigations), I ask students to design and build a structure that is moved by the wind. Desmond made a dragon. Ezra made an airplane. Florence made a forest. Elliot made a structure that is powered by the wind. All of these activities provided diagnostic assessment and helped to guide the next steps in our inquiry journey.



The Boy Who Harnessed The Wind
We learned about the true story of William Kamkwamba, who used innovation and creativity to build a windmill out of recycled materials for his community in Wimbe, central Malawi. You can listen to “The Boy Who Harnessed the Wind” read aloud. You can find William telling his own story by searching his name. His brilliance has also inspired a movie. After reading the book, we made our own paper pinwheels and took them outside. Everyone loved running with the wind and making the blades spin! 

Paper Airplanes!
Ishai told us about the “Super Secret Mysteries of Flight”. We learned about thrust, lift, drag, and gravity, and their relationship to air. Then, he showed us how to make a ten-fold paper airplane. Here are the step-by-step instructions. It was challenging to listen and follow each instruction carefully. After folding our paper airplanes, we tested their flight in the school yard. We experimented by changing the thrust, and adapting the wings to make it fly straight and long. This was another active and fun activity!

Mr. W
After watching this short video, we had an interesting discussion about the main character. I asked: What do we know about this character? How does this character feel at the beginning and the end of the video? What kind of things do we see the character do? Why would they do these things? Who is this character? Why was this video made? This discussion encouraged students to think critically about media texts as part of our learning about Media Literacy.

This video also inspired us to begin writing our own Wind Stories. We used a graphic organizer to organize our ideas using time-order words, (First, Next, Then, Finally). Some students wrote from the perspective of Wind, and others described the movement and impact of wind. We used a collaborative editing and revision process to share our stories and improve our writing.

Testing our Theories:
This year, we are fortunate to be working with Doug Anderson, who is the co-author of Natural Curiosity 2nd Edition: The Importance of Indigenous Perspectives in Environmental Inquiry. After learning with Doug in the Rainbow Garden, several students wanted to know more about the relationship between the sun and the wind. Svea asked, “I wonder how the sun makes the wind?” 

We talked about how we might find the answers to our questions. We could: read books, look on the internet, ask someone. After reading a book called “Air”, which explained some facts, Ishai asked how we might test what we learned from the book. The students had different ideas about how we could prove that warm air rises and cold air is heavy. We went outside to find out. The students worked in small groups and used movement to demonstrate how the sun makes the wind. It was a great opportunity to use our bodies to express our understanding.



Learning Through the Arts
As we explored the movement of wind, we read the book, “When I Get Older: The story behind ‘Wavin’ Flag’” by K’naan. We learned that the song was inspired by his grandfather’s poem. K’naan’s family journey story supported many thoughtful discussions about civil war and refugees, settlement and anti-Black racism, how schools might be more welcoming to new families, and the impact of poetry and music to create community.  We listened to the song many times and went outside with fabric “flags” to wave in the wind. We are hoping to choreograph a dance and embody the lyrics, “Love is the answer”.

We also learned about two artists who have created complex wind sculptures that are moved in the wind. We watched a few videos about the work of Theo Jansen and Anthony Howe. The students were mesmerized and inspired by the movement of these beautiful sculptures.

Another song that we learned was “Blowin’ in the Wind” by Bob Dylan. This is a song that we sing every year during Peace Week and on Remembrance Day. It is an opportunity to reflect on the “big ideas” of conflict and justice. In the past, we have written messages of hope and peace on leaves that are released from the third floor window.

This year, our Visual Arts teacher, Shannon Greene, made powerful connections to Treaty Recognition Week. After learning “A Treaty Poem” by Melissa MacLennon and students, Shannon encouraged the students to write promises of peace on paper leaves to keep in the classroom. Copy of Land Acknowledgement and Dish With One Spoon Resource

Squirrel Nests:
As the leaves continued to fall, the students began to notice piles of leaves in the branches. We learned that they were nests made by squirrels, and we started to think about how animals might protect themselves from the wind. We went on a walking excursion to a local park, and Ishai challenged the students to build their own squirrel nests with leaves, sticks and air.

After building with natural materials, we did a “Gallery Walk” and visited all of the squirrel nests. Students were asked to describe one thing that they were proud of and one thing that they might do to improve their nest next time. These “GLOW” and “GROW” comments allowed us to practice self-evaluation, and provided valuable formative assessment.

Finally, it was time to test our squirrel nests. Each student was given fluffy goldenrod seeds to represent the squirrel, which was placed inside the nest. We used straws to simulate the wind, and to test the strength of each structure. Everyone had an amazing experience learning outdoors together!



Wind Machines!
As our final summative task, the students were invited to plan, build and test a structure that can be moved by the wind. Before building, students were encouraged to think about what they had learned about wind and apply their knowledge to their structure. Everyone drew a plan and labelled the materials that they would need. We spent several days in the classroom building and revising our structures, based on descriptive feedback.



On the day that we tested our wind machines, each student had an opportunity to share their structure and make predictions about how it might move. After testing, Ishai conferenced with each student to document their thoughts and ideas about how successful their wind machine had been, and how they might improve their design next time. It requires more time to connect 1:1 with students, but conferencing provides strong summative assessment data, and supports every student to feel successful about their learning.

Journey through Inquiry
Working with a Teacher Candidate was refreshing and reminded me about the importance of play, storytelling and movement in our lesson planning. Throughout our inquiry about Wind, the students were very engaged, and they had multiple opportunities to explore and demonstrate their understanding.  As an experienced educator, I am still learning about how to integrate and make connections across the curriculum in creative ways.  I am also learning that when we trust our students and follow their natural curiosity, the journey through inquiry will be deep, meaningful and fun!

Velvet Lacasse Building Inclusion, General, Indigenous Perspectives, Inquiry, Inspiring Students, Literacy, Mental Health, Mindfulness, The Arts, Wellness

M is for Mindfulness

My inbox and social media feeds are filled with reminders to take care of myself and to focus on the mental health and wellness of my students and community, and I am trying. This month, I felt the phunk of COVID fatigue. I am working hard to create playful moments of joy, and generate my own light.

My teacher friend, Bruce Gramlich, offered me a new resource called, “Fostering Mindfulness: Building skills that students need to manage their attention, emotions and behaviours in the classroom and beyond,” by Shelley Murphy (2019). In this book, Murphy has curated educator stories and several concrete examples of intentional exercises and activities to support the practice of mindfulness. Murphy believes that in order for educators to be successful at supporting students to be mindful, we must focus on our own practice. Like many educators, I am always paying attention and aware of what is happening to those around me, but mindfulness is about paying attention to myself.

What is Mindfulness?
“Mindfulness is both a way of being in the world and a practice. As a way of being, mindfulness is the quality of presence we bring to everything we do. It describes our innate capacity to pay full and conscious attention to something in the moment. It is the awareness that emerges from paying attention on purpose, in the present moment, and nonjudgmentally to the unfolding of our experience” (Kabat-Zinn, 2013).

Reflecting the Sky:
When I think about mindfulness, I imagine sitting still and meditating, breathing with intention, not thinking about anything, just “be”ing in the moment. Those moments are very rare for me. As soon as I step into the school building, I am pulled into a current that is swift and fast. I am a strong swimmer, but I have to work hard to keep my head above the water. I rarely float, and there are few moments of stillness. I love my work, and I am grateful every day for the creative flow and waves of energy, but I know that the water needs to be calm in order to reflect the sky.

As I begin to cultivate a practice of mindfulness outside of the classroom, I am learning that there are moments of wonder and gratitude in many different activities, including walking in the park, cooking a delicious meal, listening to music, riding my bicycle, playing with my dog, and doing yoga. One of the challenges for me is to re-create these moments in the classroom. Here are some examples of how I am trying to practice mindfulness and honour stillness with/in my Grade 2 students:

Gratitude:
We begin every day outside in a circle. Before we acknowledge the land with respect, gratitude, and a commitment to take action, I invite everyone to take five deep breaths together. We do “Five Finger Breathing,” and use one finger to trace each inhale and exhale around the fingers of the other hand. Acknowledging land includes noticing and paying attention to all of our relatives: the wind, the birds, squirrels, puddles, and roots in our school yard. We recognize the original caretakers of the land and review our understanding that a treaty is a promise. This daily practice of gratitude is an important part of mindfulness and also supports decolonizing pedagogy.



Listen to the City:
As we sit together and breathe, we use our senses to pay attention. I ask students to share what they hear, see, feel, smell. We talk about seasonal changes and transformation. Murphy (2019) calls this practice “Mindful Sensing.” Soundscapes are a dramatic convention that can be used throughout the curriculum, and can be combined with movement. Students use their voices and/or found sounds to tell a story. We have created soundscapes connected to our learning about water and wind. After reading the book, “Listen to the City” by Rachel Isadora, students worked in small groups to create a soundscape about the city and share it with the class.

Blindfold Tree Walk:
In one corner of our school yard, there is a small grove of cedar trees growing together. This area is being cared for and used as an Outdoor Classroom by many educators. One day, we used our sense of touch to do a Blindfold Tree Walk. We worked with a partner to find a special tree. Then, one partner was blindfolded and guided carefully to different trees to touch, until they found their special tree. Before blindfolding students, we talked about what might be challenging for people who are Blind or have low-vision, and how we can support them to walk safely. After participating in this activity, students reflected on the experience, and described what they noticed and how they used their senses to find their special tree. I also tried this activity and was delighted when I reconnected with my tree.



What Does Peace Feel Like?
This activity inspired us to explore another book called, “What Does Peace Feel Like?” by Vladimir Radunsky. This book is filled with the voices of children who use their five senses to describe peace. Students were inspired to write their own descriptions of peace, and used watercolours to paint what peace looks like. We shared our poetry with a special guest who joined us via ZOOM. Donna Jodhan is a disability justice activist who we met ten years ago when she successfully challenged the Canadian government to make websites more accessible for Blind people. It was a wonderful opportunity to celebrate, reflect and recognize the importance of allyship and advocacy.



Loving Kindness:
“Heartprints” are celebrations of when we have been successful at meeting our learning goals. Currently, we are working on the following goals: “I can be a good friend”, “I can keep trying” and “I can solve problems.” After recess, I will often ask students to share a story about when they were a good friend to someone, or when someone was a good friend to them. As they are sharing, I write their story on a heart-shaped piece of paper. These heartprints are hung in our classroom. Heartprints support cooperative learning, encourage the practice of gratitude and sharing appreciation, reinforce positive behaviour, and help us to create an inclusive and kind classroom community.



My teacher friend, Kelly Fricker recently supported her Grade 1/2 students to share random acts of kindness and #passiton. Together, they generated a list of positive messages to encourage the adults in the school building, and wrote them on heart-shaped paper. Kelly filled every mailbox with messages such as, “You’ve got this!”, “You are appreciated! ”, “You are my sunshine!” I was inspired and worked with my own students to fill the mailboxes in my school with messages of loving kindness. It was a wonder-full activity. Pass it on!