Buiding an Inclusive Playground

I am having a lot of fun learning how to center issues of disability justice and equity throughout the curriculum.

Every week, during MSI (Math-Science Investigations) the Grade 2 students solve problems using a variety of building materials. As part of the Science curriculum, we are learning about Movement and Simple Machines. We started this inquiry when we were face-to-face and finished on-line.  We have integrated this learning with disability justice, equity and community activism. For example, we went on a walk and collected data about barriers and “bridges” in our local community. Then, the Grade 2 students designed inclusive playgrounds where everyone is welcome.

Here are some other examples of how we are deepening our understanding of Structures and Mechanisms, and making connections to the local and global community.

World Water Day:
We celebrated World Water Day on March 22, as part of our year-long inquiry about water. Throughout the year, we have explored a variety of texts, including resources from The Junior Water Walker website. After reading “The Water Princess” by Susan Verde and “Anna Carries Water” by Olive Senior, our class simulated the experience of carrying a bucket around the track for 1 km, to represent the journey taken by girls and young women every day.

 

Then, we used building materials to investigate: How might you move water from one place to another?

We learned about a simple machine that was invented to help families carry water in rural India. We watched a YouTube video about The Wello Water Wheel, and talked about the impact it might have.



Toy Day:
On Toy Day, the MSI challenge was: Design a structure that moves or helps your toy to move.

Freda made a wheelchair for her doll.  Svea made a sled.

After building, we watched this video:
Science Max: Simple Machines

Outdoor Learning:
One day, we collected materials to bring outside to investigate simple machines. We worked with partners to explore: How might you use ramps and different balls to investigate levers and inclined planes?

Before schools went back to on-line learning, we went on a Community Walk.  I invited students to think about: “How might we make our community more accessible?  What are some of the barriers and “bridges” in our community?”  Students worked together to draw, write and collect data on clipboards.  We found ramps made by StopGap Foundation, and followed up our walk by reading books about children with different abilities.



Inclusive Playgrounds:
The summative task was: Design and build a model of an inclusive playground that includes a simple machine. The equipment must move a person up and down, or round and round or back and forth.

Students used a variety of materials to build their inclusive playgrounds, including Lego, recycled materials, clay, and Minecraft. Before building, everyone was encouraged to make a plan and draw their designs. Everyone worked on their project off-line and came together to share their VIP: Very Important Projects at the end of the week.

Clem used a glue gun to spell “PARK” in Braille letters.  Avery included an elevator.



Oral presentations have been an effective way to connect, share ideas and feedback, and assess students’ understanding. Technology/Being on-line has created space to hear each other, share our screens and look at photos of our work up close, and invite others into creative Minecraft worlds.  These integrated learning activities were engaging, fun, creative, and provided meaningful opportunities to explore inclusive design and disability justice.  

 

Point of View

This month, we are exploring different points of view through reading and writing a variety of texts. This “big idea” has many possibilities for critical thinking and cross-curricular integration with Media Literacy, Social Studies, Science, Visual Arts, Music and Drama.

In my Grade 2 class, we have used point of view to explore issues of accessibility, anti-Black racism, Indigenous sovereignty and homophobia. Here are some of the texts that Kindergarten-Grade 8 educators can use when learning on-line and in class:

William’s Doll
During Gender Splendour Week, we read “William’s Doll” by Charlotte Zolotov, to explore gender stereotypes and homophobia. We also watched a video from the movie, “Free to Be You and Me” that sings the story as a song. “William’s Doll” is about a boy who wants a doll to play with, but he is told that he cannot have a doll because he is a boy.

Young children receive powerful messages from family, media, clothing and toy stores about what is expected of “boys” and “girls.” These binaries reinforce heterosexism, and often cause harm and exclude students who do not fit into these boxes. It is important to give children the opportunity to name, question, and challenge these gender binaries, and create space for more possibilities.

Before reading “William’s Doll”, I asked students to share their ideas about what it means to be a “boy” and a “girl.” We talked about what a “stereotype” is and how these ideas might not include everyone. Students easily made connections to their own personal experiences of shopping, and described how different products are sorted and sold, (e.g., pink Kinder Eggs for girls). After reading, we used a graphic organizer to support our ideas with evidence from the text.  Then, students wrote about different points of view expressed in the text.  

Of Course They Do!
On the International Day of Pink, we continued to have courageous and critical conversations about how schools can be more inclusive, and how we can take action as allies. After reading texts such as, “Of Course They Do! Boys and Girls Can Do Anything” by Marie-Sabine Roger and Anne Sol, and “10,00 Dresses” by Marcus Ewert, students talked about their experiences of being told they couldn’t do something because of their perceived gender. For example, boys with long hair shared their experiences of being challenged in the washroom. We focussed our discussion on how we might respond to questions and/or suggestions that we don’t belong. We used Drama and role-play to practice naming and responding to behaviour.

Hey, Little Ant!
“Hey, Little Ant” by Hannah Hoose and Phillip Hoose, is a story about a kid who is about to squish an ant. The story is told from two different points of view. On each page, we hear the voice of the kid and a response from the ant. The story ends with a question, which is a great prompt for discussion and writing, “What do you think that kid should do?”

This story is a great opportunity to explore empathy and compassion, and students’ relationships with animals. “Hey, Little Ant” also includes a song, which can enrich the text. After reading, students wrote about the different points of view in the story, and then wrote about their own point of view.

The Tree
“The Tree” written by Dana Lyons is written from the point of view of a tree in the Pacific Rainforest. After writing and sharing the story, the author learned from elders of the Lummi Nation, the original inhabitants of San Juan islands, that he has written the tree’s song. Every tree has a song.

We listened to “The Tree,” drew pictures and shared stories about trees that are important to us. Then, students wrote their own poem or song from the point of view of a tree. We used sentence prompts, such as: “I live….” “I hear….” “I have seen….” “My favourite season is…..” “I wonder….” “I hope…” I found a video of Dana Lyons singing the text as a birthday present for Jane Goodall. I hope we will be able to turn our text into songs!

The Council of All Beings
I am always inspired by my teacher friends! Maria Vamvalis is currently working on her PhD, and shares her learning about climate justice with Natural Curiosity as a mentor coach. We took a course together at OISE, and Maria shared how she has used “The Council of All Beings” to allow students to connect with land and speak in-role from the point of view of other life forms, including animal, plant or natural feature, (desert, forest, etc). This article written by Joanna Macy describes the process.

I am learning that the purpose of the Council is to listen and give voice to land, which includes animals, plants, air, water, soil, etc. The process honours our shared responsibilities and relationships with more-than-humans, and helps us to remember and reconnect with land. It requires guidance and thoughtful facilitation. It sounds like a powerful teaching and learning experience.

Joanna Macy explains: “The Council unfolds in three consecutive stages. First, the beings address each other, telling of the changes and hardships they have experienced.” The second stage creates space for humans to hear from the more-than human beings directly. A few students remove their mask and are invited into the centre of the Circle to listen. The third stage of the council involves the other beings offering gifts to the humans. “As ritual guide I might cue this stage by saying, “Many humans now realize the destruction they are causing; they feel overwhelmed and powerless in the face of the forces they have unleashed. Yet our fate is in their hands. O fellow-beings, what strengths of ours can we share with them, what powers can we lend them?” With this invitation, the beings in the Council begin spontaneously to offer their own particular qualities and capacities. After speaking, each leaves their mask and steps in the centre as humans to receive gratitude and gifts. There is opportunity for singing, dancing and release, as well as reflection and stillness.

I think “The Council of All Beings” would enrich any Earth Day celebrations, and/or National Indigenous Peoples Day. I believe it could be adapted for on-line learning, and would be a powerful collaborative and creative experience for all members of the school community, including families.

People’s Tribunal on the Coronavirus Pandemic
I have a new subscription to “Rethinking Schools”, which is an excellent magazine about social justice education. In the Winter 2020-2021 issue, Caneisha Mills describes how she organized a tribunal with her Intermediate students to explore responsibility for the COVID-19 crisis in the United States. Some of those on trial include: Mother Nature, Racism, the HealthCare industry, Capitalism, and the U.S. government. You can read the article, “Who’s to Blame?” here.

Caneisha Mills honours student voice and engages students in a collaborative and critical process of exploring the global pandemic from different points of view.  She honours student voice, and creates a brave space for students to “grapple with profound social injustice” and imagine different possibilities. Mills explains that the “most important part of this lesson involves students writing a 10-point program — inspired by the Black Panthers’ 10-point program, adopted in 1966 — on how to prevent crises like this in the future.”

The article includes a clear teaching plan and provides information for educators who might want to implement the People’s Tribunal on the Coronavirus, on or off-line. “This people’s tribunal begins with the premise that a heinous crime is being committed as tens of millions of people’s lives are in danger due to the outbreak of the novel coronavirus — COVID-19. But who — and/or what — was responsible for this crime? Who should be held accountable for the spread of the virus and its devastating impact?”

The teacher plays the role of the prosecutor. Students are assigned different roles, and the “defendants” are supported to work in small groups to develop a defense against the charges outlined in the indictments. A jury is selected, and each group shares their arguments at the trial. There is only one rule: They may plead guilty, but they must accuse at least one other defendant of being responsible. After the jury deliberates and explains their verdict, all students are invited to reflect on the experience. Then, they use their voice to demand and create change.

The tribunal sounds like a meaningful learning opportunity for older students to explore different points of view. I am curious to think about how this might be adapted for younger students.

In your point of view, what are some powerful texts and/or dramatic conventions that you have used in the classroom and on-line?  Please add them to the Comments below.



“Breathe-in experience, breathe-out poetry.” M. Rukeyser

April is National Poetry Month.

During this challenging year, poetry has supported critical and courageous conversations, offered some comfort and hope, while honouring pain and anger. Here are some examples of what this work has looked like and sounded like in our Grade 2 classroom:

Igniting the Spark: Amanda Gorman
The whole world was inspired by the poetry and brilliance of Amanda Gorman in January 2021. Her poem, “The Hill We Climb” filled us with light during this time of “never-ending shade”. Her story about overcoming a speech impairment reminded us all to believe in ourselves and find our voice. I shared her poem and her TEDTalk with my students, and she was the spark for our inquiry about the power and possibilities of poetry.

Power Poems for Small Humans:
I have reached for poems during difficult times when I could not find the words to express my feelings. Jillian Christmas is a Vancouver-based slam-poet, who is an organizer and activist in the arts community. I have shared her poem, “On Honouring Anger” in response to racial violence and injustice that continues to impact students, staff and families, and requires educators to take action.

This poem, and other powerful voices can be found in an anthology called “Power Poems for Small Humans”, published by Flamingo Rampant. Flamingo Rampant is a micro-press that publishes children’s books that center and celebrate stories of kids taking action, disability pride, 2SLGBTQ+ voices, racial justice and more. Please check out their website and bring their books into your classroom library!

Yesterday, I Had The Blues:
When we were learning remotely, I used the Poll feature on ZOOM to check-in with students. One day, the question was: “How are you feeling today? Choose a colour to describe how you are feeling.” Students were invited to analyse the data, and share why they chose the colour. Then, we talked about different ways that people experience colour. We listened to the story, “Yesterday, I Had the Blues” by Jeron Ashford Frame, and made text-to-self connections.

Next, we read selected poems from “Hailstones and Halibut Bones” by Mary O’Neill. I love this book, but it is important to preview the poems, because there is one poem that uses outdated language, and needs to be unpacked or revised. Each poem begins with the same question, (e.g. What is Orange?) and uses the five senses to describe colour in poetic ways. I created a graphic organizer, and students were invited to write their own Colour Poems.

Pink!
On the International Day of Pink, we had a discussion about how some people think that pink is a “girl’s colour.” We talked about where these ideas come from, and how these gender rules might make people feel excluded. We created a poster using post-it notes to capture our ideas, in the style of a JAMBoard. Then, we wrote our own “What is Pink?” poems and displayed them in the hallway. 


Quick as a Cricket:
After reading, “Quick as a Cricket” by Audrey Wood, students wrote poems using the template, “I’m as ____________as a ___________.” This was a fun and accessible way to learn about the poetic device of similes. A simile compares two different things using “like” or “as” in an interesting or unexpected way.

Gratitude Poems:
After reading several poems from a collection called “ThankU: Poems of Gratitude”, we wrote our own “Dear Water,” poems. Students used the following sentence prompts to write a letter to our relative: “I love….I think….I will….I hope….You are….” On World Water Day, we read our letters to each other in the Rainbow Garden and talked about what we value, and how we might protect water. 



Splish! Splash! Splat!
One rainy day, we brainstormed different sounds that water makes. Then, we learned about Concrete poems, which are poems that take the shape of the subject that they are describing. Students chose a shape and wrote a poem about water. 



Respond and Rebuild:
We will continue to explore poetry, self-expression and identity by writing an “I am Me….” poem. This lesson plan is from www.welcomingschools.org and can also be found in ETFO’s newest resource, Respond and Rebuild CRRP Lesson Plans. I am looking forward to integrating movement and choral reading to this work.

What are your favourite poems or poets to explore in the classroom?



Birds of a Feather….

….FLOCK Together!!

In preparation for the Spring Equinox, which is usually held in the Rainbow Garden, I started to think creatively about how we could gather as a whole school community and respect COVID health and safety protocols. I wanted to incorporate dance, and then I remembered about flocking.

WTF?
Flocking is a type of movement improvisation, where the whole group mirrors each other’s movement. Students can be organized in a straight line or in the shape of a diamond. In flocking, there is one student who leads a movement, which is followed by the other students.

Different students can become the leader, just like birds do when they are flying together, by changing their position. In a diamond formation, the student at the top of the diamond is the leader. When everyone rotates a quarter turn, there is a new leader at the top of the diamond. Flocking can be inspired by music that is played, but I wanted to integrate text and embody the Land Acknowledgment.

Thanksgiving Address:
We are learning that many Indigenous and First Nations communities offer greetings and gratitude at the beginning of every gathering. The Haudenosaunee Confederacy, which includes the nations of Cayuga, Onondaga, Tuscarora, Seneca, Mohawk and Oneida, share The Thanksgiving Address. Here is a video that describes the importance of this text.

In the Thanksgiving Address, all parts of creation are recognized with honour and respect. Here is a link to the text we used. We have been deepening our understanding of this important protocol by speaking and listening to the words, drawing, writing and reflecting. This was our first time exploring the text through choral movement and mindfulness. It was very powerful.

Bear Song:
As educators, it is important to build relationships with First Nations and Indigenous families, which includes consultation and collaboration, and invitations to share knowledge with the community. At our school, we are fortunate to have several parents who have shared songs, drumming and dancing at different events. After gathering in the field, Archer and Ansley sang the Anishinaabe Bear Song to welcome Spring. Here is the song performed by Turning Point Women’s drum group from Skownan, Manitoba.

Medicine Wheel Teachings:
In the article, “Teaching by the Medicine Wheel: An Anishinaabe framework for Indigenous education,” Dr. Nicole Bell (2014) describes how schools might integrate Indigenous knowledge, and create a process of education that is respectful and culturally relevant for Indigenous families. Bell explains that while there are some variations of teachings and representations of the Medicine Wheel, there are common threads of understanding, including the importance of appreciating and respecting the interconnectedness and interrelationships of all things.

I wanted to incorporate Medicine Wheel teachings into our Spring Equinox gathering. The Medicine Wheel is a circle that is divided into four parts, which represent the four directions (East, South, West, North) using four different colours. Each of the directions include teachings that are interdependent, including the four seasons, stages of life, times of day, medicines, life givers, and learning process.

We organized the students into four sections, from youngest to oldest, starting in the East. Everyone was standing in the field, facing the same direction. As the Junior students read the Thanksgiving Address, everyone followed the movements of the Junior leader at the top of the diamond. The refrain, “And Now Our Minds Are One”, was repeated in chorus, and was the signal for everyone to rotate a quarter turn to the right together. Then, we started to follow the movements of a new leader. The rotations and the movements continued until the Thanksgiving Address was finished.

It was flocking amazing to welcome the new season with movement, gratitude and respect. Happy Spring!!





Calls to Action for Educators: Murdered and Missing Indigenous Women and Girls

As part of the 2019 Final Report on the Inquiry of Murdered and Missing Indigenous Women and Girls, there was a list of calls to action created. As elementary educators our call to action is very clear:

We call upon all elementary, secondary, and post-secondary institutions and education authorities to educate and provide awareness to the public about missing and murdered Indigenous women, girls, and 2SLGBTQQIA people, and about the issues and root causes of violence they experience. All curriculum development and programming should be done in partnership with Indigenous Peoples, especially Indigenous women, girls, and 2SLGBTQQIA people. Such education and awareness must include historical and current truths about the genocide against Indigenous Peoples through state laws, policies, and colonial practices. It should include, but not be limited to, teaching Indigenous history, law, and practices from Indigenous perspectives and the use of Their Voices Will Guide Us with children and youth.

Here are three resources to use in your classroom in 2021 to teach your students about the tragedy of Murdered and Missing Indigenous Women and Girls:

If I Go Missing by Ojibwe author Brianna Jonnie is an incredible adaptation from a letter that Ms. Jonnie wrote when she was 14 years old to the Winnepeg Police Service. At the time of the letter, Ms. Jonnie implored with the police to “do better” when investigating cases of missing Indigenous peoples. It uses a graphic novel format with incredible artwork by Nshannacappo. The artwork combined with the poignant text tell a very impactful story, especially for those students in the intermediate grades.  The book is also incredibly powerful as it challenges the common narratives of Indigenous girls and the messaging about them in the media.

 

 

We are More Than Murdered and Missing is an important TED Talk by Tamara Bernard. She shares her personal story of the intergenerational impact of her great grandmother being taken and the legacy of trauma that it had on her family. She also speaks about the portrayal in the media of Indigenous women and girls and how that shapes the self perception of many young Indigenous girls.  Ms. Bernard touches on some of the historical policies that created a system for Indigenous women to be devalued. This TED Talk would be valuable as an educator tool or for use in an intermediate classroom.

 

 

Their Voices Will Guide Us is an education initiative of the National Inquiry into Missing and Murdered Indigenous Women and Girls. This Resource is for educators to begin to embed lessons in their program about the systemic causes of violence against Indigenous women and girls in order to take collectively responsibility for their safety. If you are an educator who has wanted to begin to introduce these kinds of lessons but have been hesitant because of lack of knowledge this is an amazing resource for you. It clearly speaks to the need for all educators to continue learning and to not let fear or not knowing everything be a deterrent of starting to introduce this very important topic to your classroom. The educator section is extensive and will provide you with many avenues to continue your learning. The resource also has sections for grades K-4, 5-8 and high school. In each section there are a list of themes that you may want to focus on in your lessons and a list of resources to support your instruction.

“The answer, my friend, is blowin’ in the wind….”

This term, I had the honour of working with a Master of Arts student in Child Studies and Education, in his first teaching placement. Working in collaboration as a co-learner and co-teacher is a humbling experience. It is always a lot of work, but I appreciate the opportunity to reflect on my own practice, and remember what it feels like to be a new educator.

Ishai Buchbinder and I had a lot of fun creating an integrated unit about Wind for the Grade 2 students. This inquiry connects to “Air and Water in the Environment” as students “investigate, through experimentation, the characteristics of air and its uses.” (The Ontario curriculum, Grades 1-8. Toronto: Ontario, Ministry of Education, 2005.) This blog post is a documentation of our learning together.

Where Do I Begin?
Ishai asked me to describe the planning process for developing a series of lesson plans and activities that culminate in a summative assessment task. This year, I am trying to integrate Indigenous perspectives through land education and environmental inquiry. I am also trying to center stories of Black excellence and innovation throughout my pedagogy.

First, I look at the expectations in the Ontario curriculum, think about the “big ideas”, and generate a few guiding questions to support our inquiry. Then, I brainstorm several activities that might help us to explore and investigate our learning goals. Next, I gather resources, including: picture books, songs, videos, real-world examples of innovation and creativity. Then, I think about a summative task that would allow students to have choice and demonstrate their understanding in different ways. Finally, I sequence the learning activities in a way that builds on prior knowledge and connects to new learning, while also being responsive and open to following the interests, needs and questions of the students.

Who Has Seen The Wind?
We started our inquiry with an active game called “When The Big Wind Blows…” and a poem by Christina Rosetti called, “Who Has Seen the Wind?” This poem has been re-imagined as a song, which I learned from an Orff Music workshop. There is a simple ostinato that is layered underneath, and patsched on the lap: “Wind, Wind, Passing By.” We chanted and sang this song outside during our Welcoming Circle, and acknowledged the wind with gratitude.

Knowledge Building:
Ishai shared a riddle with the students: “What takes up the most space but is something that you cannot see?” After solving the riddle, the students shared what they already know about air and wind. Then, we asked the students to generate questions about what they wanted to know, using “I wonder…” inquiry cards.  These activities help to honour student voice and position all of us as co-learners,



During MSI (Math-Science Investigations), I ask students to design and build a structure that is moved by the wind. Desmond made a dragon. Ezra made an airplane. Florence made a forest. Elliot made a structure that is powered by the wind. All of these activities provided diagnostic assessment and helped to guide the next steps in our inquiry journey.



The Boy Who Harnessed The Wind
We learned about the true story of William Kamkwamba, who used innovation and creativity to build a windmill out of recycled materials for his community in Wimbe, central Malawi. You can listen to “The Boy Who Harnessed the Wind” read aloud. You can find William telling his own story by searching his name. His brilliance has also inspired a movie. After reading the book, we made our own paper pinwheels and took them outside. Everyone loved running with the wind and making the blades spin! 

Paper Airplanes!
Ishai told us about the “Super Secret Mysteries of Flight”. We learned about thrust, lift, drag, and gravity, and their relationship to air. Then, he showed us how to make a ten-fold paper airplane. Here are the step-by-step instructions. It was challenging to listen and follow each instruction carefully. After folding our paper airplanes, we tested their flight in the school yard. We experimented by changing the thrust, and adapting the wings to make it fly straight and long. This was another active and fun activity!

Mr. W
After watching this short video, we had an interesting discussion about the main character. I asked: What do we know about this character? How does this character feel at the beginning and the end of the video? What kind of things do we see the character do? Why would they do these things? Who is this character? Why was this video made? This discussion encouraged students to think critically about media texts as part of our learning about Media Literacy.

This video also inspired us to begin writing our own Wind Stories. We used a graphic organizer to organize our ideas using time-order words, (First, Next, Then, Finally). Some students wrote from the perspective of Wind, and others described the movement and impact of wind. We used a collaborative editing and revision process to share our stories and improve our writing.

Testing our Theories:
This year, we are fortunate to be working with Doug Anderson, who is the co-author of Natural Curiosity 2nd Edition: The Importance of Indigenous Perspectives in Environmental Inquiry. After learning with Doug in the Rainbow Garden, several students wanted to know more about the relationship between the sun and the wind. Svea asked, “I wonder how the sun makes the wind?” 

We talked about how we might find the answers to our questions. We could: read books, look on the internet, ask someone. After reading a book called “Air”, which explained some facts, Ishai asked how we might test what we learned from the book. The students had different ideas about how we could prove that warm air rises and cold air is heavy. We went outside to find out. The students worked in small groups and used movement to demonstrate how the sun makes the wind. It was a great opportunity to use our bodies to express our understanding.



Learning Through the Arts
As we explored the movement of wind, we read the book, “When I Get Older: The story behind ‘Wavin’ Flag’” by K’naan. We learned that the song was inspired by his grandfather’s poem. K’naan’s family journey story supported many thoughtful discussions about civil war and refugees, settlement and anti-Black racism, how schools might be more welcoming to new families, and the impact of poetry and music to create community.  We listened to the song many times and went outside with fabric “flags” to wave in the wind. We are hoping to choreograph a dance and embody the lyrics, “Love is the answer”.

We also learned about two artists who have created complex wind sculptures that are moved in the wind. We watched a few videos about the work of Theo Jansen and Anthony Howe. The students were mesmerized and inspired by the movement of these beautiful sculptures.

Another song that we learned was “Blowin’ in the Wind” by Bob Dylan. This is a song that we sing every year during Peace Week and on Remembrance Day. It is an opportunity to reflect on the “big ideas” of conflict and justice. In the past, we have written messages of hope and peace on leaves that are released from the third floor window.

This year, our Visual Arts teacher, Shannon Greene, made powerful connections to Treaty Recognition Week. After learning “A Treaty Poem” by Melissa MacLennon and students, Shannon encouraged the students to write promises of peace on paper leaves to keep in the classroom. Copy of Land Acknowledgement and Dish With One Spoon Resource

Squirrel Nests:
As the leaves continued to fall, the students began to notice piles of leaves in the branches. We learned that they were nests made by squirrels, and we started to think about how animals might protect themselves from the wind. We went on a walking excursion to a local park, and Ishai challenged the students to build their own squirrel nests with leaves, sticks and air.

After building with natural materials, we did a “Gallery Walk” and visited all of the squirrel nests. Students were asked to describe one thing that they were proud of and one thing that they might do to improve their nest next time. These “GLOW” and “GROW” comments allowed us to practice self-evaluation, and provided valuable formative assessment.

Finally, it was time to test our squirrel nests. Each student was given fluffy goldenrod seeds to represent the squirrel, which was placed inside the nest. We used straws to simulate the wind, and to test the strength of each structure. Everyone had an amazing experience learning outdoors together!



Wind Machines!
As our final summative task, the students were invited to plan, build and test a structure that can be moved by the wind. Before building, students were encouraged to think about what they had learned about wind and apply their knowledge to their structure. Everyone drew a plan and labelled the materials that they would need. We spent several days in the classroom building and revising our structures, based on descriptive feedback.



On the day that we tested our wind machines, each student had an opportunity to share their structure and make predictions about how it might move. After testing, Ishai conferenced with each student to document their thoughts and ideas about how successful their wind machine had been, and how they might improve their design next time. It requires more time to connect 1:1 with students, but conferencing provides strong summative assessment data, and supports every student to feel successful about their learning.

Journey through Inquiry
Working with a Teacher Candidate was refreshing and reminded me about the importance of play, storytelling and movement in our lesson planning. Throughout our inquiry about Wind, the students were very engaged, and they had multiple opportunities to explore and demonstrate their understanding.  As an experienced educator, I am still learning about how to integrate and make connections across the curriculum in creative ways.  I am also learning that when we trust our students and follow their natural curiosity, the journey through inquiry will be deep, meaningful and fun!

M is for Mindfulness

My inbox and social media feeds are filled with reminders to take care of myself and to focus on the mental health and wellness of my students and community, and I am trying. This month, I felt the phunk of COVID fatigue. I am working hard to create playful moments of joy, and generate my own light.

My teacher friend, Bruce Gramlich, offered me a new resource called, “Fostering Mindfulness: Building skills that students need to manage their attention, emotions and behaviours in the classroom and beyond,” by Shelley Murphy (2019). In this book, Murphy has curated educator stories and several concrete examples of intentional exercises and activities to support the practice of mindfulness. Murphy believes that in order for educators to be successful at supporting students to be mindful, we must focus on our own practice. Like many educators, I am always paying attention and aware of what is happening to those around me, but mindfulness is about paying attention to myself.

What is Mindfulness?
“Mindfulness is both a way of being in the world and a practice. As a way of being, mindfulness is the quality of presence we bring to everything we do. It describes our innate capacity to pay full and conscious attention to something in the moment. It is the awareness that emerges from paying attention on purpose, in the present moment, and nonjudgmentally to the unfolding of our experience” (Kabat-Zinn, 2013).

Reflecting the Sky:
When I think about mindfulness, I imagine sitting still and meditating, breathing with intention, not thinking about anything, just “be”ing in the moment. Those moments are very rare for me. As soon as I step into the school building, I am pulled into a current that is swift and fast. I am a strong swimmer, but I have to work hard to keep my head above the water. I rarely float, and there are few moments of stillness. I love my work, and I am grateful every day for the creative flow and waves of energy, but I know that the water needs to be calm in order to reflect the sky.

As I begin to cultivate a practice of mindfulness outside of the classroom, I am learning that there are moments of wonder and gratitude in many different activities, including walking in the park, cooking a delicious meal, listening to music, riding my bicycle, playing with my dog, and doing yoga. One of the challenges for me is to re-create these moments in the classroom. Here are some examples of how I am trying to practice mindfulness and honour stillness with/in my Grade 2 students:

Gratitude:
We begin every day outside in a circle. Before we acknowledge the land with respect, gratitude, and a commitment to take action, I invite everyone to take five deep breaths together. We do “Five Finger Breathing,” and use one finger to trace each inhale and exhale around the fingers of the other hand. Acknowledging land includes noticing and paying attention to all of our relatives: the wind, the birds, squirrels, puddles, and roots in our school yard. We recognize the original caretakers of the land and review our understanding that a treaty is a promise. This daily practice of gratitude is an important part of mindfulness and also supports decolonizing pedagogy.



Listen to the City:
As we sit together and breathe, we use our senses to pay attention. I ask students to share what they hear, see, feel, smell. We talk about seasonal changes and transformation. Murphy (2019) calls this practice “Mindful Sensing.” Soundscapes are a dramatic convention that can be used throughout the curriculum, and can be combined with movement. Students use their voices and/or found sounds to tell a story. We have created soundscapes connected to our learning about water and wind. After reading the book, “Listen to the City” by Rachel Isadora, students worked in small groups to create a soundscape about the city and share it with the class.

Blindfold Tree Walk:
In one corner of our school yard, there is a small grove of cedar trees growing together. This area is being cared for and used as an Outdoor Classroom by many educators. One day, we used our sense of touch to do a Blindfold Tree Walk. We worked with a partner to find a special tree. Then, one partner was blindfolded and guided carefully to different trees to touch, until they found their special tree. Before blindfolding students, we talked about what might be challenging for people who are Blind or have low-vision, and how we can support them to walk safely. After participating in this activity, students reflected on the experience, and described what they noticed and how they used their senses to find their special tree. I also tried this activity and was delighted when I reconnected with my tree.



What Does Peace Feel Like?
This activity inspired us to explore another book called, “What Does Peace Feel Like?” by Vladimir Radunsky. This book is filled with the voices of children who use their five senses to describe peace. Students were inspired to write their own descriptions of peace, and used watercolours to paint what peace looks like. We shared our poetry with a special guest who joined us via ZOOM. Donna Jodhan is a disability justice activist who we met ten years ago when she successfully challenged the Canadian government to make websites more accessible for Blind people. It was a wonderful opportunity to celebrate, reflect and recognize the importance of allyship and advocacy.



Loving Kindness:
“Heartprints” are celebrations of when we have been successful at meeting our learning goals. Currently, we are working on the following goals: “I can be a good friend”, “I can keep trying” and “I can solve problems.” After recess, I will often ask students to share a story about when they were a good friend to someone, or when someone was a good friend to them. As they are sharing, I write their story on a heart-shaped piece of paper. These heartprints are hung in our classroom. Heartprints support cooperative learning, encourage the practice of gratitude and sharing appreciation, reinforce positive behaviour, and help us to create an inclusive and kind classroom community.



My teacher friend, Kelly Fricker recently supported her Grade 1/2 students to share random acts of kindness and #passiton. Together, they generated a list of positive messages to encourage the adults in the school building, and wrote them on heart-shaped paper. Kelly filled every mailbox with messages such as, “You’ve got this!”, “You are appreciated! ”, “You are my sunshine!” I was inspired and worked with my own students to fill the mailboxes in my school with messages of loving kindness. It was a wonder-full activity. Pass it on!


Community Immunity!

COVID-19 has turned everyone into a first-year teacher.  It doesn’t matter how many years of experience you might have, because this year is unlike any other that we have ever experienced.  All of us are re-imagining new ways to connect with students, whether you are learning together on-line or in-person.  It is a very humbling experience to be starting from scratch.

I have chosen to teach in-person because I crave community and collaboration.  The weeks leading up the first day of school were frustrating and stressful.  Everyone was scared and nervous as we struggled to create new routines and protocols.  As soon as the students arrived, I began to relax.  There is still so much that is unknown and unpredictable, but I know how to play and learn with children.

Here are some of my insights from the first few weeks of teaching Grade 2.

Sign Language:

Wearing masks makes it very difficult to communicate clearly.  We cannot read each other’s lips or facial expressions, and it is hard to hear each other.  For those of us who are teaching outside, our voices are struggling to project.  I grew up with a father who was deaf-blind.  As a child, I learned about barriers, disability justice, and how to communicate with my hands.

I worked with my students to develop simple signs that we can use to help us communicate.  We have symbols for: turning up the volume, sharing the same idea, making connections, asking to use the washroom or get a drink of water, and letting someone know we are smiling underneath.  I made a short video, which I shared with my families after the first day of school.  Send me an email if you would like me to share it with you.

I also bought myself a voice amplifier, which helps everyone to listen, and makes me feel like a rock star!

Drama and Play:

Drama is a powerful way to teach and create community.  I have been using role-playing and charades to practice and reinforce new routines, and problem-solve different scenarios.  I believe in the possibilities of play, and I am holding space for us to play together.  After months of isolation and loss, we all need to connect and have fun!

Every morning, after pre-screening and sharing our connection to land, we play a few cooperative games.  We have been learning each other’s names by clapping out syllables, using gestures or wordplay, such as “Very Velvet”.  We ask questions and “Step into the Circle”.  We change places with someone else “When the Big Wind Blows….” and we try to guess who is leading the action in “Follow the Leader”.

My teacher friend, Peyton Leung, shared this link of Socially Distant Outdoor Games for Kindergarten-Grade 8.  Check it out!  Also, here are some Drama Games that will work on-line and in-person.

Outdoor Learning:

All the educators at our school are trying to spend as much time outside as possible.  We know that learning outdoors is safer, and we are transforming our pedagogy by teaching and learning outdoors.  There are many challenges to overcome, including city traffic and construction noise, carrying the materials you need everywhere you go, the lack of shelter and easy access to washrooms, etc.  We are embracing the “big ideas” of change and adaptation and using our imagination to co-create new possibilities for education.

Kindergarten-Grade 6 students have been exploring measurement and mapping, as we connect with the different areas of our school yard.  Inside our “portable desks” are materials we can use for documenting our learning.  We are all learning how to keep our knapsacks organized and take responsibility for the extra masks and layers, hand sanitizer, “sit-upons” and school supplies.

This year, we will be deepening our understanding of land education and collaborating with Doug Anderson, who is one of the co-authors of Natural Curiosity 2nd edition: The Importance of Indigenous Perspectives in Children’s Environmental Inquiry.  We will explore a pedagogy of relationships, and honour land as first teacher.

There are extensive resources that connect Outdoor Learning to the Ontario Curriculum.  These Kindergarten-Grade 8 activities were created by the Peel District School Board Field Centre Instructors.  Please share other resources that are supporting you to do this work.

Engaging with Indigenous Knowledge as a Non-Indigenous Educator

Over my teaching career I have been fortunate to teach in schools with high populations of Indigenous students and to learn from the knowledge keepers and elders in the communities that our schools served.  Admittedly, I haven’t always said or done the right things but I have learned from those mistakes.  As a non-Indigenous educator, I know that I will continuously be on a professional and personal learning journey.  I acknowledge that it is my responsibility to do this learning.  There are resources that I have used along the way and I hope that by drawing attention to the following resources, I can assist others in their learning journey.

In order to avoid cultural appropriation, to honour and respect Indigenous culture and history as a non-Indigenous teacher, it is important to have the appropriate resources. We can’t avoid teaching about residential schools because we don’t feel comfortable.  It is a part of the Ontario Curriculum.  It isn’t just about “history” either.  Current events draw attention to the pervasive issues faced by Indigenous peoples.  These are teachable moments that are authentic and relevant to students.  Students will be asking questions and forming opinions. As educators we have a responsibility to assist students to find accurate and culturally respectful information.

If you are looking for a place to begin in your learning journey, visit ETFO’s First Nations, Métis and Inuit Education website.  It is filled with cultural protocols, resources and Ministry Documents.  It is a treasure trove of information on treaties, land acknowledgements and avoiding cultural appropriation.  Throughout the literature are hyperlinks for explanations of concepts and lexicon.  Through ShopETFO you can purchase the FNMI Engaging Learners Through Play  resource created for elementary educators which provides play based activities that engage all students.

A quick resource can be found on code.on.ca (The Council of Ontario Drama and Dance Educators). This resource provides a quick chart of protocols on what to do, what to avoid, why to avoid and what to try in order to bring learning about Indigenous culture and history into your classroom.  This document also provides links to videos about Indigenous Arts Protocols, and a quick reference guide for what to think about before engaging with Indigenous Knowledge.

The website helpingourmotherearth.com is filled with tools and resources for educators including videos of Indigenous Knowledge Keepers telling their stories.  There are free educational resource kits with lesson plans for primary, junior and intermediate students.  In addition, you could sign up for professional learning or a workshop on the site.

Like me, you might make mistakes.  However, my Indigenous educator friends have coached me that the worst mistake that non-Indigenous educators can make is to do nothing.  I hope that highlighting these resources will help you along your professional learning journey.

Teaching Beyond the Land Acknowledgment

In order to minimize exposure to COVID-19, many educators will be teaching and learning outdoors.  This is a wonderful opportunity to re/connect with land, explore environmental justice through inquiry, and integrate First Nations, Inuit and Metis peoples’ knowledge and perspectives throughout the curriculum.

As a non-Indigenous ally and accomplice, I am learning about the critical importance of teaching through relationships.  This year, I will be teaching Grade 2 and I hope to be outdoors every day, learning with, through and from the land around our school.  We will use environmental inquiry and land education to explore the “big ideas” of gratitude, reciprocity, and respect, as we critically reflect on land in the context of colonial settlement.

Whose Land?

In every school, the day begins with a land acknowledgment of the traditional First Nations, Metis, and/or Inuit territories that the school is situated upon.  This is an important way to honour Indigenous protocol and understand ourselves in relationship to land.  It can also be a call to action to decolonize schools and recognize Indigenous sovereignty.

In “What are land acknowledgments and why do they matter?” Indigenous writer Selena Mills invites us to think about how land acknowledgements connect to reconciliation and justice.  Land acknowledgements are an important way to honour Indigenous peoples’ kinship beliefs, deep connection, and relationship to land.  They can also be used to unsettle colonial narratives and hold all of us accountable to our responsibilities as treaty people.

This year, our school days and entry times might be staggered, and many students will be learning remotely, but I hope that educators will continue to begin each day with a land acknowledgment.  This can be shared orally and/or it can appear visually at the top of your virtual classroom.

Call to Action

It is our responsibility as educators to deepen our understandings of Indigenous protocols, history, world views and perspectives, and to integrate these teachings throughout the curriculum.  These calls to action are clearly outlined in the 2015 Truth and Reconciliation Commission of Canada Report, which are endorsed by ETFO.

After learning more about the diverse communities that have lived and continue to live on the land, students can demonstrate their understanding by writing their own land acknowledgement, and include actions that they will take to care for the land.  Here is a template from Amnesty International to consider.

Where Do I Begin?

Every time I teach about lived experiences that are not my own, I approach the new learning with curiosity, humility, and respect.  I position myself as a co-learner, actively listen, and share my own questions and learning process with others.

I reach out to families and invite community members to share their knowledge and teaching with us, paid for by Parent Council funding and/or my classroom budget.

I search for resources that are culturally relevant and responsive, written or created by the communities we are learning about.  I site the voices and sources of the texts we are using, and focus on narratives that celebrate resistance, love, beauty, innovation, pride, and achievement.

With my students and their families, I try to create a community of collaboration and curiosity.  At the beginning of the year, I will encourage reflection and critical thinking about the questions, “Who am I?” and “Where am I?”  Throughout the year, I will use the Land Acknowledgment to:

  • share stories about our multiple and diverse relationships to land
  • ask questions and learn about the original inhabitants and caretakers of land
  • identify and disrupt settler colonialism and systemic racism
  • learn about treaty agreements and Indigenous rights
  • encourage deep connection and gratitude for our relatives
  • acknowledge our collective responsibility to protect land
  • explore and honour our family journey stories
  • engage in acts of solidarity with Indigenous resistance

As we (re)story our relationships to land, we can begin to transform schools, and build relationships of mutual trust and accountability between Indigenous and Settler communities.  Teaching beyond the land acknowledgment is a powerful place to start.

ETFO Resources

ETFO has developed outstanding resources to support the integration of First Nations, Inuit, and Metis perspectives in the classroom.  Ask your Teacher Librarian and/or Administrator to bring these inclusive texts into the school:

You can find additional resources, including posters, webinars, and literature at: www.etfofnmi.ca  You can also find excellent articles in ETFO’s VOICE magazine.

Additional Resources:

https://youtu.be/nG_iMUHFuOg

https://native-land.ca/

https://www.youtube.com/watch?v=qNZi301-p8k

www.tolerance.org/magazine/what-is-settlercolonialism

Please share any other resources that you use in the comments below.  Thank you!